Notes on the Possibilities and Attractions of Existence
Wry, sly, hipthe selected poems of the past thirty-five years of Anselm Hollo.
1101159872
Notes on the Possibilities and Attractions of Existence
Wry, sly, hipthe selected poems of the past thirty-five years of Anselm Hollo.
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Notes on the Possibilities and Attractions of Existence
320
by Anselm Hollo, Robert Creeley (Introduction)
Anselm Hollo

Notes on the Possibilities and Attractions of Existence
320
by Anselm Hollo, Robert Creeley (Introduction)
Anselm Hollo
Hardcover
$23.95
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Overview
Wry, sly, hipthe selected poems of the past thirty-five years of Anselm Hollo.
Product Details
ISBN-13: | 9781566891158 |
---|---|
Publisher: | Coffee House Press |
Publication date: | 06/01/2001 |
Pages: | 320 |
Product dimensions: | 7.30(w) x 10.30(h) x 1.20(d) |
About the Author
Anselm Hollo is the author of more than forty books and an award-winning translator. Born in Helsinki, Finland, Hollo has lived in the United States for thirty-seven years and now teaches at Naropa Universityin Boulder, Colorado. His most recent collection of poems, Notes on the Possibilities and Attractions of Existence, received the San Francisco Poetry Center Award.
Read an Excerpt
Chapter One
FROM
& It Is a Song
1965
Air, to Dream in
Leave it, leave it
behind the dark
window the owls
calling out to each other
my voice to you
only heard
there in the dark
treetops of the sea
red the moon rose
cooled off shrunk
to a coin in the blue
alone it is if it is
a poem for you
The Red Piano
A red piano
he says
a red piano.
I never saw one.
I knew a man who had a red typewriter,
he hardly ever used it.
A red piano.
Would it be lighter to carry upstairs
than a black one?
A red piano, a red piano.
Let us think more musical thoughts.
FROM
Faces & Forms
1966
La Noche
the wind let loose in the dark
and the lights of the city moving
the city is a great dragon it is a procession
it is on the move
but the curtains are drawn
the music unheard
see men and women preparing themselves
for the long journey across a room
The Low Black Square
for Josephine Clare
is a table
once upon a time
its legs were longer
but I sawed them off
I sawed and sawed
one of them always shorter
than the other three and so
it got a little too low
in the end
kind visitors breathed
"ah, Japanese"
and on the black square
the tile-red cylinder
in a pitcher we found in Venice
there are flowers
they are flowers
they're just some flowers
FROM
The Coherences
1968
Introduction
the poet Vallejo invented new ways of walking
sitting lightly on wooden Metro benches
not to wear out his trousers
not to wear out his shoes
in the secret code of his poems
he describes those inventions
The Empress Hotel Poems
I
Just get up
and sit down again. Then
you can watch the dust
settle.
Or wait for the Irishman to come round
knock on your door again. Twice
he's asked me
first, the time, and then
"would you know of anyplehs I could get a job sirr
lehborin', that is."
They won't take him, he looks too
purgatorial. Poor soul
8 days over from Eire
where they have strikes.
II
Typewriter banging
better than radio for company.
Sheets of translation pile up. Too many
words, too many
other men's words
bang through my head. Why don't they learn English
in Finland. Why don't they learn Finnish Swedish German
in England, Old and New.
They're just being kind to you, Anselm.
They don't learn,
you earn.
III
The old housekeeper lady downstairs
likes the stamps. She says could you
let me have them if you're going to throw them away
anyway. Mr. Burroughs she says
always did that, he always
gave me the stamps. He got a lot of
mail, too.
I give them to her. We are
Burroughs Hollo Saarikoski Ball
we are Mrs. Hardy's
nice writing gentlemen.
IV
White smoke from Battersea Power Station
rises moon star London city light
beam from the airport
sweeps the sky. I switch the room light
on and off and on, light dark light dark.
