RF-101 Voodoo Units in Combat
This study tells the combat stories of the extraordinary RF-101, highlighting the difficulty of the missions on which it was sent and the courage of its pilots.

McDonnell's F-101 Voodoo series was in many ways the most interesting of the "Century Series" fighter programs of the 1950s, partly because the type's design and intended mission changed radically during a 40-year career. Originally designed as a fighter-bomber, it was converted to be a reconnaissance aircraft, serving alongside the U-2 and RF-8 Crusaders during the Cuban Missile Crisis and the Vietnam War. Although it gained a reputation as a difficult aircraft to handle, the jet's supersonic speed and newly-developed camera suite enabled it to conduct vital low-altitude photo-reconnaissance missions over heavily-defended target areas.

In combat, the RF 101 was usually "first in-last out" for strike missions. This made it a ready target, with a solo aircraft flying straight and level to gather target photo evidence at low altitude offering enemy gunners plenty of opportunity to shoot the Voodoo down.

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RF-101 Voodoo Units in Combat
This study tells the combat stories of the extraordinary RF-101, highlighting the difficulty of the missions on which it was sent and the courage of its pilots.

McDonnell's F-101 Voodoo series was in many ways the most interesting of the "Century Series" fighter programs of the 1950s, partly because the type's design and intended mission changed radically during a 40-year career. Originally designed as a fighter-bomber, it was converted to be a reconnaissance aircraft, serving alongside the U-2 and RF-8 Crusaders during the Cuban Missile Crisis and the Vietnam War. Although it gained a reputation as a difficult aircraft to handle, the jet's supersonic speed and newly-developed camera suite enabled it to conduct vital low-altitude photo-reconnaissance missions over heavily-defended target areas.

In combat, the RF 101 was usually "first in-last out" for strike missions. This made it a ready target, with a solo aircraft flying straight and level to gather target photo evidence at low altitude offering enemy gunners plenty of opportunity to shoot the Voodoo down.

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RF-101 Voodoo Units in Combat

RF-101 Voodoo Units in Combat

RF-101 Voodoo Units in Combat

RF-101 Voodoo Units in Combat

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Overview

This study tells the combat stories of the extraordinary RF-101, highlighting the difficulty of the missions on which it was sent and the courage of its pilots.

McDonnell's F-101 Voodoo series was in many ways the most interesting of the "Century Series" fighter programs of the 1950s, partly because the type's design and intended mission changed radically during a 40-year career. Originally designed as a fighter-bomber, it was converted to be a reconnaissance aircraft, serving alongside the U-2 and RF-8 Crusaders during the Cuban Missile Crisis and the Vietnam War. Although it gained a reputation as a difficult aircraft to handle, the jet's supersonic speed and newly-developed camera suite enabled it to conduct vital low-altitude photo-reconnaissance missions over heavily-defended target areas.

In combat, the RF 101 was usually "first in-last out" for strike missions. This made it a ready target, with a solo aircraft flying straight and level to gather target photo evidence at low altitude offering enemy gunners plenty of opportunity to shoot the Voodoo down.


Product Details

ISBN-13: 9781472829153
Publisher: Bloomsbury USA
Publication date: 03/19/2019
Series: Combat Aircraft , #127
Pages: 96
Product dimensions: 7.10(w) x 9.50(h) x 0.40(d)

About the Author

Peter E. Davies has specialized in the aircraft of the Vietnam and Cold War periods, analyzing tactics, background politics and technologies in combat situations. His books are always enriched by original first-hand interviews and unpublished illustrative material. Peter has also been a contributor to publications such as Aeroplane Monthly, Aviation News and Aircraft Illustrated. He lives in Bristol, UK.

Jim Laurier is a native of New England and lives in New Hampshire. He attended Paier School of Art in Hamden, Connecticut, from 1974–78, and since graduating with Honours, he has been working professionally in the field of Fine Art and Illustration. He has been commissioned to paint for the US Air Force and has aviation paintings on permanent display at the Pentagon.

Table of Contents

Chapter One: Origins of the Long Bird / Chapter Two: Into Service / Chapter Three: Vietnam: Opening Move /

Chapter Four: Hot War Cameramen / Chapter Five: Other Foreign Skies / Appendices / Index

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