Orphic Songs
Dino Campana, who has been compared to Rimbaud, was the wild man of Italian poetry in 1914, on the eve of World War I. The war saved some young Italians from rebellion and for Fascism, but not Campana. Always an outsider, he dropped out of school and discovered the individualism, ecstatic conception, and democratic humanity of Whitman. At the age of twenty-two, Campana went to sea, then became a vagabond, working sporadically as gaucho, miner, fireman, organ-grinder, janitor, circus tumbler, musician, and horse-groomer. He tramped through many countries, playing the local fairs with Gypsy bands.

Still in his twenties, he wrote Orphic Songs, a unique, visionary masterwork of Italian literature. These poems and prose poems, ablaze with the fury of a poet crazed by life, "read as though they were thrown into the wind in an ecstasy of violence, " writes the translator, I. L. Salomon. Campana died in Castel Pulci, a psychiatric hospital, in 1932. The originality, rapturous language, and strange beauty of his work make him as important to twentieth-century poetry as Garcia Lorca or Mayakovsky.

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Orphic Songs
Dino Campana, who has been compared to Rimbaud, was the wild man of Italian poetry in 1914, on the eve of World War I. The war saved some young Italians from rebellion and for Fascism, but not Campana. Always an outsider, he dropped out of school and discovered the individualism, ecstatic conception, and democratic humanity of Whitman. At the age of twenty-two, Campana went to sea, then became a vagabond, working sporadically as gaucho, miner, fireman, organ-grinder, janitor, circus tumbler, musician, and horse-groomer. He tramped through many countries, playing the local fairs with Gypsy bands.

Still in his twenties, he wrote Orphic Songs, a unique, visionary masterwork of Italian literature. These poems and prose poems, ablaze with the fury of a poet crazed by life, "read as though they were thrown into the wind in an ecstasy of violence, " writes the translator, I. L. Salomon. Campana died in Castel Pulci, a psychiatric hospital, in 1932. The originality, rapturous language, and strange beauty of his work make him as important to twentieth-century poetry as Garcia Lorca or Mayakovsky.

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Orphic Songs

Orphic Songs

Overview

Dino Campana, who has been compared to Rimbaud, was the wild man of Italian poetry in 1914, on the eve of World War I. The war saved some young Italians from rebellion and for Fascism, but not Campana. Always an outsider, he dropped out of school and discovered the individualism, ecstatic conception, and democratic humanity of Whitman. At the age of twenty-two, Campana went to sea, then became a vagabond, working sporadically as gaucho, miner, fireman, organ-grinder, janitor, circus tumbler, musician, and horse-groomer. He tramped through many countries, playing the local fairs with Gypsy bands.

Still in his twenties, he wrote Orphic Songs, a unique, visionary masterwork of Italian literature. These poems and prose poems, ablaze with the fury of a poet crazed by life, "read as though they were thrown into the wind in an ecstasy of violence, " writes the translator, I. L. Salomon. Campana died in Castel Pulci, a psychiatric hospital, in 1932. The originality, rapturous language, and strange beauty of his work make him as important to twentieth-century poetry as Garcia Lorca or Mayakovsky.

Product Details

ISBN-13: 9780932440174
Publisher: Oberlin College Press
Publication date: 07/31/1984
Series: FIELD Translation Series , #9
Edition description: Trans. from the Italian
Pages: 136
Product dimensions: 5.00(w) x 7.50(h) x 0.30(d)
Age Range: 16 Years

Table of Contents

Introduction: A Hymn of Non-attainment • The Night • Chimera • Autumn Garden • Song of Darkness • La Verna • Images from the Journey and the Mountain • Voyage to Montevideo • Florence • Faenza • Scirocco • Piazza Sarzano • Genoa • Toscanità • Genoa Woman • Furious • In the Mountains • On the Poetry of Campana: Eugenio Montale
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Related Subjects

Poetry
European Poetry
Italian Poetry
Poetry
European Poetry
Italian Poetry

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