Shakespeare and the Idea of Apocrypha: Negotiating the Boundaries of the Dramatic Canon

by Peter Kirwan

Overview

In addition to the thirty-six plays of the First Folio, some eighty plays have been attributed in whole or part to William Shakespeare, yet most are rarely read, performed or discussed. This book, the first to confront the implications of the 'Shakespeare Apocrypha', asks how and why these plays have historically been excluded from the canon. Innovatively combining approaches from book history, theatre history, attribution studies and canon theory, Peter Kirwan unveils the historical assumptions and principles that shaped the construction of the Shakespeare canon. Case studies treat plays such as Sir Thomas More, Edward III, Arden of Faversham, Mucedorus, Double Falsehood and A Yorkshire Tragedy, showing how the plays' contested 'Shakespearean' status has shaped their fortunes. Kirwan's book rethinks the impact of authorial canons on the treatment of anonymous and disputed plays.

Product Details

ISBN-13:	9781107479982
Publisher:	Cambridge University Press
Publication date:	06/13/2019
Edition description:	Reprint
Pages:	270
Product dimensions:	5.98(w) x 9.06(h) x 0.59(d)

About the Author

Peter Kirwan is Assistant Professor of Shakespeare and Early Modern Drama at the University of Nottingham. He is the co-editor of Shakespeare and the Digital World (with Christie Carson, Cambridge, 2014) and Associate Editor of William Shakespeare and Others: Collaborative Plays (2013). His work has appeared in Shakespeare Quarterly, Shakespeare Bulletin, Literature Compass, Philological Quarterly and many other journals and collections. He sits on the editorial board of Early Theatre and reviews editions for Shakespeare Survey.

Table of Contents

Introduction: the idea of Apocrypha; 1. Canonising the Apocrypha; 2. The Apocrypha in rep; 3. Defining 'Shakespeare'; 4. Apocryphising the canon; Epilogue: an apocryphal identity; Appendix; Works cited; Index.

Editorial Reviews

"In this smart and timely book, Kirwan returns Shakespeare’s apocryphal plays to their original habitat, namely, the repertory of a commercial playing company; thus relocated, the plays may be appraised as they were in their own time: on market value, not authorship."
Roslyn L. Knutson, University of Arkansas

From the Publisher