The SAGE Handbook of Digital Dissertations and Theses

by Richard N.L. Andrews (Editor), Erik Borg (Editor), Stephen N. Davis (Editor), Myrrh Domingo (Editor), Jude England (Editor)

Overview

The SAGE Handbook of Digital Dissertations and Theses sets out the processes and products of 'digital' research. It is a theoretical and practical guide on how to undertake and navigate advanced research in the arts, humanities and social sciences. The editors focus on advances in arts- and practice-based doctorates, and their application in other fields and disciplines. The contributions chart new territory for universities, research project directors, supervisors and research students regarding the nature and format of graduate and doctoral work, as well as research projects.

Product Details

ISBN-13:	9780857027399
Publisher:	SAGE Publications
Publication date:	07/06/2012
Pages:	548
Product dimensions:	7.24(w) x 9.68(h) x (d)

About the Author

I focus on research in the fields of language education, argumentation, writing development, multimodality, rhetoric and e-learning. With colleagues I designed the MA in English Education.

Table of Contents

Introduction - Richard Andrews, Erik Borg, Stephen Boyd Davis, Myrrh Domingo and Jude England
PART ONE: INSTITUTIONAL PERSPECTIVES
The Thesis: Texts and Machines - Erik Borg and Stephen Boyd Davis
New Forms of Dissertation - Richard Andrews and Jude England
The Role of Doctoral and Graduate Schools - Richard P.J. Freeman and Andrew Tolmie
Digital Literacies for the Research Institution - Helen Beetham, Allison Littlejohn and Colin Milligan
PART TWO: STUDENT PERSPECTIVES
Media Systems, Multimodality and Post-Humanism - Lesley Gourlay
Reframing the Performing Arts - Zoe Beardshaw Andrews
Complexity Theory - June Elizabeth Parnell
Re-Imagining the Conditions of Possibility of a Ph D Thesis - Jude Fransman
Traditional Theses and Multimodal Communication - Dylan Yamada-Rice
PART THREE: ETHICAL AND INTERCULTURAL ISSUES
Ethics and Representation - Bronwyn T. Williams and Mary Brydon-Miller
Copyright Managment Approaches - Brian Fitzgerald and Damien O'Brien
Understanding Identity Representations in Multimodal Research - Pauline Hope Cheong
The Social Life of Digital Texts in Multimodal Research - Myrrh Domingo
PART FOUR: MULTIMODALITY,INCLUDING THE REPRESENTATION AND PRESENTATION OF THESES AND DISSERTATIONS
Researching in Conditions of Provisionality: Reflecting on the Ph D in the Digital and Multimodal Era - Gunther Kress
Practice-as-Research in Music Performance - Mine Dogantan-Dack
Translating Lydia Cabrera: A Case Study in Digital (Re)Presentation - Anna-Marjatta Milsom
Disciplinary 'Specificity' and the Digital Submission - Susan Melrose
Digits and Figures: A Manual Drawing Practice and Its Modes of Reproduction - Juliet Mac Donald
PART FIVE: ARCHIVING, STORAGE AND ACCESSIBILITY IN THE DIGITAL AGE
The Research Catalogue: A Model for Dissertations and Theses - Michael Schwab
The Changing Role of Library and Information Services - Joanna Newman
Animating the Archive - Martin Rieser
Establishing the Cybertextual in Practice-Based Ph Ds - Lisa Stansbie
PART SIX: RESEARCH METHODS
A Modern Ph D: Doctoral Education in Australian Universities in Digital Times - Ilana Snyder and Denise Beale
How Changes in Representation Can Affect Meaning - Amy Alexandra Wilson
Researching Adoloscents' Literacies Multimodally - Lalitha Vasudevan and Tiffany De Jaynes
Implication for Research Training and Examination for Design Ph Ds - Joyce S.R. Yee
Uncaged Boxed-up - Ralf Nuhn
Index

Editorial Reviews

'This handbook marks a major turning point in the production of dissertation and theses. Scholarly communication has been changing rapidly, embracing the latest in web searching, social media, and online and open access journals. Yet, attention to the dissertation - the hallmark of an academic education - has been sorely missing. This handbook identifies and explores the multiple ways in which electronic means are becoming an integral part of the production of dissertations today, as well as looking at the scope in the future scope for bringing electronic and new media forms into the final form of the dissertation. The handbook first situates the dissertation in its historical and institutional perpectives, and then addresses the transformation from print to digital in dissertations from supervision to production to archiving and accessibility. Finally, the handbook wraps up with a section on research methodologies and methods that rounds out the book with advice for prospective students on how to be the creator of a digital dissertation from inception to final delivery. This will be essential reading for all involved in contemporary university education' -
Caroline Haythornthwaite, Director and Professor at the School of Library, Archival and Information Studies at the University of British Columbia

From the Publisher