Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state.

The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, and a large number of full-page reproductions serve as a valuable reference for the aspiring printer.

The book includes:

  • A list of supplies and equipment
  • A detailed chemical glossary
  • A Quick-start section in the Preface
  • Summary sheets and workflows for each step of the process
  • Instructions for making traditional negatives with Pyro PMK and digital negatives
  • Explanation of the chemistry and dynamics of paper, and how to use buffered papers
  • Instructions for controlling hydration processes and humidity
  • Instructions for preparing each chemical solution needed for the process
  • Discussion about the aesthetics of the platinum/palladium print
  • Explanation of the relationships between light, image, and expression
  • A detailed troubleshooting list
  • Recommendations from conservators about processing, handling, and conservation
  • Contemporary artists using the printing-out platinum/palladium process.

Learning how to make platinum/palladium prints has been cloaked in a mystique of difficulty. Platinotype presents the process as a set of clearly explained and defined steps. Like other books in the series, Platinotype is a detailed and inspiring manual, accessible to both novices and experts, and illustrative of the contemporary arts.

1137251037
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state.

The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, and a large number of full-page reproductions serve as a valuable reference for the aspiring printer.

The book includes:

  • A list of supplies and equipment
  • A detailed chemical glossary
  • A Quick-start section in the Preface
  • Summary sheets and workflows for each step of the process
  • Instructions for making traditional negatives with Pyro PMK and digital negatives
  • Explanation of the chemistry and dynamics of paper, and how to use buffered papers
  • Instructions for controlling hydration processes and humidity
  • Instructions for preparing each chemical solution needed for the process
  • Discussion about the aesthetics of the platinum/palladium print
  • Explanation of the relationships between light, image, and expression
  • A detailed troubleshooting list
  • Recommendations from conservators about processing, handling, and conservation
  • Contemporary artists using the printing-out platinum/palladium process.

Learning how to make platinum/palladium prints has been cloaked in a mystique of difficulty. Platinotype presents the process as a set of clearly explained and defined steps. Like other books in the series, Platinotype is a detailed and inspiring manual, accessible to both novices and experts, and illustrative of the contemporary arts.

68.99 In Stock
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process

Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process

by Pradip Malde, Mike Ware
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process

Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process

by Pradip Malde, Mike Ware

Paperback

$68.99 
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Overview

Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state.

The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, and a large number of full-page reproductions serve as a valuable reference for the aspiring printer.

The book includes:

  • A list of supplies and equipment
  • A detailed chemical glossary
  • A Quick-start section in the Preface
  • Summary sheets and workflows for each step of the process
  • Instructions for making traditional negatives with Pyro PMK and digital negatives
  • Explanation of the chemistry and dynamics of paper, and how to use buffered papers
  • Instructions for controlling hydration processes and humidity
  • Instructions for preparing each chemical solution needed for the process
  • Discussion about the aesthetics of the platinum/palladium print
  • Explanation of the relationships between light, image, and expression
  • A detailed troubleshooting list
  • Recommendations from conservators about processing, handling, and conservation
  • Contemporary artists using the printing-out platinum/palladium process.

Learning how to make platinum/palladium prints has been cloaked in a mystique of difficulty. Platinotype presents the process as a set of clearly explained and defined steps. Like other books in the series, Platinotype is a detailed and inspiring manual, accessible to both novices and experts, and illustrative of the contemporary arts.


Product Details

ISBN-13: 9780367415952
Publisher: Taylor & Francis
Publication date: 12/30/2020
Series: Contemporary Practices in Alternative Process Photography
Pages: 418
Product dimensions: 8.00(w) x 10.00(h) x (d)

About the Author

Pradip Malde graduated from the Glasgow School of Art (MA, 1980). He is a professor of Art at the University of the South, Sewanee, Tennessee, teaching photography and documentary studies. A Scottish Arts Council Bursary recipient (1990) and a Guggenheim Fellow (2018), he has worked extensively within small rural communities using photography as a citizen-based development tool. His works are held in numerous public collections, including the Scottish National Galleries, Princeton University Museum, and the Victoria and Albert Museum.

Dr. Mike Ware graduated in chemistry at the University of Oxford (1962). He is an Honorary Fellow in Chemistry, University of Manchester, UK, and a recipient of the Hood Medal of the Royal Photographic Society. His researches on improving historic photographic processes have had a profound impact on creative and historical aspects of photography, and are described in 70 publications. He has consulted for national museums and galleries, exhibited his personal photographic work and conducted workshops worldwide. In 2016 he was awarded the Special Recognition of the American Institute for Conservation.

