Post-Classical Hollywood: Film Industry, Style and Ideology since 1945
At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in today's global economy the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's "Hollywood" - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differ from the legendary studios of Hollywood's Golden Age? What are the dominant frameworks and conventions, the historical contexts and the governing attitudes through which films are made, marketed and consumed today? How have these changed across the last seven decades? And how have these evolving contexts helped shape the form, the style and the content of Hollywood movies, from Singin' in the Rain to Pirates of the Caribbean? Barry Langford explains and interrogates the concept of "post-classical" Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present. Integrating film history, discussion of movies' social and political dimensions, and analysis of Hollywood's distinctive methods of storytelling, Post-Classical Hollywood charts key critical debates alongside the histories they interpret, while offering its own account of the "post-classical." Wide-ranging yet concise, challenging and insightful, Post-Classical Hollywood offers a new perspective on the most enduringly fascinating artform of our age.
1136858367
Post-Classical Hollywood: Film Industry, Style and Ideology since 1945
At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in today's global economy the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's "Hollywood" - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differ from the legendary studios of Hollywood's Golden Age? What are the dominant frameworks and conventions, the historical contexts and the governing attitudes through which films are made, marketed and consumed today? How have these changed across the last seven decades? And how have these evolving contexts helped shape the form, the style and the content of Hollywood movies, from Singin' in the Rain to Pirates of the Caribbean? Barry Langford explains and interrogates the concept of "post-classical" Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present. Integrating film history, discussion of movies' social and political dimensions, and analysis of Hollywood's distinctive methods of storytelling, Post-Classical Hollywood charts key critical debates alongside the histories they interpret, while offering its own account of the "post-classical." Wide-ranging yet concise, challenging and insightful, Post-Classical Hollywood offers a new perspective on the most enduringly fascinating artform of our age.
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Post-Classical Hollywood: Film Industry, Style and Ideology since 1945

Post-Classical Hollywood: Film Industry, Style and Ideology since 1945

by Barry Langford
Post-Classical Hollywood: Film Industry, Style and Ideology since 1945

Post-Classical Hollywood: Film Industry, Style and Ideology since 1945

by Barry Langford

Paperback

$37.95 
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Overview

At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in today's global economy the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's "Hollywood" - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differ from the legendary studios of Hollywood's Golden Age? What are the dominant frameworks and conventions, the historical contexts and the governing attitudes through which films are made, marketed and consumed today? How have these changed across the last seven decades? And how have these evolving contexts helped shape the form, the style and the content of Hollywood movies, from Singin' in the Rain to Pirates of the Caribbean? Barry Langford explains and interrogates the concept of "post-classical" Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present. Integrating film history, discussion of movies' social and political dimensions, and analysis of Hollywood's distinctive methods of storytelling, Post-Classical Hollywood charts key critical debates alongside the histories they interpret, while offering its own account of the "post-classical." Wide-ranging yet concise, challenging and insightful, Post-Classical Hollywood offers a new perspective on the most enduringly fascinating artform of our age.

Product Details

ISBN-13: 9780748638581
Publisher: Edinburgh University Press
Publication date: 08/04/2010
Pages: 320
Product dimensions: 6.10(w) x 9.10(h) x 0.80(d)
Age Range: 18 Years

About the Author

Barry Langford is Senior Lecturer in Film and Television Studies at the Royal Holloway, University of London.

Table of Contents

Introduction

Part I: Hollywood in Transition 1946-1965
Introduction
1, The Autumn of the Patriarchs
2, The Communication of Ideas
3, Modernising Hollywood;

Part II: Crisis and Renaissance 1966-1981
Introduction
4, Changing of the Guard
5, New Wave Hollywood
6, Who Lost the Picture Show?

Part III: New Hollywood 1982-2006
Introduction
7, Corporate Hollywood
8, Culture Wars
9, Post-Classical Style?

Conclusion: Hollywood Now
Further Reading The Biggest, The Best - case studies
1946: The Best Years of Our Lives
1955: Marty, Cinerama Holiday
1965: The Sound of Music
1975: One Flew Over the Cuckoo's Nest, Jaws
1985: Out of Africa, Back to the Future
1995: Braveheart, Toy Story
2005: Crash, Star Wars Episode III: Revenge of the Sith
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