Old Fields: Photography, Glamour, and Fantasy Landscape
Glamour subverts convention. Models, images, and even landscapes can skew ordinary ways of seeing when viewed through the lens of photography, suggesting new worlds imbued with fantasy, mystery, sexuality, and tension.

In Old Fields, John Stilgoe—one of the most original observers of his time—offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history.

Through the medium of "shop theory"—the techniques, tools, and purpose-made equipment a maker uses to realize intent—Stilgoe looks at the role of Eastman Kodak in shaping the ways photographers purchased cameras and films, while also mapping the divisions that were created by European-made cameras. He then goes on to argue that with the proliferation of digital cameras, smart phones, and Instagram, young people’s lack of knowledge about photographic technique is in direct correlation to their lack of knowledge of the history of glamour photography.

In his exploration of the rise of glamour and fantasy in contemporary American culture, Stilgoe offers a provocative and very personal look into his enduring fascination with, and the possibilities inherent in, creating one’s own images.

1117347088
Old Fields: Photography, Glamour, and Fantasy Landscape
Glamour subverts convention. Models, images, and even landscapes can skew ordinary ways of seeing when viewed through the lens of photography, suggesting new worlds imbued with fantasy, mystery, sexuality, and tension.

In Old Fields, John Stilgoe—one of the most original observers of his time—offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history.

Through the medium of "shop theory"—the techniques, tools, and purpose-made equipment a maker uses to realize intent—Stilgoe looks at the role of Eastman Kodak in shaping the ways photographers purchased cameras and films, while also mapping the divisions that were created by European-made cameras. He then goes on to argue that with the proliferation of digital cameras, smart phones, and Instagram, young people’s lack of knowledge about photographic technique is in direct correlation to their lack of knowledge of the history of glamour photography.

In his exploration of the rise of glamour and fantasy in contemporary American culture, Stilgoe offers a provocative and very personal look into his enduring fascination with, and the possibilities inherent in, creating one’s own images.

34.95 In Stock
Old Fields: Photography, Glamour, and Fantasy Landscape

Old Fields: Photography, Glamour, and Fantasy Landscape

by John R. Stilgoe
Old Fields: Photography, Glamour, and Fantasy Landscape

Old Fields: Photography, Glamour, and Fantasy Landscape

by John R. Stilgoe

Hardcover

$34.95 
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Overview

Glamour subverts convention. Models, images, and even landscapes can skew ordinary ways of seeing when viewed through the lens of photography, suggesting new worlds imbued with fantasy, mystery, sexuality, and tension.

In Old Fields, John Stilgoe—one of the most original observers of his time—offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history.

Through the medium of "shop theory"—the techniques, tools, and purpose-made equipment a maker uses to realize intent—Stilgoe looks at the role of Eastman Kodak in shaping the ways photographers purchased cameras and films, while also mapping the divisions that were created by European-made cameras. He then goes on to argue that with the proliferation of digital cameras, smart phones, and Instagram, young people’s lack of knowledge about photographic technique is in direct correlation to their lack of knowledge of the history of glamour photography.

In his exploration of the rise of glamour and fantasy in contemporary American culture, Stilgoe offers a provocative and very personal look into his enduring fascination with, and the possibilities inherent in, creating one’s own images.


Product Details

ISBN-13: 9780813935157
Publisher: University of Virginia Press
Publication date: 03/04/2014
Pages: 536
Product dimensions: 6.40(w) x 9.40(h) x 1.40(d)
Age Range: 18 Years

About the Author

John R. Stilgoe is Orchard Professor in the History of Landscape at Harvard University and the author of Lifeboat, Landscape and Images, Train Time (all Virginia), and Outside Lies Magic.

Table of Contents

Preface ix

Introduction 1

1 Fantasy 13

2 Media 31

3 Shop Theory 55

4 Brownies 83

5 Od 107

6 Ways 129

7 Light 155

8 Voodoo 187

9 Old Fields 221

10 Imagers 251

11 Rolleiflex 279

12 Tutorial 307

13 Chrome 329

14 Spirit 361

Conclusion 393

Notes 403

Bibliography 449

Index 511

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