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Overview
Millions of Americans have found Mitford to be a favorite home-away-from-home, and countless readers have long wondered what Christmas in Mitford would be like. The eighth Mitford novel provides a glimpse, offering a meditation on the best of all presents: the gift of one's heart.
Since he was a boy, Father Tim has lived what he calls “the life of the mind” and has never really learned to savor the work of his hands. When he finds a derelict nativity scene that has suffered the indignities of time and neglect, he imagines the excitement in the eyes of his wife, Cynthia, and decides to undertake the daunting task of restoring it. As Father Tim begins his journey, readers are given a seat at Mitford's holiday table and treated to a magical tale about the true Christmas spirit.
Product Details
| ISBN-13: | 9780142004852 |
|---|---|
| Publisher: | Penguin Publishing Group |
| Publication date: | 09/28/2004 |
| Series: | Mitford Series , #8 |
| Edition description: | Reprint |
| Pages: | 336 |
| Sales rank: | 85,468 |
| Product dimensions: | 5.10(w) x 7.70(h) x 0.60(d) |
About the Author
Hometown:
Blowing Rock, North CarolinaDate of Birth:
1937Place of Birth:
Lenoir, North CarolinaWebsite:
http://www.mitfordbooks.comRead an Excerpt
Shepherds Abiding
By Jan Karon
Penguin Books
Copyright © 2004 Jan KaronAll right reserved.
ISBN: 0142004855
Chapter One
The rain began punctually at five o'clock, though few were awake to hear it. It was a gentle rain, rather like a summer shower that had escaped the grip of time or season and wandered into Mitford several months late.By six o'clock, when much of the population of 1,074 was leaving for work in Wesley or Holding or across the Tennessee line, the drops had grown large and heavy, as if weighted with mercury, and those running to their cars or trucks without umbrellas could feel the distinct smack of each drop.
Dashing to a truck outfitted with painter's ladders, someone on Lilac Road shouted "Yeehaw!," an act that precipitated a spree of barking among the neighborhood dogs.
Here and there, as seemingly random as the appearance of stars at twilight, lamps came on in houses throughout the village, and radio and television voices prophesied that the front passing over the East Coast would be firmly lodged there for two days.
More than a few were fortunate to lie in bed and listen to the rain drumming on the roof, relieved to have no reason to get up until they were plenty good and ready.
Others thanked God for the time that remained to lie in a warm, safe place unmolested by worldly cares, while some began at once to fret about what the day might bring.
Father Timothy Kavanagh, one of the earliest risers in Mitford, did not rise so early this morning. Instead, he lay in his bed in the yellow house on Wisteria Lane and listened to the aria of his wife's whiffling snore, mingled with the sound of rain churning through the gutters.
Had he exchanged wedding vows before the age of sixty-two, he might have taken the marriage bed for granted after these seven years. Instead, he seldom awakened next to the warm sentience of his wife without being mildly astonished by her presence, and boundlessly grateful. Cynthia was his best friend and boon companion, dropped from the very heavens into his life, which, forthwith, she had changed utterly.
He would get up soon enough and go about his day, first hying with his good dog, Barnabas, into the pouring rain, and then, while the coffee brewed, reading the Morning Office, as he'd done for more than four decades as both a working and a now-retired priest.
Feeling a light chill in the room, he scooted over to his sleeping wife and put his arm around her and held her close, comforted, as ever, by the faint and familiar scent of wisteria.
* * *
Lew Boyd, who liked to rise with the sun every morning, and who always wore his watch to bed, gazed at the luminous face of his Timex and saw that it was the first day of October.
October! He had no idea at all where the time had gone. Yesterday was July, today was October. As a matter of fact, where had his life gone?
He stared at the bedroom ceiling and pondered a question that he'd never been fond of messing with, though now seemed a good time to do it and get it over with.
One day, he'd been a green kid without a care in the world. Then, before you could say Jack Robinson, he'd looked up and found he was an old codger with a new and secret wife living way off in Tennessee with her mama, and him lying here in this cold, lonesome bed just as he'd been doing all those years as a widower.
He tried to recall what, exactly, had happened between his youth and old age, but without a cup of coffee at the very least, he was drawing a blank.
Though he'd worked hard and saved his money and honored his dead wife's memory by looking at her picture on Sunday and paying to have her grave weedeated, he didn't know whether he'd made a go of it with the Good Lord or not.
