Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality
Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality addresses a history of stereotyping and provides inclusive approaches to navigating gender and sexuality in a way that does not reduce the broad spectrum of LGBTQ+ communities into a single monolith.

Butch it up! Be more manly! Add a little swish! Queen out! These instructions make performers feel minimized, erased, and forced to fit in a binary that encourages underdeveloped portrayals of queer identities. This book will guide the reader in performance techniques for confidently embodying the masculine/ feminine, gay/ straight binaries – as concepts of chosen choreography rather than reductive prescriptions – while also providing non- binary exercises to explore and expand the use of the body, voice, heart, and mind to bring life to characters of sexual orientations and gender identities that do and do not align with the actors’ lived experiences. The reader will be presented with multiple tools for analyzing, developing, and embodying a diverse array of characters, empowering them to make their own choices when it comes to performance. While there is no “right” way to teach performance, this book will present tools rooted in trauma- informed practices that aim to prevent and undo harm in a group setting with a facilitator, or individually.

This book is written for instructors of theatre performance and acting wishing to expand their curriculum to include queer concepts in their classroom, and actors working in the industry who want to improve their ability performing characters of diverse genders and sexualities.

A companion website, available at www.adicabral.com/queering-the-stage, provides additional materials to support exercises given throughout the book.

1145908408
Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality
Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality addresses a history of stereotyping and provides inclusive approaches to navigating gender and sexuality in a way that does not reduce the broad spectrum of LGBTQ+ communities into a single monolith.

Butch it up! Be more manly! Add a little swish! Queen out! These instructions make performers feel minimized, erased, and forced to fit in a binary that encourages underdeveloped portrayals of queer identities. This book will guide the reader in performance techniques for confidently embodying the masculine/ feminine, gay/ straight binaries – as concepts of chosen choreography rather than reductive prescriptions – while also providing non- binary exercises to explore and expand the use of the body, voice, heart, and mind to bring life to characters of sexual orientations and gender identities that do and do not align with the actors’ lived experiences. The reader will be presented with multiple tools for analyzing, developing, and embodying a diverse array of characters, empowering them to make their own choices when it comes to performance. While there is no “right” way to teach performance, this book will present tools rooted in trauma- informed practices that aim to prevent and undo harm in a group setting with a facilitator, or individually.

This book is written for instructors of theatre performance and acting wishing to expand their curriculum to include queer concepts in their classroom, and actors working in the industry who want to improve their ability performing characters of diverse genders and sexualities.

A companion website, available at www.adicabral.com/queering-the-stage, provides additional materials to support exercises given throughout the book.

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Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality

Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality

by Adi Cabral
Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality
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Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality

Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality

by Adi Cabral

Overview

Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality addresses a history of stereotyping and provides inclusive approaches to navigating gender and sexuality in a way that does not reduce the broad spectrum of LGBTQ+ communities into a single monolith.

Butch it up! Be more manly! Add a little swish! Queen out! These instructions make performers feel minimized, erased, and forced to fit in a binary that encourages underdeveloped portrayals of queer identities. This book will guide the reader in performance techniques for confidently embodying the masculine/ feminine, gay/ straight binaries – as concepts of chosen choreography rather than reductive prescriptions – while also providing non- binary exercises to explore and expand the use of the body, voice, heart, and mind to bring life to characters of sexual orientations and gender identities that do and do not align with the actors’ lived experiences. The reader will be presented with multiple tools for analyzing, developing, and embodying a diverse array of characters, empowering them to make their own choices when it comes to performance. While there is no “right” way to teach performance, this book will present tools rooted in trauma- informed practices that aim to prevent and undo harm in a group setting with a facilitator, or individually.

This book is written for instructors of theatre performance and acting wishing to expand their curriculum to include queer concepts in their classroom, and actors working in the industry who want to improve their ability performing characters of diverse genders and sexualities.

A companion website, available at www.adicabral.com/queering-the-stage, provides additional materials to support exercises given throughout the book.

Product Details

ISBN-13: 9781032351193
Publisher: Taylor & Francis
Publication date: 12/13/2024
Pages: 322
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Adi Cabral (they/ them) is the Associate Professor of Voice

and Movement in the Department of Theatre and Dance at

the University of Nevada, Reno, and works professionally

as a Dialect Coach, Intimacy Professional, and Audiobook

Narrator. Their professional credits include productions at

Berkeley Repertory Theatre, Huntington Theatre, Alliance

Theatre, Houston Stages, Theatre Squared, Utah Shakespeare

Festival, Arvada Center for the Arts and Humanities, Repertory

Theatre of St. Louis, New Repertory Theatre, Mildred’s

Umbrella Theatre Company, Stage Q, New Hazlett Theater,

Hangar Theatre Company, Central Square Theatre, Edinburgh

Fringe Festival, and Darlinghurst Theatre. Their research and

publications focus on cultural competency in performance

training with a focus on Spanish accents and queer inclusivity.

They are a certified teacher of Fitzmaurice Voicework, Knight-

Thompson Speechwork, a Reiki Master, and a proud member

of the Voice and Speech Trainers Association and SAGAFTRA.

For more information, visit www.AdiCabral.com.

Table of Contents

1. Introduction  2. Should I  Part 1: Unlocking the Mind  3. Inventory of Choice  4. Performing Beyond the Binary  Part 2: Expanding the Heart  5. The (Ab)Normal Heart – (Classwork, Dramaturgy, Research)  6. Let’s Talk About Sex, Baby  Part 3: Choreographing Gender and Sexuality  7. Gender Affirming Movement  8. Embodying the Binary  9. Queering the Body  Part 4: Codeswitching Gender and Sexuality  10. Owning Your Voice  11. Binary Dialects  12. Queering the Voice  Part 5: Putting it Together  13. You’ve Been Cast, Now What?

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