Muriel Spark: Twenty-First-Century Perspectives
Dame Muriel Spark—the highly acclaimed Scottish writer—published over twenty novels and more than a dozen short-story collections from the late 1950s until her death in 2006. Two of her novels, The Public Image and Loitering with Intent, were short-listed for the Booker Prize, and another, The Prime of Miss Jean Brodie, was made into an Academy Award–winning movie. David Herman here assembles an international group of scholars to contexualize and analyze Spark's works, highlighting the continuing relevance of her texts in the twenty-first century.

With three new essays and a reworked introduction by the editor, this volume expands a special issue of Modern Fiction Studies dedicated to Spark and her writings. Organized thematically into three parts, the volume includes essays that consider Spark as both Scottish and world author, situate Spark in the broader contexts of postwar culture, and offer exemplary readings of specific works from various critical perspectives.

A resource for students and scholars alike, this volume provides information about Spark’s oeuvre while also featuring current, theoretically informed interpretations of individual texts.

1102888266
Muriel Spark: Twenty-First-Century Perspectives
Dame Muriel Spark—the highly acclaimed Scottish writer—published over twenty novels and more than a dozen short-story collections from the late 1950s until her death in 2006. Two of her novels, The Public Image and Loitering with Intent, were short-listed for the Booker Prize, and another, The Prime of Miss Jean Brodie, was made into an Academy Award–winning movie. David Herman here assembles an international group of scholars to contexualize and analyze Spark's works, highlighting the continuing relevance of her texts in the twenty-first century.

With three new essays and a reworked introduction by the editor, this volume expands a special issue of Modern Fiction Studies dedicated to Spark and her writings. Organized thematically into three parts, the volume includes essays that consider Spark as both Scottish and world author, situate Spark in the broader contexts of postwar culture, and offer exemplary readings of specific works from various critical perspectives.

A resource for students and scholars alike, this volume provides information about Spark’s oeuvre while also featuring current, theoretically informed interpretations of individual texts.

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Muriel Spark: Twenty-First-Century Perspectives

Muriel Spark: Twenty-First-Century Perspectives

Muriel Spark: Twenty-First-Century Perspectives

Muriel Spark: Twenty-First-Century Perspectives

Overview

Dame Muriel Spark—the highly acclaimed Scottish writer—published over twenty novels and more than a dozen short-story collections from the late 1950s until her death in 2006. Two of her novels, The Public Image and Loitering with Intent, were short-listed for the Booker Prize, and another, The Prime of Miss Jean Brodie, was made into an Academy Award–winning movie. David Herman here assembles an international group of scholars to contexualize and analyze Spark's works, highlighting the continuing relevance of her texts in the twenty-first century.

With three new essays and a reworked introduction by the editor, this volume expands a special issue of Modern Fiction Studies dedicated to Spark and her writings. Organized thematically into three parts, the volume includes essays that consider Spark as both Scottish and world author, situate Spark in the broader contexts of postwar culture, and offer exemplary readings of specific works from various critical perspectives.

A resource for students and scholars alike, this volume provides information about Spark’s oeuvre while also featuring current, theoretically informed interpretations of individual texts.

Product Details

ISBN-13: 9780801895548
Publisher: Johns Hopkins University Press
Publication date: 06/01/2010
Series: A Modern Fiction Studies Book
Pages: 256
Product dimensions: 5.90(w) x 8.90(h) x 0.70(d)
Age Range: 18 Years

About the Author

David Herman is a professor of English at the Ohio State University. He has published widely on narrative theory, modern and postmodern fiction, and storytelling across media.

Table of Contents

Preface vii

Introduction David Herman 1

Part I Spark as Scottish and World Author

Chapter 1 "Fully to Savour Her Position": Muriel Spark and Scottish Identity Gerard Carruthers 21

Chapter 2 "The Magazine That Is Considered the Best in the World": Muriel Spark and the New Yorker Lisa Harrison 39

Part II Situating Spark in Postwar Culture

Chapter 3 Muriel Spark and the Metaphysics of Modernity: Art, Secularization, and Psychosis Patricia Waugh 63

Chapter 4 Muriel Spark and the Meaning of Treason Marina MacKay 94

Chapter 5 Reading Spark in the Age of Suspicion Bran Nicol 112

Chapter 6 Stylish Spinsters: Spark, Pym, and the Postwar Comedy of the Object Hope Howell Hodgkins 129

Part III Reading Spark

Chapter 7 The Mandelbaum Gate: Muriel Spark's Apocalyptic Gag John Glavin 153

Chapter 8 "Her Lips Are Slightly Parted": The Ineffability of Erotic Sociality in Muriel Spark's The Driver's Seat Jonathan Kemp 173

Chapter 9 "Look for One Thing and You Find Another": The Voice and Deduction in Muriel Spark's Memento Mori Allan Pero 187

Chapter 10 Matters of Care and Control: Surveillance, Omniscience, and Narrative Power in The Abbess of Crewe and Loitering with Intent Lewis Macleod 203

Appendix: A Bibliography of Recent Criticism on Muriel Spark Allison Fisher (with the assistance of Shannon Thomas) 225

Contributors 229

Index 233

What People are Saying About This

Aileen Christianson

A substantial addition to Spark criticism, of which there has been surprisingly little published in recent years.

— Aileen Christianson, University of Edinburgh

From the Publisher

A substantial addition to Spark criticism, of which there has been surprisingly little published in recent years.
—Aileen Christianson, University of Edinburgh

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Literary Criticism
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Literature
Literary Criticism
Literary Theory
Literary Theory - General & Miscellaneous

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