The Physics of Imaginary Objects

The Physics of Imaginary Objects

by Tina May Hall
5.0 2


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The Physics of Imaginary Objects 5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
Author_RichardThomas More than 1 year ago
(The review was originally written by Richard Thomas for The Nervous Breakdown, October 2010) As it often is with new voices, it all starts with a dull buzz, and the sense of serendipity. Something allows the title or the subject matter or the quality of the prose to break through the daily clutter, the onslaught of suggestions and advertising, to sit with you, to hold your hand and not let go. That is the case with this powerful collection of fiction, The Physics of Imaginary Objects by Tina May Hall. For me, it started with early adopters, people like Dan Wickett at Dzanc Books and the Emerging Writers Network, and Roxane Gay at PANK. By the time I saw the cover, and tracked down a story online to get a taste of the voice, I was nearly sold. After reading "When Praying to a Saint, Include Something Up Her Alley" at her website (originally published in Black Warrior Review) I was in. All in. So very much invested. And a little bit scared. JUDGE A BOOK BY ITS COVER. Long before I got my copy in the mail, I stared at the cover of this book. It was an early clue of what to expect. Throughout these fifteen stories and one novella, there is a constant sense that things may go wrong, that they will definitely go wrong, and that the paranoia you feel as a reader is not a lie, it is not a misinterpretation, there is indeed something happening, something dark, and uncomfortable. The image on the cover is of a mirror, propped up on a structure, black fabric draped over the hidden form, with the tops of pine trees reflected in it, a wire running down the front, off into the dead branches and out of sight. I have always had issues with mirrors. Mirrors and shadows, the things you catch at the edge of your vision. You turn, and there is nothing there. But was there? There is a sense in that cover art that something is happening just out of sight, the wire, it makes no sense, the table and the mirror out in the forest, you can almost feel the presence of someone (or some thing) standing just out of the shot. It is a feeling that came back to me many times while reading these stories. CLUES THAT THIS IS GOING TO BE GOOD. It was the winner of the 2010 Drue Heinz Literature Prize. Included, is "All The Day's Sad Stories", the winner of the 2008 Caketrain Chapbook Competition, selected by Brian Evenson. Black Warrior Review. The Collagist. Etc. ( continue this review, visit The Nervous Breakdown)