Re-Presenting Disability: Activism and Agency in the Museum
Re-Presenting Disability addresses issues surrounding disability representation in museums and galleries, a topic which is receiving much academic attention and is becoming an increasingly pressing issue for practitioners working in wide-ranging museums and related cultural organisations.

This volume of provocative and timely contributions, brings together twenty researchers, practitioners and academics from different disciplinary, institutional and cultural contexts to explore issues surrounding the cultural representation of disabled people and, more particularly, the inclusion (as well as the marked absence) of disability-related narratives in museum and gallery displays. The diverse perspectives featured in the book offer fresh ways of interrogating and understanding contemporary representational practices as well as illuminating existing, related debates concerning identity politics, social agency and organisational purposes and responsibilities, which have considerable currency within museums and museum studies.

Re-Presenting Disability explores such issues as:

  • In what ways have disabled people and disability-related topics historically been represented in the collections and displays of museums and galleries? How can newly emerging representational forms and practices be viewed in relation to these historical approaches?

  • How do emerging trends in museum practice – designed to counter prejudiced, stereotypical representations of disabled people – relate to broader developments in disability rights, debates in disability studies, as well as shifting interpretive practices in public history and mass media?

  • What approaches can be deployed to mine and interrogate existing collections in order to investigate histories of disability and disabled people and to identify material evidence that might be marshalled to play a part in countering prejudice? What are the implications of these developments for contemporary collecting?

  • How might such purposive displays be created and what dilemmas and challenges are curators, educators, designers and other actors in the exhibition-making process, likely to encounter along the way?

  • How do audiences – disabled and non-disabled – respond to and engage with interpretive interventions designed to confront, undercut or reshape dominant regimes of representation that underpin and inform contemporary attitudes to disability?
1136630429
Re-Presenting Disability: Activism and Agency in the Museum
Re-Presenting Disability addresses issues surrounding disability representation in museums and galleries, a topic which is receiving much academic attention and is becoming an increasingly pressing issue for practitioners working in wide-ranging museums and related cultural organisations.

This volume of provocative and timely contributions, brings together twenty researchers, practitioners and academics from different disciplinary, institutional and cultural contexts to explore issues surrounding the cultural representation of disabled people and, more particularly, the inclusion (as well as the marked absence) of disability-related narratives in museum and gallery displays. The diverse perspectives featured in the book offer fresh ways of interrogating and understanding contemporary representational practices as well as illuminating existing, related debates concerning identity politics, social agency and organisational purposes and responsibilities, which have considerable currency within museums and museum studies.

Re-Presenting Disability explores such issues as:

  • In what ways have disabled people and disability-related topics historically been represented in the collections and displays of museums and galleries? How can newly emerging representational forms and practices be viewed in relation to these historical approaches?

  • How do emerging trends in museum practice – designed to counter prejudiced, stereotypical representations of disabled people – relate to broader developments in disability rights, debates in disability studies, as well as shifting interpretive practices in public history and mass media?

  • What approaches can be deployed to mine and interrogate existing collections in order to investigate histories of disability and disabled people and to identify material evidence that might be marshalled to play a part in countering prejudice? What are the implications of these developments for contemporary collecting?

  • How might such purposive displays be created and what dilemmas and challenges are curators, educators, designers and other actors in the exhibition-making process, likely to encounter along the way?

  • How do audiences – disabled and non-disabled – respond to and engage with interpretive interventions designed to confront, undercut or reshape dominant regimes of representation that underpin and inform contemporary attitudes to disability?
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Re-Presenting Disability: Activism and Agency in the Museum

Re-Presenting Disability: Activism and Agency in the Museum

Re-Presenting Disability: Activism and Agency in the Museum

Re-Presenting Disability: Activism and Agency in the Museum

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Overview

Re-Presenting Disability addresses issues surrounding disability representation in museums and galleries, a topic which is receiving much academic attention and is becoming an increasingly pressing issue for practitioners working in wide-ranging museums and related cultural organisations.

This volume of provocative and timely contributions, brings together twenty researchers, practitioners and academics from different disciplinary, institutional and cultural contexts to explore issues surrounding the cultural representation of disabled people and, more particularly, the inclusion (as well as the marked absence) of disability-related narratives in museum and gallery displays. The diverse perspectives featured in the book offer fresh ways of interrogating and understanding contemporary representational practices as well as illuminating existing, related debates concerning identity politics, social agency and organisational purposes and responsibilities, which have considerable currency within museums and museum studies.

Re-Presenting Disability explores such issues as:

  • In what ways have disabled people and disability-related topics historically been represented in the collections and displays of museums and galleries? How can newly emerging representational forms and practices be viewed in relation to these historical approaches?

  • How do emerging trends in museum practice – designed to counter prejudiced, stereotypical representations of disabled people – relate to broader developments in disability rights, debates in disability studies, as well as shifting interpretive practices in public history and mass media?

  • What approaches can be deployed to mine and interrogate existing collections in order to investigate histories of disability and disabled people and to identify material evidence that might be marshalled to play a part in countering prejudice? What are the implications of these developments for contemporary collecting?

  • How might such purposive displays be created and what dilemmas and challenges are curators, educators, designers and other actors in the exhibition-making process, likely to encounter along the way?

  • How do audiences – disabled and non-disabled – respond to and engage with interpretive interventions designed to confront, undercut or reshape dominant regimes of representation that underpin and inform contemporary attitudes to disability?

Product Details

ISBN-13: 9780415494731
Publisher: Taylor & Francis
Publication date: 01/27/2010
Edition description: New Edition
Pages: 304
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Richard Sandell, Jocelyn Dodd, Rosemarie Garland-Thomson

Table of Contents

List of Illustrations viii

Notes on Contributors x

Acknowledgments xvii

Preface xix

Part 1 New ways of seeing 1

1 Activist practice Richard Sandell Jocelyn Dodd 3

2 Picturing people with disabilities: classical portraiture as reconstructive narrative Rosemarie Garland-Thomson 23

3 Agents at Angkor Lain Hart 41

4 'See no evil' Victoria Phiri 53

5 Ghosts in the war museum Ana Carden-Coyne 64

6 Behind the shadow of Merrick David Hevey 79

7 Disability reframed: challenging visitor perceptions in the museum Jocelyn Dodd Ceri Jones Debbie Jolly Richard Sandell 92

Part 2 Interpretive journeys and experiments 113

8 To label the label? 'Learning disability' and exhibiting 'critical proximity' Helen Graham 115

9 Hurting and healing: reflections on representing experiences of mental illness in museums Joanna Besley Carol Low 130

10 Histories of disability and medicine: reconciling historical narratives and contemporary values Julie Anderson Lisa O'sullivan 143

11 Revealing moments: representations of disability and sexuality Elizabeth Mariko Murray Sarah Helaine Jacobs 155

12 The red wheelchair in the white snowdrift Geraldine Chimirri-Russell 168

13 Face to face: representing facial disfigurement in a museum context Emma Chambers 179

Part 3 Unsettling practices 195

14 'Out from Under': a brief history of everything Kathryn Church Melanie Panitch Catherine Frazee Phaedra Livingstone 197

15 Transforming practice: disability perspectives and the museum Shari Rosenstein Werb Tari Hartman Squire 213

16 Reciprocity, accountability, empowerment: emancipatory principles and practices in the museum Heather Hollins 228

17 Disability, human rights and the public gaze: The Losheng Story Museum Chia-Li Chen 244

18 A museum for all? The Norwegian Museum of Deaf History and Culture Hanna Mellemsether 257

19 Collective bodies: what museums do for disability studies Katherine Ott 269

Index 280

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