Nineteenth-Century Transatlantic Reprinting and the Embodied Book
Until the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book's appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain's study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works”Charles Dickens's American Notes for General Circulation, Susan Warner's The Wide, Wide World, Fanny Kemble's Journal of a Residence on a Georgian Plantation, and Walt Whitman's Democratic Vistas”DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux. At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity.
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Nineteenth-Century Transatlantic Reprinting and the Embodied Book
Until the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book's appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain's study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works”Charles Dickens's American Notes for General Circulation, Susan Warner's The Wide, Wide World, Fanny Kemble's Journal of a Residence on a Georgian Plantation, and Walt Whitman's Democratic Vistas”DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux. At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity.
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Nineteenth-Century Transatlantic Reprinting and the Embodied Book

Nineteenth-Century Transatlantic Reprinting and the Embodied Book

by Jessica DeSpain
Nineteenth-Century Transatlantic Reprinting and the Embodied Book

Nineteenth-Century Transatlantic Reprinting and the Embodied Book

by Jessica DeSpain

Overview

Until the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book's appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain's study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works”Charles Dickens's American Notes for General Circulation, Susan Warner's The Wide, Wide World, Fanny Kemble's Journal of a Residence on a Georgian Plantation, and Walt Whitman's Democratic Vistas”DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux. At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity.

Product Details

ISBN-13: 9781032926773
Publisher: Taylor & Francis
Publication date: 10/14/2024
Series: Ashgate Series in Nineteenth-Century Transatlantic Studies
Pages: 224
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Jessica DeSpain is Associate Professor of English at Southern Illinois University Edwardsville, USA.

Table of Contents

Contents: Introduction: steaming across the pond: books, bodies, and citizenship in 19th-century transatlantic culture; ’Here goes Boz - only a shilling!’: the monstrous general circulation of American Notes; Claiming kindred with all the world: Susan Warner’s The Wide, Wide World and its British reprints; Restaging intimacy: the pamphlet reproductions of Fanny Kemble’s Georgian journal; Whitman’s democratic marrow: Democratic Vistas within a British working class cheap series; Conclusion: the transatlantic book after international copyright: the arts and crafts respond to an Anglo-American alliance; Bibliography; Index.
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