Reading Asian Art and Artifacts: Windows to Asia on American College Campuses
This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as "windows" into cultures, and as such can be used as a powerful pedagogical tool in many academic disciplines.

The book includes essays by scholars of Asian art, philosophy, anthropology, and religion that focus on objects held in ASIANetwork schools. The ASIANetwork collections are reflective of Asian societies, historical and religious environments, political positions, and economic conditions. The art objects and artifacts were discovered sometimes in storage and were sometimes poorly understood and variously described as fine art, curiosities, souvenirs, and markers of events in a school's history. The chapter authors tell the stories of the collections, and the collections themselves tell stories of the collectors.

This volume is intended for use in many disciplines, and its interpretive structures are adaptable to other examples of art and artifacts in other colleges, universities, and museums. An online database of some 2000 art objects held in the ASIANetwork schools' collections supplements this book.
1100399748
Reading Asian Art and Artifacts: Windows to Asia on American College Campuses
This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as "windows" into cultures, and as such can be used as a powerful pedagogical tool in many academic disciplines.

The book includes essays by scholars of Asian art, philosophy, anthropology, and religion that focus on objects held in ASIANetwork schools. The ASIANetwork collections are reflective of Asian societies, historical and religious environments, political positions, and economic conditions. The art objects and artifacts were discovered sometimes in storage and were sometimes poorly understood and variously described as fine art, curiosities, souvenirs, and markers of events in a school's history. The chapter authors tell the stories of the collections, and the collections themselves tell stories of the collectors.

This volume is intended for use in many disciplines, and its interpretive structures are adaptable to other examples of art and artifacts in other colleges, universities, and museums. An online database of some 2000 art objects held in the ASIANetwork schools' collections supplements this book.
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Reading Asian Art and Artifacts: Windows to Asia on American College Campuses

Reading Asian Art and Artifacts: Windows to Asia on American College Campuses

Reading Asian Art and Artifacts: Windows to Asia on American College Campuses

Reading Asian Art and Artifacts: Windows to Asia on American College Campuses

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Overview

This book begins with the understanding that, in addition to its aesthetic qualities, Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. Asian art and artifacts are understood in their contexts, as "windows" into cultures, and as such can be used as a powerful pedagogical tool in many academic disciplines.

The book includes essays by scholars of Asian art, philosophy, anthropology, and religion that focus on objects held in ASIANetwork schools. The ASIANetwork collections are reflective of Asian societies, historical and religious environments, political positions, and economic conditions. The art objects and artifacts were discovered sometimes in storage and were sometimes poorly understood and variously described as fine art, curiosities, souvenirs, and markers of events in a school's history. The chapter authors tell the stories of the collections, and the collections themselves tell stories of the collectors.

This volume is intended for use in many disciplines, and its interpretive structures are adaptable to other examples of art and artifacts in other colleges, universities, and museums. An online database of some 2000 art objects held in the ASIANetwork schools' collections supplements this book.

Product Details

ISBN-13: 9781611460704
Publisher: Bloomsbury Academic
Publication date: 04/04/2011
Pages: 240
Product dimensions: 7.10(w) x 10.10(h) x 0.80(d)

About the Author

Paul K. Nietupski is professor of religious studies at John Carroll University. Joan O'Mara (1946-2009) was professor of East Asian studies at Washington and Lee University.

Table of Contents

1 Dedication to Joan O'Mara & Stanley L. Mickel
2 Table of Contents
3 List of Illustrations
4 Foreword
5 Editors' Note
6 Introduction
Chapter 7 1. Re-Iconizing Artifacts: Using the Curriculum to Recontextualize Asian Art
Chapter 8 2. Making Sense of Material Culture: Multidisciplinary Approaches to Collection Items
Chapter 9 3. The Arts of South Asia
Chapter 10 4. Tibetan Art
Chapter 11 5. Chinese Painting
Chapter 12 6. Craftsmanship in Japanese Arts
Chapter 13 7. Japanese Prints
Chapter 14 8. Are There Decorative Arts in Asia?
15 Appendix A: The ASIANetwork/Luce Asian Arts Consultancy Project
16 Appendix B: Contributors to This Volume
17 Index
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