Musical Comedy on the West End Stage, 1890 - 1939
This book offers the first full historical treatment of a music theatre that was once at the centre of London's West End. From the late Victorian period to the early 1920s, musical comedy was the single most popular form of 'legitimate' theatre entertainment. This lively account establishes musical comedy as one of the first industrial cultures and offers fascinating insights into how it functioned ideologically as a celebrated embracing of the modern condition.
1102943343
Musical Comedy on the West End Stage, 1890 - 1939
This book offers the first full historical treatment of a music theatre that was once at the centre of London's West End. From the late Victorian period to the early 1920s, musical comedy was the single most popular form of 'legitimate' theatre entertainment. This lively account establishes musical comedy as one of the first industrial cultures and offers fascinating insights into how it functioned ideologically as a celebrated embracing of the modern condition.
109.99 In Stock
Musical Comedy on the West End Stage, 1890 - 1939

Musical Comedy on the West End Stage, 1890 - 1939

by L. Platt
Musical Comedy on the West End Stage, 1890 - 1939

Musical Comedy on the West End Stage, 1890 - 1939

by L. Platt

Paperback(1st ed. 2004)

$109.99 
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Overview

This book offers the first full historical treatment of a music theatre that was once at the centre of London's West End. From the late Victorian period to the early 1920s, musical comedy was the single most popular form of 'legitimate' theatre entertainment. This lively account establishes musical comedy as one of the first industrial cultures and offers fascinating insights into how it functioned ideologically as a celebrated embracing of the modern condition.

Product Details

ISBN-13: 9781349515929
Publisher: Palgrave Macmillan UK
Publication date: 01/01/2004
Edition description: 1st ed. 2004
Pages: 207
Product dimensions: 5.00(w) x 7.99(h) x (d)

About the Author

LEN PLATT is Senior Lecturer at Goldsmiths College, University of London. He has published widely on literary and musical cultures of the early twentieth-century. He is the author of Joyce and the Anglo-Irish: A Study of Joyce and the Literary Revival (1998), Arisracies of Fiction: The Idea of Arisracy in Late Nineteenth- and Twentieth-Century Literatures (2001) and American Culture and Musical Theatre (2003).

Table of Contents

List of Illustrations Preface Themes and Approaches Our Sickly Age's End: Musical Comedy and Modernity Chin Chin Chinaman: Doing Other Cultures Arisracy and the Cultural Politics of Modernity Interventions in the Politics of Gender and Sexuality The Decline of West End Musical Comedy, 1912-1930 Notes to Appendixes 1, 2 and 3 Appendix 1: Selected British Musical Comedies, 1892-1920 (London, West End) Appendix 2: Selected 'Imported' Musical Comedies, 1898-1920 (London, West End) Appendix 3: Selected Musical Comedies, 1921-1939 (London, West End) Selected Bibliography Index
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