The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity
In this volume, specialists in literature, theology, liturgy, manuscript studies, and history introduce the medieval culture of the Bible in Western Christianity. Emphasizing the living quality of the text and the unique literary traditions that arose from it, they show the many ways in which the Bible was read, performed, recorded, and interpreted by various groups in medieval Europe. An initial orientation introduces the origins, components, and organization of medieval Bibles. Subsequent chapters address the use of the Bible in teaching and preaching, the production and purpose of Biblical manuscripts in religious life, early vernacular versions of the Bible, its influence on medieval historical accounts, the relationship between the Bible and monasticism, and instances of privileged and practical use, as well as the various forms the text took in different parts of Europe. The dedicated merging of disciplines, both within each chapter and overall in the book, enable readers to encounter the Bible in much the same way as it was once experienced: on multiple levels and registers, through different lenses and screens, and always personally and intimately.
1101966641
The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity
In this volume, specialists in literature, theology, liturgy, manuscript studies, and history introduce the medieval culture of the Bible in Western Christianity. Emphasizing the living quality of the text and the unique literary traditions that arose from it, they show the many ways in which the Bible was read, performed, recorded, and interpreted by various groups in medieval Europe. An initial orientation introduces the origins, components, and organization of medieval Bibles. Subsequent chapters address the use of the Bible in teaching and preaching, the production and purpose of Biblical manuscripts in religious life, early vernacular versions of the Bible, its influence on medieval historical accounts, the relationship between the Bible and monasticism, and instances of privileged and practical use, as well as the various forms the text took in different parts of Europe. The dedicated merging of disciplines, both within each chapter and overall in the book, enable readers to encounter the Bible in much the same way as it was once experienced: on multiple levels and registers, through different lenses and screens, and always personally and intimately.
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The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity

The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity

The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity

The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity

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Overview

In this volume, specialists in literature, theology, liturgy, manuscript studies, and history introduce the medieval culture of the Bible in Western Christianity. Emphasizing the living quality of the text and the unique literary traditions that arose from it, they show the many ways in which the Bible was read, performed, recorded, and interpreted by various groups in medieval Europe. An initial orientation introduces the origins, components, and organization of medieval Bibles. Subsequent chapters address the use of the Bible in teaching and preaching, the production and purpose of Biblical manuscripts in religious life, early vernacular versions of the Bible, its influence on medieval historical accounts, the relationship between the Bible and monasticism, and instances of privileged and practical use, as well as the various forms the text took in different parts of Europe. The dedicated merging of disciplines, both within each chapter and overall in the book, enable readers to encounter the Bible in much the same way as it was once experienced: on multiple levels and registers, through different lenses and screens, and always personally and intimately.

Product Details

ISBN-13: 9780231148276
Publisher: Columbia University Press
Publication date: 07/26/2011
Edition description: New Edition
Pages: 376
Product dimensions: 6.00(w) x 8.90(h) x 0.90(d)
Age Range: 18 Years

About the Author

Susan Boynton is associate professor of historical musicology at Columbia University and author of Shaping a Monastic Identity: Liturgy and the History at the Imperial Abbey of Farfa, 1000-1125.

Diane J. Reilly is associate professor of art history at Indiana University, Bloomington, and author of The Art of Reform in Eleventh-Century Flanders: Gerard of Cambrai, Richard of Saint-Vanne, and the Saint Vaast Bible.

Table of Contents

Contents
Acknowledgments
Abbreviations
1. Orientation for the Reader
Susan Boynton and Diane J. Reilly
2. The Bible and the Liturgy
Susan Boynton
3. Bibles, Biblical Books, and the Monastic Liturgy in the Early Middle Ages
Richard Gyug
4. When Monks Were the Book: The Bible and Monasticism (6th–11th Centuries)
Isabelle Cochelin
5. The Bible and the Meaning of History
Jennifer A. Harris
6. Lectern Bibles and Liturgical Reform in the Central Middle Ages
Diane J. Reilly
7. The Italian Giant Bibles
Lila Yawn
8. Biblical Exegesis Through the Twelfth Century
Frans van Liere
9. Mendicant School Exegesis
Bert Roest
10. "A Ladder Set Up on Earth": The Bible in Medieval Sermons
Eyal Poleg
11. The Bible and the Individual: The Thirteenth-Century Paris Bible
Laura Light
12. The Illustrated Psalter: Luxury and Practical Use
Stella Panayotova
13. The Bible in English in the Middle Ages
Richard Marsden
14. The Old French Bible: The First Complete Vernacular Bible in Western Europe
Clive R. Sneddon
15. Castilian Vernacular Bibles in Iberia, c. 1250–1500
Emily C. Francomano
Glossary
Contributors
Index
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