Table of Contents

Foreword Mike Ware xi

Preface xv

Acknowledgements xix

Part 1

Chapter 1 Contexts and Expectations 3

Some Recent Historical Context 3

Why Platinum and Palladium? 6

Early History of Platinotype 7

Platinum its Own Undoing 9

Revival 9

What Makes this Book Different 10

Chapter 2 Chemistry of the Platinum/Palladium Print 15

Naming Conventions 16

The Light that Marks 18

Siderotype Processes 18

Development Pt/Pd 19

Printing-out Method 20

Paper 22

Looking Back, Walking Forward 24

Chapter 3 Safety, Workspaces, and Procedures 29

Health and Safety 30

Materials Safety Data Sheets 30

Workspace 32

Procedures 35

Labels and Notes 37

Platinum Hazard 37

Chapter 4 Equipment, Materials, and Chemicals 41

Equipment and Materials 42

Chemicals List 62

Chapter 5 Preparation of Sensitizer and Processing Solutions 67

Measuring Liquids 68

Weighing Solids 70

Preparing Solutions 70

Formulae for Making Platinum/Palladium Prints 72

Chapter 6 Paper-Its Properties and Choice 95

Paper 96

Manufacture: Machine-made, Moldmade, and Handmade 96

Characteristics of Paper for Pt/Pd 98

Ideal Paper Characteristics 99

Working with Paper 103

Testing Papers for Pt/Pd 104

Paper Modifications 108

Recommended Paper 111

Chapter 7 Negatives 115

Size, Contrast, and Density 116

Film, or Wet-lab Negatives 119

Digital Negatives 122

Masks 130

Caring for Negatives 132

Chapter 8 Making the Print 135

Hydration Reminder 136

Workspace 140

Printing Workflow 142

Summary Printing Workflow 153

Chapter 9 Archival Processing, Presentation, and Documentation 155

Archival Processing 157

Presentation, and Storage 159

Retouching 161

Documentation 163

Chapter 10 Looking and Seeing 169

Vernacular: Then and Now 172

Breathless and Forgetting: Qualities that Set Platinum/Palladium Prints Apart 176

Making and Seeing the Platinum/Palladium Print 180

Part 2

Chapter 11 Contemporary Practices 185

Alf Masne Andreassen 189

Angela Berry 193

Stuart Clook 197

Cathy Cone 201

Jon Cone 205

Imogen Cunningham 209

Ivey Dahlstrom 213

David Dennard 217

Virgil DiBiase 221

Danielle Edwards 225

Jill Enfield 229

Emily Gómez 233

Pamela Heemskerk 237

Allie Horick 241

Skip Klein 245

Pablo Kolodny 249

Gilles Lorin 253

Paula Luttringer 257

Rachel Malde 261

Caroline Minchew 265

Elizabeth Motlow 269

Shaun O'Dell 273

Rondal Partridge 277

Greg Petiopoulos 281

Stavros Pippos 285

Robert Poole 289

Allan Razo 293

Whitt Sellers 297

Mark Severson 301

Sara Silks 305

Larry Smukler 309

Mark Stracke 313

Hunter Swenson 317

Basil Tahan 321

Roger Vail 325

William Watson 329

Elisabeth Weissensteiner 333

Kirk Williams 337

Lucy Wimmer 341

Ellie Young 345

Appendix I Troubleshooting 351

Anticipating Problems 351

Preparing Chemicals 351

Coating the Paper 353

Exposing and Processing Prints 356

Image Appearance 357

Print Finishing and Care 361

Appendix II Workflow Summaries 363

Chemicals: Best Practice and Emergencies 363

Fogging Test 363

Paper Acidifying 364

Paper Testing 364

Printing: Base Exposure Test 364

Printing: Sequence and Data Template 364

Processing Sequence for Analogue Negatives with Pyro PMK developer 365

Production Sequence for Digital Negatives 365

Naming and Numbering Images, Negatives and Prints 365

Appendix III Glossary 369

Appendix IV Equipment, Materials, and Resources 383

Appendix V Bibliography and References

Collections and Monographs 386

Historical 386

Instructional and Technical 388

References and Further Readings 390

Index 391

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