Screen Acting: A Cognitive Approach
This book approaches film and television acting from an actor’s perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor’s memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just "the moving parts" of the mise-en-scene.

1140968926
Screen Acting: A Cognitive Approach
This book approaches film and television acting from an actor’s perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor’s memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just "the moving parts" of the mise-en-scene.

24.95 In Stock
Screen Acting: A Cognitive Approach

Screen Acting: A Cognitive Approach

by Dan Leberg
Screen Acting: A Cognitive Approach

Screen Acting: A Cognitive Approach

by Dan Leberg

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$24.95 
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Overview

This book approaches film and television acting from an actor’s perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor’s memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just "the moving parts" of the mise-en-scene.


Product Details

ISBN-13: 9781474484145
Publisher: Edinburgh University Press
Publication date: 05/31/2024
Pages: 224
Product dimensions: 6.14(w) x 9.21(h) x 0.00(d)

About the Author

Dan Leberg is a Lecturer in Media Studies and Journalism at the University of Groningen, and in Film Studies at Amsterdam UniversityCollege. Prior to his graduate studies, Leberg worked as a professional classical theatre and film actor for almost 25 years. Alongside his studies, he worked as the Programming Coordinator of the Cinema Politica Network, the world’s largest exhibitor of political documentary cinema. His research focuses on cognition in screen media, motion capture performance, and Shakespeare on film and television.

Table of Contents

Introduction – The Missing Parts

Chapter 1 – The Moving Parts

Cognitive Theatre Studies and Acting

Television Studies and Acting

Chapter 2 – All By Our Selves: Empathy and Acting

Situational and Selfless Selfhood

Empathy

Embodied Simulation and Cognitive Scaffolding

Connections are more than Imitations: Stein’s Intentional Pull

The Project Ahead: Screen Actors as Solicitors of Empathy

Chapter 3 – The Actor’s Three Empathetic Connections

Intrasubjective Empathy

Intersubjective Empathy

Performative Empathy

Conclusion: "Camera rolling… and, action!"

Chapter 4 – Acting Culture and Audition Preparation

Practice, Constraint, and Affordance

"It’s nice work if you can get it…": Auditions and Precarity

Audition Logistics and Empathy

Auditions, Empathy, and Creative Guesswork

Chapter 5 – Empathetic Work Prior to Shooting

From Guesswork to Scaffolding

A Note on Terminology

"Bottom-up Script Analysis": Extrapolating Specific Memories into Emotional Common Denominators

"Top-down Script Analysis": Imagination, Abstraction, Archetype

Cayonne’s Minotaur: Balancing Memory and Imagination to find the character’s body schema

Conclusion: Arriving On Set

Chapter 6 – Empathy On Set

Actors and Production Culture: Inductive, Ecumenical, and Self-Effacing Practices On-Set

The Actor and The Camera: Habits, Techniques, and Technology

The Other Actor – Creative Labour and Intersubjective Empathy On Set

Real Fake Tears, and Talking to Tennis Balls: Incorporating Production Conditions into Acting Choices

Conclusion

Chapter 7 – Conclusion: "Ready for My Close-Up"

Histories of Force And Eloquence

Future Project 2 - Collective Cognition and Production Studies

Future Project 3 - Sympathy for Kuleshov: (Re-)Introducing Acting to Film Form

Acting Studies and Resets

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