Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World
A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands.

The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more.
 
Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.

1136808935
Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World
A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands.

The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more.
 
Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.

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Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

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Overview

A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands.

The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more.
 
Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.


Product Details

ISBN-13: 9781606066676
Publisher: Getty Publications
Publication date: 01/19/2021
Series: Texts & Documents
Edition description: 1
Pages: 424
Product dimensions: 7.00(w) x 10.00(h) x 1.00(d)

About the Author

Celeste Brusati is a professor emerita of art and the history of art at the University of Michigan. She has published articles and books on still-life painting, perspective, trompe l’oeil illusionism, and the relation between visual and textual discourses on art in the Netherlands.
 
Jaap Jacobs is an honorary reader at the University of St Andrews. He has published widely on the history of the Dutch Republic and its colonies during the early modern period.

Table of Contents

Acknowledgments vii

Translator's Note viii

Introduction Celeste Brusati 1

Introduction to the Academy of Painting; or, The Visible World 47

Dedication 48

Book 1 Euterpe: The Deliberator 61

Book 2 Polyhymnia: The Rhetorician 93

Book 3 Clio: The Historian 124

Book 4 Erato: The Poetess of Love 172

Book 5 Thalia: The Comic Actress 217

Book 6 Terpsichore: The Poetess 252

Book 7 Melpomene: The Tragedian 279

Book 8 Calliope: The Epic Poetess 309

Book 9 Urania: She Who Raises to the Heavens 349

Register: Or Table of Contents 379

Glossary 390

Biographical Notes on the Contributors 397

Illustration Credit 398

Index 399

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