Shakespeare and Judgment
Ranging widely across law, aesthetics, religion, and philosophy, this book offers the first account of the place of judgment in Shakespearean drama
Shakespeare and Judgment gathers together an international group of scholars to address for the first time the place of judgment in Shakespearean drama. Contributors approach the topic from a variety of cultural and theoretical perspectives, covering plays from across Shakespeare’s career and from each of the genres in which he wrote. Anchoring the volume are two critical contentions: first, that attending to Shakespeare’s treatment of judgment leads to fresh insights about the imaginative relationship between law, theater, and aesthetics in early modern England; and second, that it offers new ways of putting the plays’ historical and philosophical contexts into conversation. Taken together, the essays in Shakespeare and Judgment offer a genuinely new account of the historical and intellectual coordinates of Shakespeare’s plays. Building on current work in legal studies, religious studies, theater history, and critical theory, the volume will be of interest to a wide range of scholars working on Shakespeare and early modern drama.
Key Features
Provides the first account of the place of judgment in Shakespearean dramaOffers a fresh perspective on the imaginative relationship between law, religion, and aesthetics in Shakespeare’s playsModels new ways of putting the plays’ historical and philosophical contexts into conversation.

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Shakespeare and Judgment
Ranging widely across law, aesthetics, religion, and philosophy, this book offers the first account of the place of judgment in Shakespearean drama
Shakespeare and Judgment gathers together an international group of scholars to address for the first time the place of judgment in Shakespearean drama. Contributors approach the topic from a variety of cultural and theoretical perspectives, covering plays from across Shakespeare’s career and from each of the genres in which he wrote. Anchoring the volume are two critical contentions: first, that attending to Shakespeare’s treatment of judgment leads to fresh insights about the imaginative relationship between law, theater, and aesthetics in early modern England; and second, that it offers new ways of putting the plays’ historical and philosophical contexts into conversation. Taken together, the essays in Shakespeare and Judgment offer a genuinely new account of the historical and intellectual coordinates of Shakespeare’s plays. Building on current work in legal studies, religious studies, theater history, and critical theory, the volume will be of interest to a wide range of scholars working on Shakespeare and early modern drama.
Key Features
Provides the first account of the place of judgment in Shakespearean dramaOffers a fresh perspective on the imaginative relationship between law, religion, and aesthetics in Shakespeare’s playsModels new ways of putting the plays’ historical and philosophical contexts into conversation.

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Shakespeare and Judgment

Shakespeare and Judgment

Shakespeare and Judgment

Shakespeare and Judgment

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Overview

Ranging widely across law, aesthetics, religion, and philosophy, this book offers the first account of the place of judgment in Shakespearean drama
Shakespeare and Judgment gathers together an international group of scholars to address for the first time the place of judgment in Shakespearean drama. Contributors approach the topic from a variety of cultural and theoretical perspectives, covering plays from across Shakespeare’s career and from each of the genres in which he wrote. Anchoring the volume are two critical contentions: first, that attending to Shakespeare’s treatment of judgment leads to fresh insights about the imaginative relationship between law, theater, and aesthetics in early modern England; and second, that it offers new ways of putting the plays’ historical and philosophical contexts into conversation. Taken together, the essays in Shakespeare and Judgment offer a genuinely new account of the historical and intellectual coordinates of Shakespeare’s plays. Building on current work in legal studies, religious studies, theater history, and critical theory, the volume will be of interest to a wide range of scholars working on Shakespeare and early modern drama.
Key Features
Provides the first account of the place of judgment in Shakespearean dramaOffers a fresh perspective on the imaginative relationship between law, religion, and aesthetics in Shakespeare’s playsModels new ways of putting the plays’ historical and philosophical contexts into conversation.


Product Details

ISBN-13: 9781474431613
Publisher: Edinburgh University Press
Publication date: 02/22/2018
Pages: 256
Product dimensions: 6.14(w) x 9.21(h) x (d)

About the Author

Kevin Curran is Professor of Early Modern Literature at the University of Lausanne in Switzerland and general editor of Edinburgh Critical Studies in Shakespeare and Philosophy. His books include Shakespeare’s Theater of Judgment (2024), Shakespeare’s Legal Ecologies (2017), Renaissance Personhood (2020) and Shakespeare and Judgment (2017).

Table of Contents

Introduction, Kevin Curran; Part I: Staging Judgment: Deliberation in the Plays; 1. Preventive Justice in Measure for Measure, Virginia Lee Strain; 2. Believing in Ghosts, in Part: Judgment and Indecision in Hamlet, Vivasvan Soni; 3. Shakespeare’s Law and Plowden’s Authority; Constance Jordan; Part II: Audience Judgment: Deliberation in the Theater; 4. "Gently to hear, kindly to judge": Minds at Work in Henry V, Katherine B. Attié; 5. "Practis[ing] Judgment with the Disposition of Natures": Measure for Measure, the "Discoursive" Common Law, and the "Open Court" of the Theater, Carolyn Sale; 6. The Laws of Measure for Measure; Paul Yachnin; 7. Prospero’s Plea: Judgment, Invention, and Political Form in The Tempest; Kevin Curran; Part III: The Ethics of Judgment; 8. Antinomian Shakespeare: English Drama and Confession across the Reformation Divide, John Parker; 9. Bracketed Judgment, "Un-humanizing," and Conversion in The Merchant of Venice, Sanford Budick; 10. The Judgment of the Critics that Makes us Tremble: "Distributing Complicities" in Recent Criticism of King Lear; Richard Strier.

What People are Saying About This

'What is Judgment?,' Kevin Curran asks in this volume’s lucid introduction. The answers proffered here demonstrate the category’s centrality to religion, law, rhetoric, ethics and philosophy, as well as to the practice of theatergoing. Shakespeare and Judgment illuminates a playwright profoundly interested in what (and how) judgment enables and disables.

Garrett Sullivan

'What is Judgment?,' Kevin Curran asks in this volume’s lucid introduction. The answers proffered here demonstrate the category’s centrality to religion, law, rhetoric, ethics and philosophy, as well as to the practice of theatergoing. Shakespeare and Judgment illuminates a playwright profoundly interested in what (and how) judgment enables and disables.

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