Movement Directors in Contemporary Theatre: Conversations on Craft
'When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.'
- Joan Iyiola


Movement directors work with the physical, living bodies at the heart of theatre productions, creating movement languages with actors and directors. Through a series of in-depth interviews with leading theatre practitioners, Ayse Tashkiran charts the growth of the movement director in contemporary theatre. The voices of Jane Gibson, Sue Lefton, Kate Flatt, Toby Sedgwick, Siân Williams, Struan Leslie, Ellen Kane, Peter Darling, Steven Hoggett, Ann Yee, Imogen Knight and Shelley Maxwell explore processes of creativity, collaboration and innovation for the moving body in performance.

The conversations open up:
Growth of movement direction through the 20th century
New insights into embodied theatre practice
Diverse movement approaches and creative preparation
Physical trainings and influences
Working methods with directors and actors in the rehearsal room
Movement for actors in opera, film, television and musical theatre
Relationships between movement direction and theatre choreography
Potential future developments in the field

1135712498
Movement Directors in Contemporary Theatre: Conversations on Craft
'When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.'
- Joan Iyiola


Movement directors work with the physical, living bodies at the heart of theatre productions, creating movement languages with actors and directors. Through a series of in-depth interviews with leading theatre practitioners, Ayse Tashkiran charts the growth of the movement director in contemporary theatre. The voices of Jane Gibson, Sue Lefton, Kate Flatt, Toby Sedgwick, Siân Williams, Struan Leslie, Ellen Kane, Peter Darling, Steven Hoggett, Ann Yee, Imogen Knight and Shelley Maxwell explore processes of creativity, collaboration and innovation for the moving body in performance.

The conversations open up:
Growth of movement direction through the 20th century
New insights into embodied theatre practice
Diverse movement approaches and creative preparation
Physical trainings and influences
Working methods with directors and actors in the rehearsal room
Movement for actors in opera, film, television and musical theatre
Relationships between movement direction and theatre choreography
Potential future developments in the field

34.95 In Stock
Movement Directors in Contemporary Theatre: Conversations on Craft

Movement Directors in Contemporary Theatre: Conversations on Craft

by Ayse Tashkiran
Movement Directors in Contemporary Theatre: Conversations on Craft

Movement Directors in Contemporary Theatre: Conversations on Craft

by Ayse Tashkiran

Paperback

$34.95 
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Overview

'When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.'
- Joan Iyiola


Movement directors work with the physical, living bodies at the heart of theatre productions, creating movement languages with actors and directors. Through a series of in-depth interviews with leading theatre practitioners, Ayse Tashkiran charts the growth of the movement director in contemporary theatre. The voices of Jane Gibson, Sue Lefton, Kate Flatt, Toby Sedgwick, Siân Williams, Struan Leslie, Ellen Kane, Peter Darling, Steven Hoggett, Ann Yee, Imogen Knight and Shelley Maxwell explore processes of creativity, collaboration and innovation for the moving body in performance.

The conversations open up:
Growth of movement direction through the 20th century
New insights into embodied theatre practice
Diverse movement approaches and creative preparation
Physical trainings and influences
Working methods with directors and actors in the rehearsal room
Movement for actors in opera, film, television and musical theatre
Relationships between movement direction and theatre choreography
Potential future developments in the field


Product Details

ISBN-13: 9781350054455
Publisher: Bloomsbury Academic
Publication date: 07/09/2020
Series: Theatre Makers
Pages: 240
Product dimensions: 6.14(w) x 9.21(h) x 0.50(d)

About the Author

Ayse Tashkiran is a movement director, teacher and researcher in the field of actor movement. After graduating from the Drama Department at Bristol University, she trained with Lecoq at L'Ecole International Jacques Lecoq for two years in Paris. After a career as a physical theatre performer, she started to movement direct and teach. She joined Royal Central School of Speech and Drama in 2003 where she co leads the MA/MFA Movement: directing and teaching. She is the recipient of a Society for Theatre Research award for her research into the history of movement direction. Ayse Tashkiran practices as a movement director for a variety of professional theatre productions and companies including the Young Vic, the RSC and WNO max.

Table of Contents

Foreword Maria Aherg Joan Lyiola vi

Preface ix

Acknowledgements xi

Introduction 1

1 Early practitioners and practices 9

2 Themes 27

3 Jane Gibson 41

4 Sue Lefton 53

5 Kate Flatt 65

6 Toby Sedgwick 81

7 Siân Williams 93

8 Struan Leslie 105

9 Ellen Kane 119

10 Peter Darling 129

11 Steven Hoggett 137

12 Ann Yee 149

13 Imogen Knight 159

14 Shelley Maxwell 171

15 Future voices 183

16 Beyond the room: Contexts and structures 197

Glossary 213

References 215

Further reading 219

About the author 227

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