Matt Warner
Ian Falconer's popular piglet makes a hilarious comeback in her third picture book -- a mystery to end all mysteries! After cajoling her mom into sewing a distinctive red shirt for the soccer team (Never mind that everyone else’s jersey is green!), the little trendsetter heads outside to play. But when she returns, she realizes that her "best toy" is missing. In highest dudgeon, Olivia launches a massive manhunt (make that pighunt) -- checking under the rug, under the sofa, even under the cat, and giving little brothers Ian and William the third degree. But the mystery remains unsolved until that dark and stormy night when an awful sound interrupts her piano practice. Holding a candelabra that casts spooky shadows on the wall, the plucky little piglet investigates -- and discovers the real culprit behind a closed door.
With Falconer’s trademark black, white, and red line illustrations and a storyline that underlines Olivia’s appealing can-do attitude, this new installment in the winning series is swine-tastically superb. Eat your heart out, Sherlock.
The Washington Post
In this, her third public appearance, she shows no sign of fatigue, despite spending the whole book in red-and-white-striped pajamas. The plot is slight—Olivia's BEST TOY was lost and is found—but New Yorker cartoonist Ian Falconer's spare charcoal drawings, splashed with Olivia's favorite fire-engine red, are as dryly amusing as ever.—Elizabeth Ward
The New York Times
An artist who has done more than a dozen New Yorker covers as well as designing sets for the stage, Falconer has a witty and sophisticated eye; there are images in each of his books that can make you laugh with instant recognition.
— Dwight Garner
Kirkus Reviews
The line-master is back . . . in perfect form. When Olivia's beloved stuffed toy disappears, the hunt proceeds in typical fashion as she falsely accuses her brothers and searches her house on a "dark and stormy night." She discovers that her dog has chewed the toy to bits. Never one to hold a grudge, she repairs the toy and forgives the offending pooch, who at book's end lies cuddled beside her in bed. This contains elements Falconer's readers love: endpapers that add a cunning fillip (Olivia's relationship with her toy), velvety monochromatic palette with accents of red and (in this entry) green, incisive characterization rendered with minimal line (the subtlest change in mother's expressions), photographic homage to a feminist icon (Martha Graham), adroit gatefold (revealing canine criminal), happy ending, and above all the ironic contrast established between subtle nuance and Olivia's over-the-top personality. Containing more full-bleed illustrations and less white space, it may not seem as elegantly designed. Yet what it sacrifices in design it gains in a more fully developed plot. The heightened atmosphere and melodrama suit Olivia just perfectly. (Picture book. 3+)
