Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth Century

In Poems of Nation, Anthems of Empire, Suvir Kaul argues that the aggressive nationalism of James Thomson's ode "Rule, Britannia!" (1740) is the condition to which much English poetry of the late seventeenth and eighteenth centuries aspires. Poets as varied as Marvell, Waller and Dryden, Defoe, Addison, John Dyer and Edward Young, or Goldsmith, Cowper, Hannah More and Anna Laetitia Barbauld, all wrote poems deeply engaged with the British-nation-in-the-making. These poets, and many others like them, recognized that the nation and its values and institutions were being defined by the expansion of overseas trade, naval and military control, plantations and colonies. Their poems both embodied, and were concerned about, the culture and ideology of "Great Britain" (itself an idea of the nation that developed alongside the formation of a British Empire).

Poems in this period thus flaunt various images of poetic inspiration that show poetry and culture following triumphantly where mercantile and military ships sail. Or sometimes, more self-aggrandizingly for the poet, they enact the process by which the Muses use their powers to inspire and show the way. Even at their most hesitant, these poems were written as interventions into public discussion; their creativity is tied up with that desire to convince and persuade. Finally, as Kaul writes, it is their encyclopedic desire to incorporate new experiences, visions, and values that makes these poems such fine guides to the world of poetry in the long years in which "Great Britain" was consolidated as an empire, at home and abroad.

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Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth Century

In Poems of Nation, Anthems of Empire, Suvir Kaul argues that the aggressive nationalism of James Thomson's ode "Rule, Britannia!" (1740) is the condition to which much English poetry of the late seventeenth and eighteenth centuries aspires. Poets as varied as Marvell, Waller and Dryden, Defoe, Addison, John Dyer and Edward Young, or Goldsmith, Cowper, Hannah More and Anna Laetitia Barbauld, all wrote poems deeply engaged with the British-nation-in-the-making. These poets, and many others like them, recognized that the nation and its values and institutions were being defined by the expansion of overseas trade, naval and military control, plantations and colonies. Their poems both embodied, and were concerned about, the culture and ideology of "Great Britain" (itself an idea of the nation that developed alongside the formation of a British Empire).

Poems in this period thus flaunt various images of poetic inspiration that show poetry and culture following triumphantly where mercantile and military ships sail. Or sometimes, more self-aggrandizingly for the poet, they enact the process by which the Muses use their powers to inspire and show the way. Even at their most hesitant, these poems were written as interventions into public discussion; their creativity is tied up with that desire to convince and persuade. Finally, as Kaul writes, it is their encyclopedic desire to incorporate new experiences, visions, and values that makes these poems such fine guides to the world of poetry in the long years in which "Great Britain" was consolidated as an empire, at home and abroad.

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Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth Century

Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth Century

by Suvir Kaul
Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth Century

Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth Century

by Suvir Kaul

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Overview

In Poems of Nation, Anthems of Empire, Suvir Kaul argues that the aggressive nationalism of James Thomson's ode "Rule, Britannia!" (1740) is the condition to which much English poetry of the late seventeenth and eighteenth centuries aspires. Poets as varied as Marvell, Waller and Dryden, Defoe, Addison, John Dyer and Edward Young, or Goldsmith, Cowper, Hannah More and Anna Laetitia Barbauld, all wrote poems deeply engaged with the British-nation-in-the-making. These poets, and many others like them, recognized that the nation and its values and institutions were being defined by the expansion of overseas trade, naval and military control, plantations and colonies. Their poems both embodied, and were concerned about, the culture and ideology of "Great Britain" (itself an idea of the nation that developed alongside the formation of a British Empire).

Poems in this period thus flaunt various images of poetic inspiration that show poetry and culture following triumphantly where mercantile and military ships sail. Or sometimes, more self-aggrandizingly for the poet, they enact the process by which the Muses use their powers to inspire and show the way. Even at their most hesitant, these poems were written as interventions into public discussion; their creativity is tied up with that desire to convince and persuade. Finally, as Kaul writes, it is their encyclopedic desire to incorporate new experiences, visions, and values that makes these poems such fine guides to the world of poetry in the long years in which "Great Britain" was consolidated as an empire, at home and abroad.


Product Details

ISBN-13: 9780813919683
Publisher: University of Virginia Press
Publication date: 02/02/2001
Pages: 337
Product dimensions: 6.00(w) x 9.00(h) x 1.00(d)
Age Range: 18 Years

About the Author

Suvir Kaul, Associate Professor of English at the University of Illinois at Urbana-Champaign, is also the author of Thomas Gray and Literary Authority: A Study in Ideology and Poetics.

Table of Contents

Acknowledgmentsvii
Introduction: Poetry, National Pride, and the Call to Empire1
1.The Poetry of Nation45
2.The Ebb and Flow of Nations and Empires85
3.James Thomson and the "Sage Historic Muse"131
4.The Mythopoetics of Commercial Expansion183
5.The World of Antislavery Poetry230
Conclusion269
Notes279
Works Cited319
Index331

What People are Saying About This

Jounal of English and Germanic Philology

"While many excellent studies of eighteenth-century culture have emphasized nationalist discourse, and other studies have offered outstanding scholarship on colonial discourse, few have insisted on their deep mutual dependence. Still fewer have grounded their reading of that dependence as thoroughly in the literature of the period, and none have done so as eleantly as Kaul’s significant work.

From the Publisher

"While many excellent studies of eighteenth-century culture have emphasized nationalist discourse, and other studies have offered outstanding scholarship on colonial discourse, few have insisted on their deep mutual dependence. Still fewer have grounded their reading of that dependence as thoroughly in the literature of the period, and none have done so as eleantly as Kaul’s significant work.

David Shields

One of the signal virtues of Suvir Kaul's study is its clarity in showing that poetry, not the novel, not drama, was the primary literary register of English/British imperial vision. We are provided the entire span of such poetic speculation, from Waller and Marvell to Cowper, approximately 150 years of imperial/national fantasy. In sum, this is a book for which there has long been a need. Accomplished with great learning, grace, and thoroughness, it should become an indispensable tool in eighteenth-century literary and historical study.

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