For the few times he'd cheated somebody down at his Exxon station, he'd asked forgiveness, even though he'd cheated them only a few bucks. He'd also asked forgiveness for the times he'd bitten Juanita's head off without good reason, and for a few other things he didn't want to think about ever again.
To top that off, he'd quit smoking twelve years ago, cut out the peach brandy he'd fooled with after Juanita passed, and increased what he put in the plate on the occasional Sundays he showed up at First Baptist. But the thing was, it seemed like all of it-good and bad, up and down, sweet and sour-had blown by him like Dale Earnhardt Jr. at Talladega.
He sighed deeply, hauled himself out of bed, and slid his cold feet into the unlaced, brown and white spectators he wore around the house. If Juanita was alive, or if Earlene was here, he'd probably turn on the furnace out of common decency. But as long as he was boss of the thermostat, he'd operate on the fact that an oil furnace was money down the drain and wait 'til the first hard freeze to make himself toasty.
Sitting on the side of the bed and covering his bare legs with the blanket, he scratched his head and yawned, then reached for the cordless and punched redial.
When his wife, living with her dying mama in a frame house on the southern edge of Knoxville, answered the phone, he said, "Good mornin', dumplin.'"
"Good mornin' yourself, baby. How're you feelin' this mornin'?"
"Great!" he said. "Just great!"
He thought for a split second he was telling a bald-faced lie, then realized he was telling the lawful truth. It was the sound of Earlene's cheerful voice that had changed him from an old man waking up in a cold bed to a young buck who just remembered he was driving to Tennessee in his new Dodge truck, tonight.
* * *
At six-thirty, Hope Winchester dashed along Main Street under a red umbrella. Rain gurgled from the downspouts of the buildings she fled past and flowed along the curb in a bold and lively stream.
To the driver of a station wagon heading down the mountain, the figure hurrying past the Main Street Grill was but a splash of red on the canvas of a sullen, gray morning. Nonetheless, it was a splash that momentarily cheered the driver.
Hope dodged a billow of water from the wheels of the station wagon and clutched even tighter the pocketbook containing three envelopes whose contents could change her life forever. She would line them up on her desk in the back room of the bookstore and prayerfully examine each of these wonders again and again. Then she would put them in her purse at the end of the day and take them home and line them up on her kitchen table so she might do the same thing once more.
UPS had come hours late yesterday with the books to be used in this month's promotion, which meant she'd lost precious time finishing the front window and must get at it this morning before the bookstore opened at ten. It was, after all October first-time for a whole new window display, and the annual Big O sale.
All titles beginning with the letter O would be twenty percent off, which would get Wesley's students and faculty hopping! Indeed, September's Big S sale had increased their bottom line by twelve percent over last year, and all because she, the usually reticent Hope Winchester, had urged the owner to give a percentage off that really "counted for something." It was a Books-A-Million, B&N, Sam's Club kind of world, Hope insisted, and a five-percent dribble here and there wouldn't work anymore, not even in Mitford, which wasn't as sleepy and innocuous as some people liked to think.
She dashed under the awning, set her streaming umbrella down, and jiggled the key in the door of Willard Porter's old pharmacy, now known as Happy Endings Books.
The lock had the cunning possessed only by a lock manufactured in 1927. Helen, the owner, had refused to replace it, insisting that a burglar couldn't possibly outwit its boundless vagaries.
Jiggling diligently, Hope realized that her feet were cold and soaking wet. She supposed that's what she deserved by wearing sandals past Labor Day, something her mother had often scolded her for doing.
Once inside, and against the heartfelt wishes of Helen, who lived in Florida and preferred to delay heating the shop until the first snow, Hope squished to the thermostat and looked at the temperature: fifty degrees. Who would read a book, much less buy one, at fifty degrees?
As Margaret Ann, the bookstore cat, wound around her ankles, Hope turned the dial to "on."
The worn hardwood floor trembled slightly, and she heard at once the great boiler in the basement give its thunderous annual greeting to autumn in Mitford.
* * *
Uncle Billy Watson lay with his eyes squeezed shut and listened to the rain pounding the roof of the Mitford town museum, the rear portion of which he and Rose called home.
He was glad it was raining, for two reasons.
