Seeing Film and Reading Feminist Theology: A Dialogue

by U. Vollmer

Overview

Using feminist theory and examining films that describe women artists who see others through the lens of feminist theology, this book puts forward an original view of the act of seeing as an ethical activity - a gesture of respect for and belief in another person's visible and invisible sides, which guarantees the safekeeping of the Other's memory.

Product Details

ISBN-13:	9781349534937
Publisher:	Palgrave Macmillan US
Publication date:	09/25/2007
Edition description:	1st ed. 2007
Pages:	297
Product dimensions:	5.51(w) x 8.50(h) x (d)

About the Author

ULRIKE VOLLMER is Teaching Fellow in Religious Studies and Islamic Studies in the Department of Theology at the University of Wales, UK.

Table of Contents

PART I: WHAT DOES IT MEAN TO SEE AND TO BE SEEN? CONSIDERATIONS IN PHILOSOPHY, FEMINIST THEOLOGY AND FEMINIST FILM THEORY PART TWO: SEEING THE OTHER: WOMEN AS ARTISTS Bruno Nuytten: Camille Claudel Agnès Merlet: Artemisia Sally Potter: The Tango Lesson Conclusion: The Act of Seeing, Seen in a New Way

Editorial Reviews

"Ulrike Vollmer has written a deeply interdisciplinary work which contributes creatively to thinking in feminist theology, art theory, and the developing field of film and religion. In the context of detailed, technical but highly readable studies of three films about (and by) woman artists, she revisits both the philosophical and cultural issues in seeing and being seen, and explores what it means for a woman to 'exercise the freedom of the eye'. This is a truly creative book which deserves to be widely read and studied." - David Jasper, Professor of Literature and Theology, University of Glasgow'Gender and religion are both, in part, constructed through the mediating visual performances of television, drama, art, and film. Ulrike Vollmer performs a critical task in the ongoing scholarly relation between religion and film by intersecting the religion-film relation with feminist film theory, paying careful attention to the ways the camera produces gender. In so doing, she articulates a vital, interdisciplinary arena in which humans see gender on screen, and what we might be able to do to see differently.' - S. Brent Plate, editor of Religion, Art, and Visual Culture and Representing Religion in World Cinema

From the Publisher