- Life's Greatest Fool
- Silver Raven
- No Other
- Strength of Strings
- From a Silver Phial
- Some Misunderstanding
- The True One
- Lady of the North
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0191400007017
Timothy B. Schmit Vocals (Background),Vocals
Carlena Williams Vocals (Background),Vocals,Voices
Shirley Matthews Vocals (Background),Vocals,Voices
Clydie King Vocals (Background),Vocals,Voices
Venetta Fields Vocals (Background),Vocals,Voices
Ronnie Barron Vocals (Background),Vocals,Voices
Claudia Lennear Vocals (Background),Vocals,Voices
Cidny Bullens Vocals (Background),Vocals,Voices
Stephen Bruton Guitar
Steve Bruton Guitar
Bill Cuomo Organ,Keyboards
Chris Hillman Mandolin
Joe Lala Percussion
Russ Kunkel Drums
Leland Sklar Bass
Richard Green Violin
Jerry McGee Guitar
Jesse Ed Davis Guitar
Richard Greene Violin
Michael Utley Keyboards
Mike Utley Keyboards
Butch Trucks Drums
Sherlie Matthews Vocals
Howard "Buzz" Feiten Guitar
Danny Kortchmar Guitar
Craig Doerge Keyboards
Richard Greene & Beryl Marriott Violin
Steve Burton Guitar
Ted Machell Cello
Buzz Feiten Guitar
Tim Schmit Vocals,Voices
Thomas Jefferson Kaye Audio Production,Arranger,Producer
Bernie Leadon Composer
Gene Clark Arranger,Composer,Lyricist
Matthew Greenwald Liner Notes
Mallory Earl Mixing,Mixing Engineer
Sid Griffin Mixing Producer
Bob Fisher Mastering
Doug Dillard Composer
John Wood Mixing Producer
Gordon Anderson Executive Producer
John Dietrich Design,Art Direction
Steve Malcolm Mixing Assistant
Tony Reale Engineer


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Overview
Upon its 1974 release, Gene Clark's No Other was rejected by most critics as an exercise in bloated studio excess. It was also ignored by Asylum, which had invested $100,000 in recording it. A considerable sum at the time, it was intended as a double album, but the label refused to release it as such. Ultimately, it proved a commercial failure that devastated Clark, and he never recovered.
Though Clark didn't live to see it, No Other has attained cult status as a visionary recording that employs every available studio means to illustrate the power in Clark's mercurial songwriting. He and producer Thomas Jefferson Kaye entered Village Recorders in L.A. with an elite cast that included Michael Utley and Jesse Ed Davis, Butch Trucks, Lee Sklar, Russ Kunkel, Joe Lala, Chris Hillman, Danny "Kooch" Kortchmar, Howard Buzzy Feiten, and Stephen Bruton. Clark's vocalists included Clydie King, Venetta Fields, Shirley Matthews, the Eagles' Timothy B. Schmidt, and Claudia Lennear. These musicians all brought their best to the material. As a whole, No Other is a sprawling, ambitious work that seamlessly melds country, folk, jazz-inflected-gospel, urban blues, and breezy L.A. rock in a song cycle that reflects the mid-'70s better than anything from the time, yet continues to haunt the present with its relevance.
There are no edges on the set, even in the labyrinthine, multi-tracked "No Other," that juxtaposes guitar-driven psychedelia and out jazz saxophones and flutes with lush vocal harmonies. Even its tougher tracks, such as "Strength of Strings," that echoes Neil Young's "Cowgirl in the Sand," melodically delivers an alluring, modal, Eastern-tinged bridge adorned by slide guitar wizardry. In the textured darkness of "Silver Raven," Clark's falsetto vocal is framed by an alluring synth, and muted bassline, and is embraced by a chorus that rivals CSNY's, making for a heartbreaking yet blissed-out country-folk song. "From a Silver Phial," as haunting and beautiful as it is, is one of the strangest songs Clark ever penned. Its anti-drug references are especially odd as this is one of the more coked-out recordings to come from L.A. during the era. The final two cuts, "The True One" and "Lady of the North" (the latter co-written with Doug Dillard), are the only two pieces on the disc that mirror where Clark had come from musically, but as they wind around the listener, even these tracks are far bigger than mere country-rock tunes, offering glissando passages of pedal steel and piano ostinatos that actually create narrative movement for the lyrics to turn on. No Other's songs lend themselves to open-ended performances in the studio. Because of his spacious yet always beautifully centered compositional style, they are well-suited to Kaye's use of multi-tracked instruments and vocals, ambient sonic echoes, and textures that surround them. Clark's unlikely classic, No Other is continually rediscovered by succeeding generations. ~ Thom Jurek
Product Details
Release Date: | 11/08/2019 |
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Label: | 4Ad |
UPC: | 0191400007017 |
Tracks
Album Credits
Performance Credits
Gene Clark Primary Artist,Guitar,Vocals,VoicesTimothy B. Schmit Vocals (Background),Vocals
Carlena Williams Vocals (Background),Vocals,Voices
Shirley Matthews Vocals (Background),Vocals,Voices
Clydie King Vocals (Background),Vocals,Voices
Venetta Fields Vocals (Background),Vocals,Voices
Ronnie Barron Vocals (Background),Vocals,Voices
Claudia Lennear Vocals (Background),Vocals,Voices
Cidny Bullens Vocals (Background),Vocals,Voices
Stephen Bruton Guitar
Steve Bruton Guitar
Bill Cuomo Organ,Keyboards
Chris Hillman Mandolin
Joe Lala Percussion
Russ Kunkel Drums
Leland Sklar Bass
Richard Green Violin
Jerry McGee Guitar
Jesse Ed Davis Guitar
Richard Greene Violin
Michael Utley Keyboards
Mike Utley Keyboards
Butch Trucks Drums
Sherlie Matthews Vocals
Howard "Buzz" Feiten Guitar
Danny Kortchmar Guitar
Craig Doerge Keyboards
Richard Greene & Beryl Marriott Violin
Steve Burton Guitar
Ted Machell Cello
Buzz Feiten Guitar
Tim Schmit Vocals,Voices
Technical Credits
Joe Tuzen Audio Engineer,Assistant,Assistant EngineerThomas Jefferson Kaye Audio Production,Arranger,Producer
Bernie Leadon Composer
Gene Clark Arranger,Composer,Lyricist
Matthew Greenwald Liner Notes
Mallory Earl Mixing,Mixing Engineer
Sid Griffin Mixing Producer
Bob Fisher Mastering
Doug Dillard Composer
John Wood Mixing Producer
Gordon Anderson Executive Producer
John Dietrich Design,Art Direction
Steve Malcolm Mixing Assistant
Tony Reale Engineer
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