Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir
This is a clear and engrossing account of how popular films in America just after the close of the Second World War played out America's mood at that crucial time. It is also a revisionist challenge to received scholarly understanding of this mood, which has tended to be seen as characterized by an abiding pessimism most clearly manifested in the films noir of the period. Chopra-Gant makes here an important contribution to film genre, which proposes that the 'noir and Zeitgeist' reading is based on the retrospective promotion of selected movies. He turns to the top box office successes of the period, including "Best Years of our Lives", "The Jolson Story" and "Two Years Before the Mast", finding that these films emphasise rather the triumph of American beliefs in democracy, classlessness and individualism. They deploy positive, performative masculinities and the pleasures of male friendships and celebrate the traditional American family, while recognising the problems of 'momism' and absent fathers.
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Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir
This is a clear and engrossing account of how popular films in America just after the close of the Second World War played out America's mood at that crucial time. It is also a revisionist challenge to received scholarly understanding of this mood, which has tended to be seen as characterized by an abiding pessimism most clearly manifested in the films noir of the period. Chopra-Gant makes here an important contribution to film genre, which proposes that the 'noir and Zeitgeist' reading is based on the retrospective promotion of selected movies. He turns to the top box office successes of the period, including "Best Years of our Lives", "The Jolson Story" and "Two Years Before the Mast", finding that these films emphasise rather the triumph of American beliefs in democracy, classlessness and individualism. They deploy positive, performative masculinities and the pleasures of male friendships and celebrate the traditional American family, while recognising the problems of 'momism' and absent fathers.
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Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir

Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir

by Mike Chopra-Gant
Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir

Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir

by Mike Chopra-Gant

Paperback(New Edition)

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Overview

This is a clear and engrossing account of how popular films in America just after the close of the Second World War played out America's mood at that crucial time. It is also a revisionist challenge to received scholarly understanding of this mood, which has tended to be seen as characterized by an abiding pessimism most clearly manifested in the films noir of the period. Chopra-Gant makes here an important contribution to film genre, which proposes that the 'noir and Zeitgeist' reading is based on the retrospective promotion of selected movies. He turns to the top box office successes of the period, including "Best Years of our Lives", "The Jolson Story" and "Two Years Before the Mast", finding that these films emphasise rather the triumph of American beliefs in democracy, classlessness and individualism. They deploy positive, performative masculinities and the pleasures of male friendships and celebrate the traditional American family, while recognising the problems of 'momism' and absent fathers.

Product Details

ISBN-13: 9781850438380
Publisher: Bloomsbury Academic
Publication date: 01/08/2006
Series: Cinema and Society
Edition description: New Edition
Pages: 232
Product dimensions: 6.14(w) x 9.21(h) x 0.48(d)

About the Author

Mike Chopra-Gant is Lecturer in Cultural Studies, London Metropolitan University

Table of Contents

Introduction: Movies, genre and Zeitgeist
• Reinvigorating the nation: popular early postwar movies and American national identity
• Restoring the family: "moms" and absent fathers
• Soldier to civilian: performance and postwar masculinities
• The military milieu and male companionship
• Popular films, film noir and the postwar Zeitgeist
• Conclusions
• Notes
• Bibliography and Filmography
• Index

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