Oblivion Banjo: The Poetry of Charles Wright
The selected works of one of our finest American poets

The thread that dangles us

between a dark and a darker dark,

Is luminous, sure, but smooth sided.

Don’t touch it here, and don’t touch it there.

Don’t touch it, in fact, anywhere—

Let it dangle and hold us hard, let it flash and swing.

—from “Scar Tissue”

Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landscape, and the idea of God.” No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality.

The recipient of almost every honor in poetry—the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few—and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career—for devout fans and newcomers alike.

1129883299
Oblivion Banjo: The Poetry of Charles Wright
The selected works of one of our finest American poets

The thread that dangles us

between a dark and a darker dark,

Is luminous, sure, but smooth sided.

Don’t touch it here, and don’t touch it there.

Don’t touch it, in fact, anywhere—

Let it dangle and hold us hard, let it flash and swing.

—from “Scar Tissue”

Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landscape, and the idea of God.” No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality.

The recipient of almost every honor in poetry—the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few—and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career—for devout fans and newcomers alike.

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Oblivion Banjo: The Poetry of Charles Wright

Oblivion Banjo: The Poetry of Charles Wright

by Charles Wright
Oblivion Banjo: The Poetry of Charles Wright

Oblivion Banjo: The Poetry of Charles Wright

by Charles Wright

Paperback

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Overview

The selected works of one of our finest American poets

The thread that dangles us

between a dark and a darker dark,

Is luminous, sure, but smooth sided.

Don’t touch it here, and don’t touch it there.

Don’t touch it, in fact, anywhere—

Let it dangle and hold us hard, let it flash and swing.

—from “Scar Tissue”

Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landscape, and the idea of God.” No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality.

The recipient of almost every honor in poetry—the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few—and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career—for devout fans and newcomers alike.


Product Details

ISBN-13: 9780374539085
Publisher: Farrar, Straus and Giroux
Publication date: 12/01/2020
Pages: 784
Product dimensions: 5.60(w) x 8.60(h) x 1.50(d)

About the Author

Charles Wright is the United States Poet Laureate. His poetry collections include Country Music, Black Zodiac, Chickamauga, Bye-and-Bye: Selected Later Poems, Sestets, and Caribou. He is a winner of the Pulitzer Prize, the National Book Critics Circle Award, the National Book Award, the Griffin Poetry Prize, and the 2013 Bollingen Prize for American Poetry. Born in Pickwick Dam, Tennessee in 1935, he currently lives in Charlottesville, Virginia.

Table of Contents

Contents

from Hard Freight (1973)

Homage to Ezra Pound

Homage to Arthur Rimbaud

Homage to Baron Corvo

Homage to X

The New Poem

Portrait of the Poet in Abraham von Werdt’s Dream

Chinoiserie

One Two Three

Slides of Verona

Grace

Negatives

Dog Creek Mainline

Blackwater Mountain

Sky Valley Rider

Northanger Ridge

Primogeniture

Nightdream

Congenital

Clinchfield Station

from Bloodlines (1975)

Virgo Descending

Easter, 1974

Cancer Rising

Tattoos

Notes to Tattoos

Hardin County

Delta Traveller

Skins

Notes to Skins

Link Chain

Bays Mountain Covenant

Rural Route

from China Trace (1977)

Childhood

Snow

Self-Portrait in 2035

Morandi

Dog

Snapshot

Indian Summer

Wishes

Quotidiana

At Zero

Sentences

Death

Next

January

1975

Nerval’s Mirror

Edvard Munch

Bygones

Equation

California Twilight

Anniversary

12 Lines at Midnight

Dino Campana

Invisible Landscape

Remembering San Zeno

Born Again

Captain Dog

Depression Before the Solstice

Stone Canyon Nocturne

Reply to Chi K’ang

Reunion

“Where Moth and Rust Doth Corrupt”

April

Signature

Noon

Going Home

Cloud River

Reply to Lapo Gianni

Thinking of Georg Trakl

Spider Crystal Ascension

Moving On

Clear Night

Autumn

Sitting at Night on the Front Porch

Saturday 6 a.m

Him

from The Southern Cross (1981)

Homage to Paul Cézanne

Mount Caribou at Night

Self-Portrait

Holy Thursday

Virginia Reel

Self-Portrait

Called Back

Self-Portrait

Composition in Grey and Pink

Laguna Blues

Driving Through Tennessee

Landscape with Seated Figure and Olive Trees

Dog Yoga

California Spring

Laguna Dantesca

Dog Day Vespers

Portrait of the Artist with Hart Crane

Portrait of the Artist with Li Po

The Monastery at Vršac

Hawaii Dantesca

Ars Poetica

Bar Giamaica, 1959–60

Gate City Breakdown

New Year’s Eve, 1979

The Southern Cross

from The Other Side of the River (1984)