It occurs to me
I'm trying to tell you
what goes on inside me.
Out there
they'll suspect
a Chinese spy.
Ha. Battersea Beast on its back
pushing vapor puffs through the soles of its feet
for fun.
V
Go through my things
god knows what you'll find. When I'm not here.
I'm not here, in this poem
I'm in another room, writing praises
of their loveliness and terror
the ones that dance through my mind
not endlessly, but to be one, at one
with them
I want to be.
I want to be one,
I want her to be one
when the voice begins
she is, and she dances.
I am the voice. I praise.
There is
no mind.
VI
To return and find
2 men in gray suits who have come to look at me through their eyes
and say Mr. H. is this yours? You know they're illegal
in this country. Oh I didn't know.
Well they are, you better get rid of it. OK.
They go, and I think
it is a good thing to have more than one room.
What would they say
if they found what I have
in the other poem.
Table of Contents
from & It Is A Song (1965) | ||
Air, to Dream In | 2 | |
The Red Piano | 3 | |
from Faces & Forms (1966) | ||
La Noche | 5 | |
The Low Black Square | 6 | |
from The Coherences (1968) | ||
Introduction | 8 | |
The Empress Hotel Poems | 9 | |
Instances | 12 | |
For the Sea-Sons and Daughters We All Are | 15 | |
The Coherences | 16 | |
Isadora | 19 | |
Buffalo--Isle of Wight Power Cable | 20 | |
Possible Definitions of 'Beauty' and 'Happiness' | 21 | |
The Charge | 22 | |
Le Jazz Hot | 23 | |
The One | 23 | |
from Haiku (1968) | ||
5 & 7 & 5 | 25 | |
from Tumbleweed (1968) | ||
Chanson | 29 | |
Tumbleweed | 30 | |
from Maya (1970) | ||
Man Animal Clock of Blood | 32 | |
That Old Sauna High | 33 | |
In the Octagonal Room | 34 | |
Bits of Soft Anxiety | 35 | |
Your Friend | 36 | |
Sunset with Blame | 38 | |
The New Style Western | 39 | |
Elegy | 40 | |
They | 40 | |
Rain | 41 | |
Any News from Alpha Centauri | 42 | |
He She Because How | 44 | |
Traveler | 46 | |
As It Is | 47 | |
De Amore | 48 | |
from Sensation 27 (1972) | ||
"it is a well-lit afternoon" | 51 | |
"in love we loaf" | 53 | |
At This Point, the Moon | 54 | |
After Verlaine | 55 | |
Dining Out Alone | 55 | |
Autobiographical Broadcasting Corporation | 56 | |
Double Martini | 56 | |
Zooming | 57 | |
Antioch, Illinois | 58 | |
Strange Encounter | 58 | |
To Be Born Again | 59 | |
"the force of being she released in him being" | 60 | |
"cloud of dust or roses (rose) in the head" | 60 | |
"grew up in Finland" | 61 | |
Elephant Rock | 62 | |
1939 | 62 | |
"one of the pines has a bend in it" | 63 | |
"where was it I" | 64 | |
from Some Worlds (1974) | ||
"it is said the Chinese believe that the human eye" | 66 | |
"Once in Khairouan ..." | 66 | |
"anyone, say, a girl named May" | 67 | |
Things to Do in Salzburg | 68 | |
from Black Book (1974) | ||
World World World | 70 | |
Marchen (Beginner's Luck) | 75 | |
No Money | 75 | |
Classroom | 76 | |
Tremendous Wind and Rain | 76 | |
The Walden Variations | 77 | |
Indian Summers | 78 | |
