Selected Poems of Calvin C. Hernton
The definitive guide to a major African American poet

This volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography.

[sample poem]

The Distant Drum

I am not a metaphor or symbol.
This you hear is not the wind in the trees.
Nor a cat being maimed in the street.
I am being maimed in the street
It is I who weep, laugh, feel pain or joy.
Speak this because I exist.
This is my voice
These words are my words, my mouth
Speaks them, my hand writes.
I am a poet.
It is my fist you hear beating
Against your ear.

1143082684
Selected Poems of Calvin C. Hernton
The definitive guide to a major African American poet

This volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography.

[sample poem]

The Distant Drum

I am not a metaphor or symbol.
This you hear is not the wind in the trees.
Nor a cat being maimed in the street.
I am being maimed in the street
It is I who weep, laugh, feel pain or joy.
Speak this because I exist.
This is my voice
These words are my words, my mouth
Speaks them, my hand writes.
I am a poet.
It is my fist you hear beating
Against your ear.

24.95 In Stock
Selected Poems of Calvin C. Hernton

Selected Poems of Calvin C. Hernton

Overview

The definitive guide to a major African American poet

This volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography.

[sample poem]

The Distant Drum

I am not a metaphor or symbol.
This you hear is not the wind in the trees.
Nor a cat being maimed in the street.
I am being maimed in the street
It is I who weep, laugh, feel pain or joy.
Speak this because I exist.
This is my voice
These words are my words, my mouth
Speaks them, my hand writes.
I am a poet.
It is my fist you hear beating
Against your ear.

Product Details

ISBN-13: 9780819500366
Publisher: Wesleyan University Press
Publication date: 08/01/2023
Series: Wesleyan Poetry Series
Pages: 256
Product dimensions: 6.00(w) x 9.00(h) x 0.71(d)

About the Author

CALVIN COOLIDGE HERNTON (1932—2001) was an American sociologist, poet, and author, particularly renowned for his 1965 study Sex and Racism in America and for co-founding the Society of Umbra. ISHMAEL REED (Oakland, CA) is an American poet, novelist, essayist, songwriter, composer, playwright, editor, and publisher known for his satirical works challenging American political culture. His numerous achievements and awards include a MacArthur Fellowship and a lifetime achievement Anisfield-Wolf Book Award. DAVID GRUNDY (London, England) is the author of A Black Arts Poetry Machine: Amiri Baraka and the Umbra Poets. He is currently a British Academy Fellow at the University of Warwick, United Kingdom, where he is working on two manuscripts, Survival Music: Free Jazz Then and Now, and Never by Itself Alone: Queer Poetry in Boston and San Francisco, 1943–Present, and a further edited collection on Umbra. LAURI SCHEYER (Glencoe, IL) is Xiaoxiang Scholars Program Distinguished Professor and founding Director of the British and American Poetry Research Center at Hunan Normal University (China). Her many prior books include A History of African American Poetry and Slave Songs and the Birth of African American Poetry.

Table of Contents

Acknowledgments • Introduction, South to North: Early Work • Statement (1962) • Remigrant • The Underlying Strife • The Distant Drum • For Ghana, 1957 • Blues Spiritual (For Billie Holiday) • Richard Wright [1] • Richard Wright [2] • Being Exit in the World • The Wall • Feeling • Blues for • Handy • Young Negro Poet • The Lower East Side and Umbra • Umbra: A Personal Recounting (1993) • Ballad of the Shoe String Kid (For David Henderson) • The Long Blues • 125th Street • Harlem, U.S.A. (For David Henderson) • Burnt Sabbath • Mount Morris Park • Harlem (April, 1962) • Hate Poem • Elements of Grammar (To Little John) • The Gift Outraged, • The Coming of Chronos to the House of Nightsong (1964) • From "Les Deux Megots Mon Amour" (1985) • The Coming of Chronos to the House of Nightsong, Part One: The Legacy of the House • Part Two: The Metaphysics • Part Three: Time for a Change • Medicine Man • From "Les Deux Megots Mon Amour" (1985) • Medicine Man • Almost Sunday • Taurus by Aster Fire (To Ree Dragonette) • A Ballad of The Life and Times of Joe Louis • The Great Brown Bomber • The Patient: Rockland County Sanitarium (For Portia) • Fall Down (In memory of Eric Dolphy) • D Blues • Riots and Revolutions • From "Dynamite Growing Out of their Skulls!" (1968) • Terrorist (For the four Negro children murdered in Birmingham while praying to God) • The Mob • Jitterbugging in the Streets (To Ishmael Reed) • "Without a passport to humanity:" London Poems • Contributor biography for Black Fire (1968) • An Unexpurgated Communiqué to David Henderson, London—1966 • Game Life • London, 1967 (To Colin MacInnes) • Country • Oberlin, Ohio: Later work • From "Chattanooga Black Boy" (1996) • Low Down and Sweet, Hands, Rites, Ohio Myself, Ohio Klan, Oberlin Negroes • Oberlin, Ohio • The Tap House • South Main Street, Oberlin Ohio • Oberlinian Quartet • The Point • Night Letter to John A. Williams (4 a.m., est.) • Crossing Brooklyn Bridge at 4 O'Clock in the Morning • August 4th, 1979 • A Cat By Any Name (For Amiri) • Grenada, October 1983 (To Dessima Williams) • Stars Bleed, Michael Stewart—Enunciation • From The Red Crab Gang and Black River Poems (1999) • ONE: The Red Crab Gang (excerpts) • TWO: Black River Poems (excerpts) • Black River • Ohio Listening • Portrait of a Poet • Previously Unpublished Poems • You Take a Country Like America • Poor Mildred's Delicatessen • Calvin Hernton Seeks To Build And Preserve A House (To Mildred) • When Broomriders Black • Deep Sea Blues • Id and Ego • 1961 (Time past contained in time future—T.S. Eliot) • Southern Laughter • Statement (For the class of 1954) • Black Metathesis • Hank Dixon and the Law • A Lantern For Abigail Moonlight (To Nora Hicks and Ree Dragonette) • Litany in Winter's Garden (For Richard Wright) • The Passengers (For Allen Ginsberg) • Wooing of the Little Girl Who Lives in a Dark Hall (To Ree Dragonette) • Mad Dogs in Vietnam • A Canticle for the 1960s (For Ree Dragonette, in memorial) • Chronology • Notes • Selected Bibliography • Index of Titles • Index of First Lines

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Poetry
American Poetry
20th Century American Poetry
African American Poetry
American poetry->20th century
American poetry->African American authors->20th century
Poetry
American Poetry
20th Century American Poetry
African American Poetry
American poetry->20th century
American poetry->African American authors->20th century

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