Lost Bodies

Lost Souls

Lonesome Pine Special

Two Stories

The Other Side of the River

Homage to Claude Lorrain

Mantova

Driving to Passalacqua, 1960

Italian Days

Roma I

Roma II

Homage to Cesare Pavese

Cryopexy

T’ang Notebook

Arkansas Traveller

To Giacomo Leopardi in the Sky

Looking at Pictures

California Dreaming

from Zone Journals (1988)

A Journal of English Days

March Journal

A Journal of True Confessions

Night Journal

A Journal of the Year of the Ox

Light Journal

A Journal of One Significant Landscape

Chinese Journal

Night Journal II

from Xionia (1990)

Silent Journal

Bicoastal Journal

December Journal

Georg Trakl Journal

Language Journal

May Journal

A Journal of Southern Rivers

China Journal

Local Journal

Last Journal

from Chickamauga (1995)

Sitting Outside at the End of Autumn

Reading Lao Tzu Again in the New Year

Under the Nine Trees in January

After Reading Wang Wei, I Go Outside to the Full Moon

Easter 1989

Reading Rorty and Paul Celan One Morning in Early June

Cicada

Tennessee Line

Looking Outside the Cabin Window, I Remember a Line by Li Po

Mid-winter Snowfall in the Piazza Dante

Sprung Narratives

Broken English

Chickamauga

Blaise Pascal Lip-syncs the Void

The Silent Generation

An Ordinary Afternoon in Charlottesville

Mondo Angelico

Mondo Henbane

Miles Davis and Elizabeth Bishop Fake the Break

Peccatology

East of the Blue Ridge, Our Tombs Are in the Dove’s Throat

As Our Bodies Rise, Our Names Turn into Light

Still Life with Spring and Time to Burn

With Simic and Marinetti at the Giubbe Rosse

To the Egyptian Mummy in the Etruscan Museum at Cortona

With Eddie and Nancy in Arezzo at the Caffè Grande

Watching the Equinox Arrive in Charlottesville, September 1992

Waiting for Tu Fu

Still Life with Stick and Word

Looking West from Laguna Beach at Night

Looking Again at What I Looked At for Seventeen Years

Looking Across Laguna Canyon at Dusk, West-by-Northwest

Venexia I

Venexia II

from Black Zodiac (1997)

Apologia Pro Vita Sua

Poem Half in the Manner of Li Ho

Meditation on Form and Measure

Poem Almost Wholly in My Own Manner

Meditation on Summer and Shapelessness

The Appalachian Book of the Dead

Umbrian Dreams

October II

Lives of the Saints

Christmas East of the Blue Ridge

Negatives II

Lives of the Artists

Deep Measure

Thinking of Winter at the Beginning of Summer

Jesuit Graves

Meditation on Song and Structure

Sitting at Dusk in the Back Yard After the Mondrian Retrospective

Black Zodiac

China Mail

Disjecta Membra

from Appalachia (1998)

Stray Paragraphs in February, Year of the Rat

Stray Paragraphs in April, Year of the Rat

Basic Dialogue

Star Turn

A Bad Memory Makes You a Metaphysician, a Good One

Makes You a Saint

In the Kingdom of the Past, the Brown-Eyed Man Is King

Passing the Morning Under the Serenissima

Venetian Dog

In the Valley of the Magra

Returned to the Yaak Cabin, I Overhear an Old Greek Song

Ars Poetica II

Cicada Blue

All Landscape Is Abstract, and Tends to Repeat Itself

Opus Posthumous

Quotations

The Appalachian Book of the Dead II

Indian Summer II

Autumn’s Sidereal, November’s a Ball and Chain

The Writing Life

Reply to Wang Wei

Giorgio Morandi and the Talking Eternity Blues

Drone and Ostinato

“It’s Turtles All the Way Down”

Half February

Back Yard Boogie Woogie

The Appalachian Book of the Dead III

Opus Posthumous II

Body Language

“When You’re Lost in Juarez, in the Rain, and It’s Eastertime Too”

The Appalachian Book of the Dead IV

Early Saturday Afternoon, Early Evening

“The Holy Ghost Asketh for Us with Mourning and Weeping Unspeakable”

The Appalachian Book of the Dead V

Star Turn II

After Reading T’ao Ch’ing, I Wander Untethered Through the Short Grass

Remembering Spello, Sitting Outside in Prampolini’s Garden

American Twilight

The Appalachian Book of the Dead VI

Landscape as Metaphor, Landscape as Fate and a Happy Life

Opus Posthumous III

from North American Bear (1999)

Step-children of Paradise

Thinking About the Night Sky, I Remember a Poem by Tu Fu

North American Bear

If You Talk the Talk, You Better Walk the Walk

St. Augustine and the Arctic Bear

Sky Diving

from A Short History of the Shadow (2002)

Looking Around

Looking Around II

Looking Around III

Citronella

If This Is Where God’s At, Why Is That Fish Dead?

