Playing Gods: Ovid's Metamorphoses and the Politics of Fiction

by Andrew M Feldherr

Overview

This book offers a novel interpretation of politics and identity in Ovid's epic poem of transformations, the Metamorphoses. Reexamining the emphatically fictional character of the poem, Playing Gods argues that Ovid uses the problem of fiction in the text to redefine the power of poetry in Augustan Rome. The book also provides the fullest account yet of how the poem relates to the range of cultural phenomena that defined and projected Augustan authority, including spectacle, theater, and the visual arts.


Andrew Feldherr argues that a key to the political as well as literary power of the Metamorphoses is the way it manipulates its readers' awareness that its stories cannot possibly be true. By continually juxtaposing the imaginary and the real, Ovid shows how a poem made up of fictions can and cannot acquire the authority and presence of other discursive forms. One important way that the poem does this is through narratives that create a "double vision" by casting characters as both mythical figures and enduring presences in the physical landscapes of its readers. This narrative device creates the kind of tensions between identification and distance that Augustan Romans would have felt when experiencing imperial spectacle and other contemporary cultural forms.


Full of original interpretations, Playing Gods constructs a model for political readings of fiction that will be useful not only to classicists but to literary theorists and cultural historians in other fields.

Product Details

ISBN-13:	9780691138145
Publisher:	Princeton University Press
Publication date:	09/05/2010
Pages:	384
Product dimensions:	6.10(w) x 9.30(h) x 1.40(d)

About the Author

Andrew Feldherr is professor of classics at Princeton University. He is the author of Spectacle and Society in Livy's History and the editor of The Cambridge Companion to the Roman Historians.

Table of Contents

Acknowledgments ix

Introduction 1





Part One: Fiction and Empire 13

Chapter 1: Metamorphosis and Fiction 15

Io and Syrinx 15

Metamorphosis 26

Beyond Belief 46

Chapter 2: Wavering Identity 60

Imitations of Immortality 63

Reception and Social Identity 83

Upward Mobility? 106





Part Two: Spectacle 123

Chapter 3: Homo Spectator: Sacrifice and the Making of Man 125

Creations 125

Pythagoras 149

Chapter 4: Poets in the Arena 160

Chapter 5: Philomela Again? 199





Part Three: Ovid and the Visual Arts 241

Chapter 6: Faith in Images 243

Pygmalion 257

Domestic Goddesses 276

Chapter 7: "Songs the Greater Image" 293

Reconciling Niobe 295

Perseus: The Shadow 313

Conclusion 342

References 351

Index of Passages Cited 365

General Index 373

What People are Saying About This

Philip Hardie

This is a major study of a major poet, a book that will have to be taken very seriously by all students of Ovid and Augustan literature. It also has much to offer anyone who is interested in the cultural politics of other places and other times. Andrew Feldherr shows familiar passages in new, often startlingly new, lights.
— Philip Hardie, Trinity College, University of Cambridge

From the Publisher

"This is a major study of a major poet, a book that will have to be taken very seriously by all students of Ovid and Augustan literature. It also has much to offer anyone who is interested in the cultural politics of other places and other times. Andrew Feldherr shows familiar passages in new, often startlingly new, lights."—Philip Hardie, Trinity College, University of Cambridge

"This fascinating book is a major achievement. Insightful and often brilliant, it sets a new standard for sustained close reading of Ovid. Andrew Feldherr brings the discussion of the politics of Ovidian metamorphosis to a new level of critical sophistication. What he has to say about the nature of poetic fiction, the ethics of representation and interpretation, and the complex interrelationship of poetics and politics is bound to stimulate, provoke, and in most cases convince."—Joy Connolly, New York University

Joy Connolly

This fascinating book is a major achievement. Insightful and often brilliant, it sets a new standard for sustained close reading of Ovid. Andrew Feldherr brings the discussion of the politics of Ovidian metamorphosis to a new level of critical sophistication. What he has to say about the nature of poetic fiction, the ethics of representation and interpretation, and the complex interrelationship of poetics and politics is bound to stimulate, provoke, and in most cases convince.
— Joy Connolly, New York University

Editorial Reviews

"Feldherr's most influential work to date, this book sheds light on how, in ancient Roman literature, narrative viewpoint constructs and reconstructs power relations in the real world."

Choice

"[Playing Gods] ranges widely over some important aspects of Roman culture and history and offers detailed and penetrating readings of Ovid's text. Most impressively, it allows cultural institutions and poetry to interpret each other reciprocally, often to fruitful effect. . . . [Feldherr] has gone a long way to explaining the potential and relevance of metamorphosis, the theme of classical antiquity's most influential book."—-William Fitzgerald, Times Literary Supplement

From the Publisher

Feldherr's nuanced close readings and original insights are entirely persuasive. Like Ovid's carmen perpetuum, while it can be sampled usefully for individual stories, readings or chapters, it is far better read—and re-read—as an interconnected whole. And the story it tells about the politics of Ovidian fiction makes highly rewarding reading.

Phoenix - Genevieve Liveley

Andrew Feldherr has produced a complex and sophisticated new reading of Ovid's Metamorphoses. Make no mistake, this is a dense and difficult book to read, but it offers many rewards to the assiduous reader. . . . Close readings throughout the work especially reveal Feldherr's theoretical sophistication, philological expertise, and literary sensitivity.

New England Classical Journal - Sara Myers

[Playing Gods] ranges widely over some important aspects of Roman culture and history and offers detailed and penetrating readings of Ovid's text. Most impressively, it allows cultural institutions and poetry to interpret each other reciprocally, often to fruitful effect. . . . [Feldherr] has gone a long way to explaining the potential and relevance of metamorphosis, the theme of classical antiquity's most influential book.

Times Literary Supplement - William Fitzgerald

Andrew Feldherr has produced a complex and sophisticated new reading of Ovid's Metamorphoses. Make no mistake, this is a dense and difficult book to read, but it offers many rewards to the assiduous reader. . . . Close readings throughout the work especially reveal Feldherr's theoretical sophistication, philological expertise, and literary sensitivity.
— Sara Myers

New England Classical Journal

While its target audience may, arguably, exclude the non-expert, Playing Gods will be equally interesting and relevant to literary theorists and critics and cultural historians. Feldherr offers an attractive new model for reading politics in a work of fiction, and pushes, considerably further than recent studies of the Metamorphoses, the boundaries of our understanding of the interplay between narrative and exegesis, fiction and reality, and content and form in the reception of Ovid's poem.

Journal of Roman Studies - Laura Jansen

[Playing Gods] ranges widely over some important aspects of Roman culture and history and offers detailed and penetrating readings of Ovid's text. Most impressively, it allows cultural institutions and poetry to interpret each other reciprocally, often to fruitful effect. . . . [Feldherr] has gone a long way to explaining the potential and relevance of metamorphosis, the theme of classical antiquity's most influential book.
— William Fitzgerald

Times Literary Supplement