Music in Ireland: Experiencing Music, Expressing Culture / Edition 1

Music in Ireland: Experiencing Music, Expressing Culture / Edition 1

ISBN-10:
0195145550
ISBN-13:
9780195145557
Pub. Date:
06/24/2004
Publisher:
Oxford University Press
ISBN-10:
0195145550
ISBN-13:
9780195145557
Pub. Date:
06/24/2004
Publisher:
Oxford University Press
Music in Ireland: Experiencing Music, Expressing Culture / Edition 1

Music in Ireland: Experiencing Music, Expressing Culture / Edition 1

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Overview

Music in Ireland is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study.
Music in Ireland provides an engaging and focused introduction to Irish traditional music—types of singing, instrumental music, and dance that reflect the social values and political messages central to Irish identity. This music thrives today not only in Ireland but also in areas throughout North America, Europe, Australia, and Asia.
Vividly evoking Irish sounds, instruments, and dance steps, Music in Ireland provides a springboard for the discussion of cultural and historical issues of identity, community, nationalism, emigration, transmission, and gender. Using the informal instrumental and singing session as a focal point, Dorothea E. Hast and Stanley Scott take readers into contemporary performance environments and explore many facets of the tradition, from the "craic" (good-natured fun) to performance style, repertoire, and instrumentation. Incorporating first-person accounts of performances and interviews with performers and folklorists, the authors emphasize the significant roles that people play in music-making and illuminate national and international musical trends. They also address commercialism, globalization, and cross-cultural collaboration, issues that have become increasingly important as more Irish artists enter the global marketplace through recordings, tours, and large-scale productions like Riverdance.
Packaged with a 70-minute CD containing examples of the music discussed in the book, Music in Ireland features guided listening and hands-on activities that allow readers to gain experience in Irish culture by becoming active participants in the music.

Product Details

ISBN-13: 9780195145557
Publisher: Oxford University Press
Publication date: 06/24/2004
Series: Global Music Series
Edition description: New Edition
Pages: 176
Sales rank: 992,932
Product dimensions: 8.20(w) x 5.46(h) x 0.41(d)

About the Author

Eastern Connecticut State University

Southern Connecticut State University and Wesleyan University

Table of Contents

, Foreword, Preface, Pronunciation Guide, CD Track List1. Invitation to a SessionWhat is Traditional Irish Music? Basic Themes2. Historical Continuities: Music, Dance, and the Making of a NationColonialism in Ireland, Edward Bunting and Thomas MooreDancing and Dance MusicMusic, Religion, and Political StruggleEmigration, "The Green Fields of Canada", "Edward Connors"Nationalism, Home Rule and the Gaelic League, Constructing an Irish IrelandConclusion3. Passing on the TraditionLearning by Osmosis: Mary MacNamara and Kevin CrawfordCompetitionsThe Willie Clancy Summer School4. The Dance Tune TraditionTune StructureTune CollectionsTune Aesthetics: Variation and OrnamentationTune Names and Tune Types, Jig, Reel, Hornpipe, Polka and WaltzA Tune in Performance: Garrett Barry's JigInstrumentsUilleann Pipes, Harp, Fiddles and Fiddle Styles, Concertina, Tin Whistle, Flute, Plucked InstrumentsThe Bodhrán, Piano, Synthesizers, and Electric InstrumentsSolo versus Ensemble Playing: Sessions, Céilí Bands, and Small Groups5. Singers, Sessions, and SongsThe Góilín Singers' Club and the Folk Revival6. The Sean-nós in the New Ireland: Irish Singing TraditionsThe Lyrics of Sean-nósThe Sound of Sean-nósA Singer's MissionA Linguistic Meeting-Ground: Irish Traditional Songs in English, A Floating Repertoire of Tunes and Verses, Len Graham: "A Compulsive Singer"Conclusion7. Irish Music in the Global MarketplaceRiverdanceBlack 47New DirectionsConclusion, Glossary, References, Resources, Index
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