Shakespearean Charity and the Perils of Redemptive Performance
This Element examines recent documentaries depicting marginalized youth who are ostensibly redeemed by their encounters with Shakespeare. These films emerge in response to four historical and discursive developments: the rise of reality television and its emphasis on the emotional transformation of the private individual; the concomitant rise of neoliberalism and emotional capitalism, which employ therapeutic discourses to individualize social inequality; the privatization of public education and the rise of so-called “no-excuses” or “new paternalist” charter schools; and the emergence of new modes of address infusing evangelical conversion narratives with a therapeutic self-help ethos.
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Shakespearean Charity and the Perils of Redemptive Performance
This Element examines recent documentaries depicting marginalized youth who are ostensibly redeemed by their encounters with Shakespeare. These films emerge in response to four historical and discursive developments: the rise of reality television and its emphasis on the emotional transformation of the private individual; the concomitant rise of neoliberalism and emotional capitalism, which employ therapeutic discourses to individualize social inequality; the privatization of public education and the rise of so-called “no-excuses” or “new paternalist” charter schools; and the emergence of new modes of address infusing evangelical conversion narratives with a therapeutic self-help ethos.
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Shakespearean Charity and the Perils of Redemptive Performance

Shakespearean Charity and the Perils of Redemptive Performance

by Todd Landon Barnes
Shakespearean Charity and the Perils of Redemptive Performance

Shakespearean Charity and the Perils of Redemptive Performance

by Todd Landon Barnes

Paperback

$23.00 
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Overview

This Element examines recent documentaries depicting marginalized youth who are ostensibly redeemed by their encounters with Shakespeare. These films emerge in response to four historical and discursive developments: the rise of reality television and its emphasis on the emotional transformation of the private individual; the concomitant rise of neoliberalism and emotional capitalism, which employ therapeutic discourses to individualize social inequality; the privatization of public education and the rise of so-called “no-excuses” or “new paternalist” charter schools; and the emergence of new modes of address infusing evangelical conversion narratives with a therapeutic self-help ethos.

Product Details

ISBN-13: 9781108743167
Publisher: Cambridge University Press
Publication date: 04/09/2020
Series: Elements in Shakespeare Performance
Pages: 112
Product dimensions: 7.09(w) x 5.00(h) x 0.31(d)

Table of Contents

Introduction; 1. Genre trouble: between fiction, documentary and reality television; 2. Pedagogy under emotional capitalism; 3. Self-help culture and the new paternalism; 4. Character education and spiritual-therapeutic conversion narratives; Conclusion
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