It’s Dry for Sure, Dry Enough to Spit Cotton

If My Glasses Were Better, I Could See Where I’m Headed For

Lost Language

Mondo Orfeo

In Praise of Thomas Hardy

Is

Polaroids

Nostalgia

A Short History of the Shadow

River Run

Appalachian Lullaby

Relics

Why, It’s as Pretty as a Picture

Nine-Panel Yaak River Screen

The Wind Is Calm and Comes from Another World

Summer Mornings

Via Negativa

Nostalgia II

Body and Soul

Body and Soul II

from Buffalo Yoga (2004)

Landscape with Missing Overtones

Portrait of the Artist by Li Shang-Yin

Buffalo Yoga

Buffalo Yoga Coda I

Buffalo Yoga Coda II

Buffalo Yoga Coda III

The Gospel According to St. Someone

Homage to Mark Rothko

Portrait of the Artist in a Prospect of Stone

Rosso Venexiano

Arrivederci Kingsport

January II

Homage to Giorgio Morandi

My Own Little Civil War

Sun-Saddled, Coke-Copping, Bad-Boozing Blues

In Praise of Han Shan

from Scar Tissue (2006)

Appalachian Farewell

Last Supper

The Silent Generation II

The Wrong End of the Rainbow

A Field Guide to the Birds of the Upper Yaak

A Short History of My Life

Confessions of a Song and Dance Man

College Days

Bedtime Story

Transparencies

Morning Occurrence at Xanadu

The Minor Art of Self-defense

Scar Tissue

Scar Tissue II

Get a Job

Archaeology

In Praise of Franz Kafka

Vespers

The Narrow Road to the Distant City

Ghost Days

The Silent Generation III

Time Will Tell

The Woodpecker Pecks, but the Hole Does Not Appear

Singing Lesson

Littlefoot (2007)

from Sestets (2009)

Tomorrow

Future Tense

Flannery’s Angel

In Praise of What Is Missing

By the Waters of Babylon

Hasta la Vista Buckaroo

Born Again II

No Entry

Celestial Waters

Anniversary II

Sunlight Bets on the Come

“Well, Get Up, Rounder, Let a Working Man Lay Down”

With Horace, Sitting on the Platform, Waiting for the Robert E. Lee

The Evening Is Tranquil, and Dawn Is a Thousand Miles Away

Homage to What’s-His-Name

Tutti Frutti

“This World Is Not My Home, I’m Only Passing Through”

Stiletto

“I Shall Be Released”

Description’s the Art of Something or Other

“It’s Sweet to Be Remembered”

In Memory of the Natural World

Yellow Wings

Twilight of the Dogs

Remembering Bergamo Alto

With Alighieri on Basin Creek

Walking Beside the Diversion Ditch Lake

The Ghost of Walter Benjamin Walks at Midnight

Bees Are the Terrace Builders of the Stars

When the Horses Gallop Away from Us, It’s a Good Thing

Autumn Is Visionary, Summer’s the Same Old Stuff

Bitter Herbs to Eat, and Dipped in Honey

No Angel

Time Is a Graceless Enemy, but Purls as It Comes and Goes

Terrestrial Music

Before the Propane Lamps Come On, the World Is a Risk and Wonder

On the Night of the First Snow, Thinking About Tennessee

Our Days Are Political, but Birds Are Something Else

We Hope That Love Calls Us, but Sometimes We’re Not So Sure

Time Is a Dark Clock, but It Still Strikes from Time to Time

Like the New Moon, My Mother Drifts Through the Night Sky

As the Train Rolls Through, I Remember an Old Poem

April Evening

The Book

Sundown Blues

“On the Trail of the Lonesome Pine”

No Direction Home

Hovercraft

Time Is a Child-Biting Dog

Nothing Is Written

Little Ending

from Caribou (2014)

Across the Creek Is the Other Side of the River

Time and the Centipedes of Night

Cake Walk

Waterfalls

The Childhood of St. Thomas

Everything Passes, but Is It Time?

Homage to Samuel Beckett

Crystal Declension

Grace II

Heaven’s Eel

“I’m Going to Take a Trip in That Old Gospel Ship”

Ancient of Days

Sentences II

Shadow and Smoke

Road Warriors

“Just a Closer Walk with Thee”

History Is a Burning Chariot

“Things Have Ends and Beginnings”

Little Elegy for an Old Friend

The Last Word

“I’ve Been Sitting Here Thinking Back Over My Life . . .”

“What Becomes of the Brokenhearted . . .”

“My Old Clinch Mountain Home”

Toadstools

Dude

Pack Rats

Four Dog Nights

October, Mon Amour

Ducks

Lullaby

Plain Song

Whatever Happened to Al Lee?

“So Long, It’s Been Good to Know You”

Detour

Drift Away

“Well, Roll On, Buddy, Don’t You Roll Too Slow”

Chinoiserie II

Chinoiserie IV

Solo Joe Revisited

Chinoiserie V

Translations from a Forgotten Tongue

Notes

Index of Titles and First Lines

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