- Good Lovin' [2024 Remaster]
- France [2024 Remaster]
- Shakedown Street [2024 Remaster]
- Serengetti [2024 Remaster]
- Fire on the Mountain [2024 Remaster]
- I Need a Miracle [2024 Remaster]
- From the Heart of Me [2024 Remaster]
- Stagger Lee [2024 Remaster]
- All New Minglewood Blues [2024 Remaster]
- If I Had the World to Give [2024 Remaster]
5
1
0081227819521
John Kahn Guest Artist
Steven Schuster Guest Artist,Horn
Matthew Kelly Guest Artist,Harmonica,Harmonica
Jordan Amarantha Guest Artist,Percussion
Lowell George Featured Artist,Vocals
Phil Lesh Bass,Vocals,Guitar (Bass)
Mickey Hart Drums,Percussion
Donna Jean Godchaux Vocals
Bill Kreutzmann Drums,Percussion
Bob Weir Guitar,Vocals
Jerry Garcia Guitar,Vocals
Keith Godchaux Vocals,Keyboards
Phil Lesh Composer
Mickey Hart Composer
George Horn Mastering Engineer
Donna Jean Godchaux Composer
Grateful Dead Arranger
Brett Cohen Engineer
Jimmy Edwards Associate Producer,Executive Producer
John Perry Barlow Composer
Hale Milfgrim Associate Producer
Cameron Sears Producer
Steve Parish Mixing Engineer
Jeffrey Boden Mixing Engineer
Robert Gatley Mixing Engineer
Scott Pascucci Associate Producer,Executive Producer
John Hagen Mixing Engineer
Artie Resnick Composer
Ted Jensen Mastering Engineer
Traditional Composer
Bill Kreutzmann Composer
Bob Weir Composer
David Lemieux Producer,Reissue Producer
Joe Gastwirt Producer,Remastering Engineer
John Kahn Horn Arrangements,Associate Producer
Rudy Clark Composer
Jerry Garcia Composer
Hamza el Din Composer
Arthur Resnick Composer
Tom Flye Mixing Engineer
Brent Mydland Composer
Dan Healy Producer
Bob Matthews Engineer
Billy Candelario Mixing Engineer
James Austin Producer
Robin Hurley Associate Producer,Executive Producer
Ron "Pigpen" McKernan Composer
Robert Hunter Composer
Vinyl LP(Long Playing Record)
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Overview
Since the Grateful Dead were notorious for recording awkward studio albums, it always seemed that the answer to their problem was simply getting the right producer to coax magic out of the band -- and nobody would seem better suited for the position than Little Feat leader Lowell George, whose own band shared the Dead's tendency to wander and jam in a live setting, yet made almost nothing but good studio records. But 1978 was not a great year for either camp, as the Dead were drifting in their attempts to score a crossover hit for Clive Davis' Arista Records, while George was pushing Little Feat toward disbandment as he was inching closer to his premature death in 1979. Add to that the Dead's sudden, inexplicable fascination with disco, a desire to have Donna Jean Godchaux be an integral part of the record, plus no new songs ready to go at the beginning of the sessions, and it's little surprise that Shakedown Street wound up as a mess. It rambles and wanders all over the place, as the Dead cover the Rascals' "Good Lovin'" before they revive "New Minglewood Blues" (which they originally cut for their debut), as Jerry Garcia and Robert Hunter write their own "Stagger Lee" while Mickey Hart and Bill Kreutzmann get a percussion workout on the brief instrumental "Serengetti" and Bob Weir affects a bluesy growl on "I Need a Miracle." In George's hands, this is all given a smooth gloss not all that far removed from such latter-day Feat LPs as The Last Record Album, but since the Dead favor hazy, lazy grooves to Feat's laid-back but tight New Orleans funk -- and since George didn't produce so much as he created an appropriate atmosphere in the studio -- Shakedown Street meanders mercilessly, and its indulgences wind up overwhelming the album as a whole. And there isn't just one kind of indulgence here; there's a plethora of them, ranging from the disco pulse of the title track to the fuzziness of the two songs sung by Donna Jean. This can make Shakedown Street a bit of a difficult, dated listen, since even the good songs boast bad arrangements ("Shakedown Street" and "Fire on the Mountain" were later reworked and revitalized in concert), yet it falls short of flat-out disaster, partially because it's a fascinating listen due to the very things that make it a severely flawed record. The disco flirtations, subdued funk, misguided commercial concessions, and overarching Californian slickness do make Shakedown Street fascinating for at least one spin, even if they'll keep even hardcore Deadheads -- maybe especially hardcore Deadheads -- from coming back to the record more than once every decade or so. ~ Stephen Thomas Erlewine
Product Details
Release Date: | 07/26/2024 |
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Label: | Grateful Dead / Wea |
UPC: | 0081227819521 |
Rank: | 199 |
Tracks
Album Credits
Performance Credits
Grateful Dead Primary ArtistJohn Kahn Guest Artist
Steven Schuster Guest Artist,Horn
Matthew Kelly Guest Artist,Harmonica,Harmonica
Jordan Amarantha Guest Artist,Percussion
Lowell George Featured Artist,Vocals
Phil Lesh Bass,Vocals,Guitar (Bass)
Mickey Hart Drums,Percussion
Donna Jean Godchaux Vocals
Bill Kreutzmann Drums,Percussion
Bob Weir Guitar,Vocals
Jerry Garcia Guitar,Vocals
Keith Godchaux Vocals,Keyboards
Technical Credits
Lowell George ProducerPhil Lesh Composer
Mickey Hart Composer
George Horn Mastering Engineer
Donna Jean Godchaux Composer
Grateful Dead Arranger
Brett Cohen Engineer
Jimmy Edwards Associate Producer,Executive Producer
John Perry Barlow Composer
Hale Milfgrim Associate Producer
Cameron Sears Producer
Steve Parish Mixing Engineer
Jeffrey Boden Mixing Engineer
Robert Gatley Mixing Engineer
Scott Pascucci Associate Producer,Executive Producer
John Hagen Mixing Engineer
Artie Resnick Composer
Ted Jensen Mastering Engineer
Traditional Composer
Bill Kreutzmann Composer
Bob Weir Composer
David Lemieux Producer,Reissue Producer
Joe Gastwirt Producer,Remastering Engineer
John Kahn Horn Arrangements,Associate Producer
Rudy Clark Composer
Jerry Garcia Composer
Hamza el Din Composer
Arthur Resnick Composer
Tom Flye Mixing Engineer
Brent Mydland Composer
Dan Healy Producer
Bob Matthews Engineer
Billy Candelario Mixing Engineer
James Austin Producer
Robin Hurley Associate Producer,Executive Producer
Ron "Pigpen" McKernan Composer
Robert Hunter Composer
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