Arnold Bennett, the son of a solicitor, was born in Hanley, Staffordshire, in 1867. Educated locally and at London University, he became a solicitor's clerk, but later transferred to journalism.
Bennett published his first novel The Man from the North in 1898. This was followed by Anna of the Five Towns (1902), The Old Wives' Tale (1908), Clayhanger (1910), The Card (1911) and Hilda Lessways (1911).
Soon after the outbreak of the First World War, Charles Mastermanthe head of the War Propaganda Bureau (WPB) invited twenty-five leading British authors to Wellington House, to discuss ways of best promoting Britain's interests during the war. Those who attended the meeting included Bennett, Arthur Conan Doyle, John Masefield, Ford Madox Ford, William Archer, G. K. Chesterton, Sir Henry Newbolt, John Galsworthy, Thomas Hardy, Rudyard Kipling, Gilbert Parker, G. M. Trevelyan and H. G. Wells.
Bennett soon became one of the most important figures in this secret organisation. His first contribution to the propaganda effort was Liberty: A Statement of the British Case. It first appeared as an article in the Saturday Evening Post. In December it was expanded and published as a pamphlet by the War Propaganda Bureau.
When George Bernard Shaw, who was unaware of the existence of the War Propaganda Bureau, attacked what he believed to be jingoistic articles and poems being produced by British writers during the war, Bennett was the one chosen to defend their actions in the press.
In June, 1915, the WPB arranged for Bennett to tour the Western Front. Bennett was deeply shocked by the conditions in the trenches and was physically ill for several weeks afterwards. His friend, Frank Swinnerton, later recalled, "he visited the front as a duty, and was horrified at what he saw and felt that he must not express that horror." Bennett agreed to provide an account of the war that would encourage men to join the British Army. The result was the pamphlet, Over There: War Scenes on the Western Front (1915).
appointed director of British propaganda in France.
After the war Bennett returned to writing novels such as Riceyman Steps (1923) and Imperial Palace (1930). Bennett also became a director of the New Statesman. Arnold Bennett died in 1931.
