New Kids on the Block's Hangin' Tough

by Rebecca Wallwork

Overview

Hangin' Tough, the second album by the New Kids on the Block, has sold more than seventeen million copies worldwide since it was released in 1988. But the album and the band have also been dismissed, derided and deemed uncool by the music establishment.

Almost thirty years later, the New Kids still perform the songs from Hangin' Tough.Hundreds of thousands of grown women still flock to their concerts to hear-and go bat-shit crazy for-the songs they first heard when they were teenagers. Is this mere nostalgia or can the science of music help explain the enduring success of Hangin' Tough? What is it about this album that made it so special? Is the music any good or are there other factors at play too?

Jourbanalist and New Kids fan Rebecca Wallwork sets out to analyze the quality of Hangin' Tough with the help of music cognition experts, critics, producers and music industry pros. This is not a story about crazy fans, boy bands and truckloads of cheesy merchandise; it is an exploration of a watershed album and moment in pop culture history. It is a glimpse into the brain of not just New Kids fans, but into the minds and hearts of anyone who loves music.

Product Details

ISBN-13:	9781628929737
Publisher:	Bloomsbury Academic
Publication date:	04/21/2016
Series:	33 1/3 Series
Pages:	144
Sales rank:	1,105,566
Product dimensions:	4.70(w) x 6.40(h) x 0.50(d)

About the Author

Rebecca Wallwork is a writer and content director based in Miami Beach.

Table of Contents

Introduction
Chapter 1: Do You Remember?
Chapter 2: It Starts With a Whisper
Chapter 3: Rise N' Grind
Chapter 4: Listen Up, Everybody
Chapter 5: Space Cowboy
Chapter 6: Click, Click, Click
Chapter 7: Let's Get This
Chapter 8: Put You in a Trance
Chapter 9: BH Love Eternal
Pose For Me (photos)

Editorial Reviews

Making the case for the slick-sounding album’s place in music history seems a considerable undertaking. Yet author Wallwork presents more than enough plausible evidence about the band’s place in pop culture through research and interviews with those who worked with the boys during its heyday. She aims to explain why this album still resonates with her and the band’s mostly female audience (now in their 40s), and she tackles her subject on multiple fronts: the science, particularly the psychology, of why music from people’s teen years sticks with them well into adulthood; the genius of the band’s creator, Maurice Starr, who was also responsible for its music; and the personalities, talents, and musical influences of the five band members. In some ways, this book is not so much a band biography or album history as it is a story about fandom. Even elitist rock fans who don’t remember the New Kids fondly will find that Wallwork’s work may crack their hard, cynical shells.” – Kirkus Reviews

“With this book, Wallwork isn't trying to convince readers to like New Kids on the Block. Rather she just wants to understand her own fandom. She wants to make sure she's not looking at it through the lens of nostalgia, something everyone has questioned at least once with something they remember fondly. Hangin' Tough will remind fans why they love NKOTB and will make others think differently about the group.” – Examiner

“What makes Wallwork’s book so great is that you can use it to understand how YOU fell in love with ‘that band’ from your teenaged years, and why you can’t let them go, no matter how you think your tastes have changed. Wallwork refused to apologize for her fandom, and instead invited you along to understand why you feel the way you do about your version of New Kids on the Block.” – Bearded Gentlemen Music

From the Publisher

2016-04-19
Debut author Wallwork puts the 1980s and '90s boy band's smash album into critical perspective for this latest installment of the 33 1/3 book series. It's not often in publishing that a blockbuster pop album recorded by a boy band gets a somewhat serious reevaluation. The New Kids on the Block and their second album, 1988's Hangin' Tough, which yielded five Top 10 hits, including "You Got It (The Right Stuff)" and "I'll Be Loving You (Forever)," polarized serious rock fans and critics but not the group's teeny-bopper audience. Making the case for the slick-sounding album's place in music history seems a considerable undertaking. Yet author Wallwork presents more than enough plausible evidence about the band's place in pop culture through research and interviews with those who worked with the boys during its heyday. She aims to explain why this album still resonates with her and the band's mostly female audience (now in their 40s), and she tackles her subject on multiple fronts: the science, particularly the psychology, of why music from people's teen years sticks with them well into adulthood; the genius of the band's creator, Maurice Starr, who was also responsible for its music; and the personalities, talents, and musical influences of the five band members. Wallwork doesn't attempt here to disguise her admiration for the New Kids; she grew up a fan in Australia and has personally interviewed most of them over the years. Her perspective will make readers appreciate the rags-to-riches story of five white kids from Boston, who were plucked from obscurity by Starr, an ambitious, musically talented African-American songwriter and producer who molded them into a formidable, highly successful act—even though their record company didn't know what to do with them at first. Starr certainly deserves the credit for making it all possible, but Wallwork posits that the boys were talented in their own right, which may explain why they still endure while Starr's subsequent acts, such as NK5, haven't reached such success. She also notes that the members' down-to-earth personas help account for their appeal. In some ways, this book is not so much a band biography or album history as it is a story about fandom. Even elitist rock fans who don't remember the New Kids fondly will find that Wallwork's work may crack their hard, cynical shells. A surprising, somewhat convincing argument for a group's and record's artistic merits.

Kirkus Reviews