from Motes & Paramecia (1976) | ||
Song 1 | 80 | |
Song 7 | 81 | |
Bicentennial | 82 | |
Life 2 | 82 | |
Message | 83 | |
"the beetle wakes up" | 84 | |
La Cucaracha | 84 | |
from Lingering Tangos (1977) | ||
You | 86 | |
Info | 86 | |
"nightfall image:" | 87 | |
Saturday | 87 | |
from Heavy Jars (1977) | ||
"awkward spring" | 89 | |
Helsinki, 1940 | 90 | |
"slowly" | 91 | |
In a Tin Can Mirror | 92 | |
"summer nights" | 93 | |
"the language" | 94 | |
"it is the thinking" | 95 | |
Big Dog | 97 | |
Dedication: A Toke for Li Po | 98 | |
from Lunch In Fur (1978) | ||
"memory rain pride wind" | 100 | |
"kicking Manhattan to pieces every night" | 101 | |
"Po Chu-yi heard them ..." | 102 | |
"animation subsides into terminal slapstick" | 102 | |
"in the Marshall Minnesota Quickstop" | 103 | |
from With Ruth In Mind (1979) | ||
Or, to Hocus the Animals of the Pursuers ... | 105 | |
from Finite Continued (1980) | ||
Behaviorally | 114 | |
Southwest Minnesota | 115 | |
The Years | 116 | |
TV (1) | 117 | |
TV (2) | 117 | |
from No Complaints (1983) | ||
Manifest Destiny | 119 | |
Songs of the Sentence Cubes | 120 | |
Doc Holliday | 122 | |
The Images of Day Recede | 123 | |
Romance | 124 | |
Dirge | 126 | |
Ten Cheremiss (Mari) Songs | 127 | |
No Complaints | 130 | |
from Pick Up The House (1986) | ||
Valid | 133 | |
Some | 133 | |
Sorpresa | 134 | |
Page | 135 | |
On the Occasion of a Poet's Death | 136 | |
Letter | 136 | |
See You Later | 137 | |
Put in a Quaver, Here and There | 139 | |
Late Night Dream Movies | 141 | |
An Autobiography | 144 | |
De Amor y Otras Cosas | 145 | |
from Outlying Districts (1990) | ||
Diary | 149 | |
Pocatello, Idaho | 150 | |
Anti-Lullaby | 151 | |
The Ass Waggeth His Ears | 152 | |
The Tenth of May (1988) | 153 | |
In the Land of Art | 154 | |
Tarp | 155 | |
In the "Hip" Little Bookshop | 156 | |
"It Was All About ..." | 157 | |
In the Library of Poets' Recordings | 158 | |
Letter to Uncle O. | 159 | |
Idyll | 160 | |
The Missing Page | 161 | |
Alla Petrarca | 162 | |
No Detachment | 163 | |
La Vida | 164 | |
Brother (D.H.) Lawrence | 165 | |
Glenwood Springs | 166 | |
Arcana Gardens | 167 | |
from Space Baltic (1991) | ||
End of the Range | 182 | |
Irritable Aliens | 182 | |
Two Parts | 183 | |
Angel Wings | 184 | |
Home on the Shelf | 185 | |
Space Baltic | 186 | |
Cloud Watch | 187 | |
Answering | 188 | |
from Near Miss Haiku (1991) | ||
The Older Artist | 190 | |
After Ungaretti | 191 | |
Paradiso Terrestre | 192 | |
Les Americains | 193 | |
Near Miss Haiku | 194 | |
from Corvus (1995) | ||
Born Today | 197 | |
Swing High Swing Woe | 199 | |
A Town Dedicated to the Pursuit of Fitness & Inner Peace | 200 | |
Blue March '91 | 202 | |
Note Found on Meditator | 203 | |
Inhabited Eyes | 204 | |
In the Raging Balance | 205 | |
Why There Is a Cat Curfew in Our House | 206 | |
Blue Ceiling | 207 | |
Pterodactyls | 212 | |
Pounces | 215 | |
Reviewing the Tape | 217 | |
Survival Dancing (1995) | ||
Canto Arastra | 222 | |
