Music, Experiment and Mathematics in England, 1653-1705

Music, Experiment and Mathematics in England, 1653-1705

by Benjamin Wardhaugh
ISBN-10:
0754665267
ISBN-13:
9780754665267
Pub. Date:
10/28/2008
Publisher:
Taylor & Francis

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Overview

Music, Experiment and Mathematics in England, 1653-1705

How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions. It constitutes a general history of quantitative music theory in the late seventeenth century as well as a detailed study of one part of that history: namely the applications of mathematical and mechanical methods of understanding to music that were produced in England between 1653 and 1705, beginning with the responses to
Descartes's 1650 Compendium musicæ, and ending with the Philosophical Transactions' account of the appearance of Thomas Salmon at the Royal Society in 1705. The book is organized around four key questions. Do musical pitches form a small set or a continuous spectrum? Is there a single faculty of hearing which can account for musical sensation, or is more than one faculty at work? What is the role of harmony in the mechanical world, and where can its effects be found? And what is the relationship between musical theory and musical practice? These are questions which are raised and discussed in the sources themselves, and they have wide significance for early modern theories of knowledge and sensation more generally, as well as providing a fascinating side light onto the world of the scientific revolution.

Product Details

ISBN-13: 9780754665267
Publisher: Taylor & Francis
Publication date: 10/28/2008
Pages: 222
Product dimensions: 6.25(w) x 9.25(h) x 19.00(d)

Table of Contents

Contents: Introduction; From Pythagoras to Kircher; Musical pitch: discrete or continuous?; Faculties of hearing; Harmony in the mechanical world; Theories and practices; Conclusion; Select bibliography; Index.

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