Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent
Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent addresses literary recycling as a creative endeavour that supplements meaning through appropriating remnants of texts and transforming them into traces or echoes of their former selves within a new narrative design. It approaches recycling as a process that extends verandas of meanings and creates sites for ongoing discursive accretion of signification through the dialogic encounter between the old and the new, “the residual” and “the emergent.” Whether seen as markers of the capacity of the literary text to surprise and haunt it readers, or residues of systems of representations predicated on selective inclusion and strategies of exclusion, remnants can offer rich material for setting in motion new cycles of renewal. The contributors of this volume propose recycling as writing and reading strategies. The first grants the remnants an afterlife and allow for an opening up of new narrative possibilities; while the second constructs alternative readings by allowing unwanted remnants to return and fill in gaps and silences. These oddments of the literary text are essential to question the iniquities of cultural, racial, and class prejudices. They are unavoidable in the construction of an emergent literary and cultural matrix for disruption and change.

1147548520
Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent
Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent addresses literary recycling as a creative endeavour that supplements meaning through appropriating remnants of texts and transforming them into traces or echoes of their former selves within a new narrative design. It approaches recycling as a process that extends verandas of meanings and creates sites for ongoing discursive accretion of signification through the dialogic encounter between the old and the new, “the residual” and “the emergent.” Whether seen as markers of the capacity of the literary text to surprise and haunt it readers, or residues of systems of representations predicated on selective inclusion and strategies of exclusion, remnants can offer rich material for setting in motion new cycles of renewal. The contributors of this volume propose recycling as writing and reading strategies. The first grants the remnants an afterlife and allow for an opening up of new narrative possibilities; while the second constructs alternative readings by allowing unwanted remnants to return and fill in gaps and silences. These oddments of the literary text are essential to question the iniquities of cultural, racial, and class prejudices. They are unavoidable in the construction of an emergent literary and cultural matrix for disruption and change.

105.0 In Stock
Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent

Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent

Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent

Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent

Hardcover

$105.00 
  • SHIP THIS ITEM
    In stock. Ships in 3-7 days. Typically arrives in 3 weeks.
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent addresses literary recycling as a creative endeavour that supplements meaning through appropriating remnants of texts and transforming them into traces or echoes of their former selves within a new narrative design. It approaches recycling as a process that extends verandas of meanings and creates sites for ongoing discursive accretion of signification through the dialogic encounter between the old and the new, “the residual” and “the emergent.” Whether seen as markers of the capacity of the literary text to surprise and haunt it readers, or residues of systems of representations predicated on selective inclusion and strategies of exclusion, remnants can offer rich material for setting in motion new cycles of renewal. The contributors of this volume propose recycling as writing and reading strategies. The first grants the remnants an afterlife and allow for an opening up of new narrative possibilities; while the second constructs alternative readings by allowing unwanted remnants to return and fill in gaps and silences. These oddments of the literary text are essential to question the iniquities of cultural, racial, and class prejudices. They are unavoidable in the construction of an emergent literary and cultural matrix for disruption and change.


Product Details

ISBN-13: 9781666950274
Publisher: Bloomsbury Academic
Publication date: 07/22/2024
Pages: 170
Product dimensions: 6.00(w) x 9.00(h) x 0.56(d)

About the Author

Mounir Guirat is professor of English and postcolonial literature at the University of Sfax, Tunisia.

Henda Ammar-Guirat is professor of English literature at the University of Sfax, Tunisia.

Table of Contents

Acknowledgements

Introduction, Henda Ammar-Guirat

Part One: Recycling Between Transformation and Resistance

Chapter One: Intertext, Tradition and Recycling: Examples of Shakespeare and Aesop Repurposed, Sue Matheson

Chapter Two: Henry Mayhew’s Recycling and the Problem of Genre, Thomas Prasch

Chapter Three: Recycling as Conversation with the Canon: Coleridge’s “Dejection: An Ode” and Modernist Experimental Poetics Foreshadowed, Lamia Jaoua-Sahnoun

Chapter Four: Poetics of Parody and the Ethics of the Residual in Experimental Literature: A Night at the Movies by Robert Coover, Saloua Karoui-Elounelli

Part Two: The Politics and Ethics of Recycling

Chapter Five: Recycling Muslim Otherness in Kamila Shamsie’s Home Fire, Mounir Guirat

Chapter Six: When Otherness is Recycled into Sameness: Hyperreality and the Disappearance of the Real in Ian McEwan’s Saturday, Henda Ammar-Guirat

Chapter Seven: “Caliban is bound to raise uncomfortable issues”: Recycling The Tempest and Disposing of Caliban in Modern Canadian Fiction, Imed Sassi

Chapter Eight: Orientalism Recycled in the Postcolonial Texts of Nadeem Aslam: The Blind Man’s Garden and The Golden Legend, Rim Souissi-Souidi

About the Contributors

From the B&N Reads Blog

Customer Reviews