In the Music Composed by Nutritious Algae | 223 | |
Kindly Water Other Level | 224 | |
Beginning & Ending with Lines from Christina Rossetti | 225 | |
At This Point in L'Histoire | 226 | |
Fair Poetry Eats Trembling Matter | 227 | |
Was That Really a Sonnet? | 228 | |
Now On to Ghazal Gulch | 229 | |
Gods Walked Animals Talked | 230 | |
The Word Thing | 231 | |
Si, Si, E.E. | 232 | |
As Leaves Sweep Past | 233 | |
& Time Trots By | 234 | |
At Evenfall | 235 | |
Ahoe (And How on Earth) (1997) | ||
Turn Off the News | 237 | |
O Ponder Bone of Fabled Carp | 238 | |
And Then There Are These Skaldic Throwbacks ... | 239 | |
Head Sky Convoy Pattern | 240 | |
Benign Evening Comedown | 241 | |
Metaphor Mutaphor | 242 | |
Hey, Dr. Who, Let's Dial 1965 | 243 | |
Leaves of Blur | 244 | |
Script Mist | 245 | |
An Olive for Satie | 246 | |
The Opening of the File | 247 | |
Emptier Planet | 248 | |
Jungle Finn | 249 | |
Time Rocking On | 250 | |
Sur la terrasse | 251 | |
Temple Noir | 252 | |
Sails of Murmur | 253 | |
The Next Fifty Years | 254 | |
Cat-Gods' Channel | 255 | |
After the Newscast | 256 | |
Halo Blade | 257 | |
Silent Salad | 258 | |
Secret Cohesive Tactics | 259 | |
Voice over Past House | 260 | |
Caught with a Pronoun | 261 | |
Things to Do with Life | 262 | |
Vibrant Ions | 263 | |
The Job | 264 | |
Wings over Maximus | 265 | |
Hop through Intersection | 266 | |
An Or | 267 | |
Apocrypha Hipponactea | 268 | |
Il y a | 269 | |
And What's Your Derivational Profile? | 270 | |
Rundfunk | 271 | |
Earful of River Wind | 272 | |
September Song | 273 | |
Your Turn | 274 | |
Red Cats Revisited | 275 | |
Hang on to Your Spell | 278 | |
After "Irish" by Paul Celan | 279 | |
Scripts | 280 | |
Air | 282 | |
Sunset Caboose | 283 | |
Ahoe 2 (Johnny Cash Writes a Letter to Santa Claus) (1998) | ||
Passing Vapors | 285 | |
Big Furry Buddha in Back Yard | 286 | |
Lost Original | 287 | |
Still Here & Here Again Then Here & Still | 288 | |
Paint the Vacant Millennia | 289 | |
Much of It Unconscious Work but Work (Said Francis Ponge) | 290 | |
Hanging with Harpocrates | 291 | |
Leave It to the Bonobos | 292 | |
Crystallized Internet | 293 | |
Sorrow Horse Music | 294 | |
Old Cat Somber Moon | 295 | |
Presente or Not | 296 | |
Philosophique | 297 | |
So Fix That Broken Axle | 298 | |
Titled | 299 | |
The Ghostly Screen in Back of Things | 300 | |
Just Another Bit of Scenery | 301 | |
Say Tango | 302 | |
A Hundred Mule Deer in the Back Yard | 303 | |
Ad Quodlibet | 304 | |
We Are Having It Again and Without Sorrow | 305 | |
Life in the Twists | 306 | |
From the Notebooks of Professor Doppelganger | 307 | |
Give Me Big Shoes | 308 | |
Hi, Haunting | 309 | |
Skid Inside | 310 | |
Old Aristippus | 311 | |
Ultraista Oneiric | 312 | |
Attention: Selections Come on Tilted | 313 | |
The World as Fiasco | 314 | |
Now O'clock | 315 | |
"Tempus? Fuggit!" | 316 | |
Johnny Cash Writes a Letter to Santa Claus | 317 | |
Notes | 319 |
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