Restoring the Human Context to Literary and Performance Studies: Voices in Everything
Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and behaviorism, which significantly contradict current dominant scientific views. By contrast, this monograph promotes an alternative paradigm for literary studies, namely Contextualism, and in so doing highlights the similarities and differences among the sometimes-conflicting contemporary cognitive approaches to literature and performance, arguing not in favor of one over the other but for Contextualism as their common ground.
1140528499
Restoring the Human Context to Literary and Performance Studies: Voices in Everything
Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and behaviorism, which significantly contradict current dominant scientific views. By contrast, this monograph promotes an alternative paradigm for literary studies, namely Contextualism, and in so doing highlights the similarities and differences among the sometimes-conflicting contemporary cognitive approaches to literature and performance, arguing not in favor of one over the other but for Contextualism as their common ground.
129.99 In Stock
Restoring the Human Context to Literary and Performance Studies: Voices in Everything

Restoring the Human Context to Literary and Performance Studies: Voices in Everything

Restoring the Human Context to Literary and Performance Studies: Voices in Everything

Restoring the Human Context to Literary and Performance Studies: Voices in Everything

Overview

Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and behaviorism, which significantly contradict current dominant scientific views. By contrast, this monograph promotes an alternative paradigm for literary studies, namely Contextualism, and in so doing highlights the similarities and differences among the sometimes-conflicting contemporary cognitive approaches to literature and performance, arguing not in favor of one over the other but for Contextualism as their common ground.

Product Details

ISBN-13: 9783030890803
Publisher: Springer International Publishing
Publication date: 01/28/2022
Series: Cognitive Studies in Literature and Performance
Edition description: 1st ed. 2022
Pages: 400
Product dimensions: 5.83(w) x 8.27(h) x (d)

About the Author

Howard Mancing, who has recently made the transition to Professor Emeritus of Spanish at Purdue University, USA, is a renowned expert on Cervantes and Early Modern Spanish Literature, as well as a pioneer in Cognitive Literary Studies. He has published two monographs: The Chivalric World of Don Quixote: Style, Structure, and Narrative (1982) and Miguel de Cervantes’ ‘Don Quixote’: A Reference Guide (2006), and coedited three volumes of essay collections. In addition, he authored the two-volume Cervantes Encyclopedia in 2004. Howard has also written numerous journal articles and book chapters on Cognitive Studies topics such as embodied cognition, narrative and affect and Theory of Mind representations in literature.

Jennifer Marston William is a Professor of German with specializations in twentieth and twenty-first century literature and film. She is currently serving as theHead of the School of Languages and Cultures at Purdue University, USA. Jennifer’s second monograph, Cognitive Approaches to German Historical Film: Seeing is Not Believing, was published with Palgrave in 2017, and she has published scholarly articles and book chapters on conceptual metaphor and on literary analyses from the perspective of Theory of Mind. She is also a co-founder, with Howard Mancing, of the Center for Cognitive Literary Studies at Purdue, which has existed since 2008 and was recently renamed the Center for Neurohumanities.

Table of Contents

Chapter 1. Introduction: The Human Contexts of Literary Studies.- Part I: Linguistics and the Legacy of Bakhtin’s Philosophy of Language.- Chapter 2. Saussurean Linguistics and Bakhtin’s Critique.- Chapter 3. On Theory, Rewriting Saussure, and Chomsky.- Chapter 4. Bakhtin and His Echoes.- Part II: Biology, Language, and the Brain.- Chapter 5. Evolution and Language.- Chapter 6. The Brain.- Chapter 7. Development of the Brain.- Part III: Psychology and the Development of the “Literary Mind”.- Chapter 8. The Mind at Work.- Chapter 9. Development of the Mind.- Chapter 10. Theory of Mind (ToM).- Part IV: Context in Science and the Humanities.- Chapter 11. Cognitivism.- Chapter 12. Contextualism.- Chapter 13. Evolutionary Psychology.- Part V: Contextualism—Changing the Paradigm in Literary and Performance Studies for the Twenty-First Century.- Chapter 14. Cognitive Literary Studies.- Chapter 15. Cognitive Approaches to Performance Studies.- Chapter 16: Conclusion: The Bridging Function of Contextualism and the Cognitive Paradigm.

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