Queer Gothic: An Edinburgh Companion

by Ardel Haefele-Thomas (Editor)

Overview

Queer Gothic: An Edinburgh Companion features sixteen essays that interrogate queer theory’s intersections with the Gothic. By re-visiting the usefulness of the term ‘queer’ and pushing queer theoretical frameworks into new territory, this volume explores the ways that Gothic and queer work alongside each other: one as a marginalised genre and the other as a marginalised identity. Considering both major and lesser-known Gothic works, and ranging from the canonical (poetry and fiction) to the popular (film, video games, music, and visual and performance art), it offers queer and trans perspectives on a wide selection of Gothic modes, genres and texts from fiction such as Hugh Walpole’s The Castle of Otranto to Jeanette Winterson’s The Daylight Gate, films from Nosferatu to The Cured and TV shows including In the Flesh and Pose.

Product Details

ISBN-13:	9781474494380
Publisher:	Edinburgh University Press
Publication date:	10/17/2023
Series:	Edinburgh Companions to the Gothic
Edition description:	135,940
Pages:	368
Product dimensions:	6.14(w) x 9.21(h) x 0.88(d)

About the Author

Dr. Ardel Haefele-Thomas is the Chair of LGBT Studies at City College of San Francisco. They have published numerous essays on queer and trans Gothic themes including “Gothic, AIDS, and Sexuality, 1981- present” for Cambridge History of the Gothic edited by Catherine Spooner and Dale Townshend (Cambridge UniversityPress, 2021) and “That Dreadful Thing That Looked Like a Beautiful Girl: Trans Anxiety/Trans Possibility in Three Late Victorian Werewolf Tales” for Transgothic in Literature and Culture edited by Jolene Zigarovich (Routledge Press, 2018). Dr. Haefele-Thomas is also the author of Introduction to Transgender Studies (Columbia UniversityPress, 2019) and Queer Others in Victorian Gothic: Transgressing Monstrosity (University of Wales Press, 2012). They are currently working on a monograph on AIDS Gothic for the University of Wales Press as well as a four volume set of archival, rare, and hard to find nineteenth century British LGBTQI+ materials for Routledge Press. Both projects are forthcoming in 2024.

Table of Contents

List of Figures

Acknowledgements

Introduction to Queer Gothic: 'I would like, if I may, to take you on a strange journey'

Ardel Haefele-Thomas

Part I: Queer Times

Chapter 1 - Desiring Deformity in the Romantic Gothic

Jeremy Chow

Chapter 2 - Queer Gothic: Romantic Origins and Victorian Innovations

Jolene Zigarovich

Chapter 3 - Strange Cases of the Queer fin de siècle: Law, Medicine and the Gothic Imaginative Mode

Jamil Mustafa

Chapter 4 - Gothic Cinema and Sexology in the Weimar Republic: Towards a Queer Gothic Aesthetic on Screen

Dennis Wegner

Chapter 5 -‘Tarting up ideas in costume jewellery’: Contemporary Gothic Camp

Thomas Brassington

Part II: Queer Monsters

Chapter 6 - Queer Vampires: What We Want Is In The Shadows

S. Brooke Cameron

Chapter 7 - Queer Zombies

Xavier Aldana Reyes

Chapter 8 - ‘Queer-Wolves and Wolf-Boyz and Were-Bears, Oh My!’: Queering the Wolf in New Queer Horror Film and TV

Darren Elliott-Smith

Chapter 9 - ‘Spectrality is in part a mode of historicity ’: Representations of Spectrality in Queer Historiography and Contemporary Fiction

Paulina Palmer

Chapter 10 - Witchcraft, Gender and Queerness in Contemporary British Literature

Silvia Antosa

Part III: Queer Forms

Chapter 11 - Queer Gothic Poetry

Clayton Carlyle Tarr

Chapter 12 - Queer Gothic Visual Art: A Twisted Path From The Eighteenth Century To The Twenty-First

Laura Westengard

Chapter 13 - Queering Gothic Slash Fandoms: Harry Potter, Ginger Snaps and Worldbuilding

Gregory Luke Chwala

Chapter 14 - Solidarity Is More Than A Slogan: Queer Representation in the Virtual World

Dawn Stobbart

Chapter 15 - ‘Y’all ain’t from around these parts’: Queer Displacement in American Folk Horror

Amanda Cruz

Chapter 16 - This Is What Queer Resistance Looks Like: AIDS Gothic Art

Ardel Haefele-Thomas

Bibliography

Filmography

Notes on Contributors

Index

Editorial Reviews

This is a book that’s urgently needed, and it doesn’t disappoint. Its sixteen authors provide an up-to-date exploration of queer Gothic, reflecting a rapidly changing theoretical field and ranging widely across the LGBTQ+ spectrum. The result is a rich, riotous feast of ideas, sure to tantalise, provoke and spark new conversations.

Catherine Spooner

What about the gothic genre lends it so naturally to conversations of queerness and queer theory? What about queer frameworks creates opportunities to investigate the tensions and possibilities of the gothic narrative? Each essay in Ardel Haefele-Thomas’s collection seeks to answer these questions by analyzing stories, both classical and contemporary, and examining the ways in which the queer gothic genre offers a place to explore the world when one decides to play by different rules. Written in an engaging manner that will appeal to students and scholars of the genre, Queer Gothic is also accessible to the general reader and may pull people in through its examination of more contemporary gothic storytelling types (e.g., video games and slash fiction). Like most collections, some contributions are stronger and of broader interest than others, but every essay seems like a necessary and relevant piece to the overarching conversation about the queer gothic as a narrative space in which queer dilemmas and desires can be represented and marginalized identities can find their own voice.

Summing Up: Highly recommended.

CHOICE - B. McQueen