Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)
Originally published in 1999, Victorian Culture and the Idea of the Grotesque is the first fully interdisciplinary study of the subject and examines a wide range of sources and materials to provide new readings between ‘style’ and ‘concept’. The book provides an original analysis of key articulations of the Grotesque in the literary culture of Ruskin, Browning and Dickens, where represents the eruptions, intensities, confusions and disturbed vitality of modern cultural experience such as the scientific revolution associated with Darwin and the nature of industrial society.

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Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)
Originally published in 1999, Victorian Culture and the Idea of the Grotesque is the first fully interdisciplinary study of the subject and examines a wide range of sources and materials to provide new readings between ‘style’ and ‘concept’. The book provides an original analysis of key articulations of the Grotesque in the literary culture of Ruskin, Browning and Dickens, where represents the eruptions, intensities, confusions and disturbed vitality of modern cultural experience such as the scientific revolution associated with Darwin and the nature of industrial society.

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Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)

Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)

Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)
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Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)

Routledge Revivals: Victorian Culture and the Idea of the Grotesque (1999)

Overview

Originally published in 1999, Victorian Culture and the Idea of the Grotesque is the first fully interdisciplinary study of the subject and examines a wide range of sources and materials to provide new readings between ‘style’ and ‘concept’. The book provides an original analysis of key articulations of the Grotesque in the literary culture of Ruskin, Browning and Dickens, where represents the eruptions, intensities, confusions and disturbed vitality of modern cultural experience such as the scientific revolution associated with Darwin and the nature of industrial society.

Product Details

ISBN-13: 9781138486898
Publisher: Taylor & Francis
Publication date: 03/31/2021
Series: Routledge Revivals
Pages: 228
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Colin Trodd, Paul Barlow, David Amigoni,

Table of Contents

Acknowledgements List of Contributors List of Figures Introduction: Uncovering the Grotesque in Victorian Culture 1. ‘Borrowing Gargantua’s Mouth: Biography, Bahktin and Grotesque Discourse – James Boswell, Thomas Carlyle and Leslie Stephen on Samuel Johnson 2. Thomas Carlyle’s Grotesque Conceits 3. Culture and Energy: Ford Maddox Brown, Thomas Carlyle and Cromwellian Grotesque 4. ‘Griffinism, Grace and All’: The Riddle of the Grotesque in John Ruskin’s Modern Painters 5. Grotesque Obscenities: Thomas Woolner’s Civilization and its Discontents 6. ‘Entangled Banks’: Robert Browning, Richard Dadd and the Darwinian Grotesque 7. Monsters and Monstrosities: Grotesque Taste and Victorian Design 8. Turning Back the Grotsque: G.F. Watts, the Matter of Painting and the Oblivion of Art Bibliography Index

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