Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century
Choice Outstanding Academic Title, 2019

George Freedley Memorial Award Finalist, 2020

Between the world wars, several labor colleges sprouted up across the U.S. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools’ drama programs. For the first time, Rehearsing Revolutions shows how these left-leaning drama programs prepared American workers for the “on-the-ground” activism emerging across the country. In fact, McAvoy argues, these amateur stages served as training grounds for radical social activism in early twentieth-century America.

Using a wealth of previously unpublished material such as director’s reports, course materials, playscripts, and reviews, McAvoy traces the programs’ evolution from experimental teaching tool to radically politicized training that inspired overt—even militant—labor activism by the late 1930s. All the while, she keeps an eye on larger trends in public life, connecting interwar labor drama to post-war arts-based activism in response to McCarthyism, the Cold War, and the Civil Rights movement. Ultimately, McAvoy asks: What did labor drama do for the workers’ colleges and why did they pursue it? She finds her answer through several different case studies in places like the Portland Labor College and the Highlander Folk School in Tennessee.
1129770336
Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century
Choice Outstanding Academic Title, 2019

George Freedley Memorial Award Finalist, 2020

Between the world wars, several labor colleges sprouted up across the U.S. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools’ drama programs. For the first time, Rehearsing Revolutions shows how these left-leaning drama programs prepared American workers for the “on-the-ground” activism emerging across the country. In fact, McAvoy argues, these amateur stages served as training grounds for radical social activism in early twentieth-century America.

Using a wealth of previously unpublished material such as director’s reports, course materials, playscripts, and reviews, McAvoy traces the programs’ evolution from experimental teaching tool to radically politicized training that inspired overt—even militant—labor activism by the late 1930s. All the while, she keeps an eye on larger trends in public life, connecting interwar labor drama to post-war arts-based activism in response to McCarthyism, the Cold War, and the Civil Rights movement. Ultimately, McAvoy asks: What did labor drama do for the workers’ colleges and why did they pursue it? She finds her answer through several different case studies in places like the Portland Labor College and the Highlander Folk School in Tennessee.
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Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century

Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century

by Mary McAvoy
Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century

Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century

by Mary McAvoy

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Overview

Choice Outstanding Academic Title, 2019

George Freedley Memorial Award Finalist, 2020

Between the world wars, several labor colleges sprouted up across the U.S. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools’ drama programs. For the first time, Rehearsing Revolutions shows how these left-leaning drama programs prepared American workers for the “on-the-ground” activism emerging across the country. In fact, McAvoy argues, these amateur stages served as training grounds for radical social activism in early twentieth-century America.

Using a wealth of previously unpublished material such as director’s reports, course materials, playscripts, and reviews, McAvoy traces the programs’ evolution from experimental teaching tool to radically politicized training that inspired overt—even militant—labor activism by the late 1930s. All the while, she keeps an eye on larger trends in public life, connecting interwar labor drama to post-war arts-based activism in response to McCarthyism, the Cold War, and the Civil Rights movement. Ultimately, McAvoy asks: What did labor drama do for the workers’ colleges and why did they pursue it? She finds her answer through several different case studies in places like the Portland Labor College and the Highlander Folk School in Tennessee.

Product Details

ISBN-13: 9781609386412
Publisher: University of Iowa Press
Publication date: 06/17/2019
Series: Studies Theatre Hist & Culture
Edition description: 1
Pages: 266
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

Mary McAvoy is assistant professor in the School of Film, Dance, and Theatre at Arizona State University. She is the coauthor of Drama and Education: Performance Methodologies for Teaching and Learning and coeditor of Youth and Performance: Perceptions of the Contemporary Child.

Table of Contents

Acknowledgments ix

Chapter 1 The Labor Drama Experiment 1

Chapter 2 Performance from the Ranks: The Advent of Labor Drama at Portland Labor College, 1922-25 29

Chapter 3 The Variegated Shoots: Hazel MacKaye and the Development of Labor Dramatics at Brookwood Labor College, 1925-26 59

Chapter 4 Of Untold Possibilities: Hollace Ransdell and the Ladies of Southern Labor Dramatics, 1928-36 97

Chapter 5 Something Very Different: Southern Labor Drama at Highlander Folk School, 1934-40 135

Chapter 6 Lee Hays, a Preaching Hillbilly, and the FBI: The Last Gasps of Labor Drama at Commonwealth Labor College, 1932-39 169

Conclusion: Labor Dramas Legacies 203

Notes 209

Bibliography 239

Index 255

What People are Saying About This

Chrystyna Dail

“The book makes a significant contribution to twentieth-century leftist theatre scholarship by introducing archival materials heretofore forgotten or ignored. Additionally, in a time period when the humanities continue to come under attack for their ‘insignificance,’ the author explicates how even failed attempts at educational change are consequential.”—Chrystyna Dail, author, Stage for Action: U.S. Social Activist Theatre in the 1940s

Fonzie D. Geary II

“In illuminating theatrical activity at workers’ colleges, McAvoy offers an insightful vision into the pervasiveness and power of theatre in American culture.”—Fonzie D. Geary II, Lyon College

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