Outlines of a Philosophy of Art
One of Collingwood's earliest attempts to define the aesthetic essence of art. Hisaim, he writes in the preface, is to state a general conception of art and develop its consequences. His conception is one already familiar through the writings of others B Athat art is as bottom neither more nor less than imagination B but from his observation he goes on to outline the various distinctions between subordinate conceptions of art, and to attempt to demonstrate their place in the general conception, and the place of both in life. He urges that the meaningfulness of art cannot be torn from the imaginative setting in which it is embedded, and that we must attempt to explain the process by which an artist reaches a particular point of view on reality.
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Outlines of a Philosophy of Art
One of Collingwood's earliest attempts to define the aesthetic essence of art. Hisaim, he writes in the preface, is to state a general conception of art and develop its consequences. His conception is one already familiar through the writings of others B Athat art is as bottom neither more nor less than imagination B but from his observation he goes on to outline the various distinctions between subordinate conceptions of art, and to attempt to demonstrate their place in the general conception, and the place of both in life. He urges that the meaningfulness of art cannot be torn from the imaginative setting in which it is embedded, and that we must attempt to explain the process by which an artist reaches a particular point of view on reality.
18.95 In Stock
Outlines of a Philosophy of Art

Outlines of a Philosophy of Art

Outlines of a Philosophy of Art

Outlines of a Philosophy of Art

Paperback(1925 Edition)

$18.95 
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Overview

One of Collingwood's earliest attempts to define the aesthetic essence of art. Hisaim, he writes in the preface, is to state a general conception of art and develop its consequences. His conception is one already familiar through the writings of others B Athat art is as bottom neither more nor less than imagination B but from his observation he goes on to outline the various distinctions between subordinate conceptions of art, and to attempt to demonstrate their place in the general conception, and the place of both in life. He urges that the meaningfulness of art cannot be torn from the imaginative setting in which it is embedded, and that we must attempt to explain the process by which an artist reaches a particular point of view on reality.

Product Details

ISBN-13: 9781855063167
Publisher: Continuum International Publishing Group
Publication date: 12/28/1997
Series: Key Texts Series
Edition description: 1925 Edition
Pages: 110
Product dimensions: 5.45(w) x 8.50(h) x 0.34(d)
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