One, he figured it would make the ground nice and soft to plant th' three daffodil bulbs Dora Pugh had trotted to 'is door. Th' bulbs, if they was like her seeds, wouldn't be fit to plant, but he'd give 'er one more chance to do th' honorable thing an' stand by what she sold.
When he was feelin' stronger an' the doc would let him poke around outside, he knowed right where he'd plant to make the finest show-at the bottom of th' back steps, over to th' left where the mailman wouldn't tear up jack when he made 'is deliveries.
Feeling the gooseflesh rise along his arms and legs, he pulled the covers to his chin.
Th' other good thing about the rain, if hit lasted, was when Betty Craig come to nurse 'im t'day, she'd be cookin' all manner of rations to make a man's jaws water. If they was anything better'n hearin' rain on th' roof an' smellin' good cookin' at the same time, he didn't know what hit'd be.
He lay perfectly still, listening now to the beating of his heart.
His heart wasn't floppin' around thisaway and that-away n' more, he reckoned the pills was workin'.
In a little bit, he rolled over and covered his ears to shut out the sound of his wife's snoring in the next bed.
He might've lost a good deal of eyesight an' some control of 'is bladder, don't you know, but by jing, 'is hearin' could still pick up a cricket in th' grass, thank th' Lord an' hallelujah.
* * *
"Check this out," said J. C. Hogan, editor of the Mitford Muse and longtime regular of the Main Street Grill. He thrust a copy of the Muse, hot from his pressroom above their heads, under Father Tim's nose.
"Photo staff?" asked Father Tim.
"You're lookin' at it" said J.C. "I thought you had spellcheck." "I do have spellcheck."
"It's not working."
"Where? What?" J.C. grabbed the newspaper.
"Meteorologist is misspelled." The former rector of the local Episcopal church had kept his mouth shut for years about the Muse editor's rotten spelling, but since the newspaper had invested in spellcheck, he figured he could criticize without getting personal.
J.C. muttered a word not often used in the rear booth.
"You ought to have a photo contest," said Father Tim, blowing on a mug of steaming coffee. "Autumn color, grand prize, second prize ... like that."
"Unless th' rain lets up, there'll be nothing worth enterin' in a contest. Besides, I'd have to shell out a couple hundred bucks to make that deal work."
"Where's Mule?" asked Father Tim. The erstwhile town realtor had been meeting them in the rear booth for two decades, seldom missing their eight a.m. breakfast tryst. "Down with th' Mitford Crud. Prob'ly comes from that hot, dry spell changin' into a cold, wet spell."
Velma Mosely skidded up in a pair of silver Nikes. "Looks like th' Turkey Club's missin' a gobbler this mornin'. What're y'all havin'?"
This was Percy and Velma Mosely's final year as proprietors of the Grill. After forty years, they were hanging it up at the end of December, and not renewing the lease.
In the spring, they would take a bus to Washington and see the cherry blossoms. Then they planned to settle into retirement in Mitford, where Percy would put in a vegetable garden for the first time in years and Velma would adopt a shorthaired cat from the shelter.
Father Tim nodded to J.C. "You order first." "Three eggs scrambled, with grits, bacon, and a couple of biscuits! And give me plenty of butter with that!"
The Muse editor looked at Velma, expectant. "Your wife said don't let you have grits and bacon, much less biscuits an' plenty of butter." J.C.'s wife, Adele, was Mitford's first and, so far, only policewoman.
"My wife?"
"That's right. Adele dropped in on her way to the station this mornin'. She said Doc Harper told you all that stuff is totally off-limits, startin' today."
"Since when is it th' business of this place to meddle in what people order?"
"Take it or leave it," said Velma. She was sick and tired of J. C. Hogan bossing her around and biting her head off for the last hundred years. J.C.'s mouth dropped open.
"I'll order while he's rethinking," said Father Tim. "Bring me the usual."
Velma glared at the editor. "If you'd order like th' Father here, you'd live longer." She felt ten feet tall telling this grouchy so-and-so what was what, she should have done it years ago.
"I wouldn't eat a poached egg if somebody paid me cash money. Give me three eggs, scrambled, with grits, bacon ..." J.C. repeated his order loud and clear, as if Velma had suddenly gone deaf. "... an' two dadgum biscuits."
Father Tim thought his boothmate's face was a readout of his blood pressure rating-roughly 300 over 190.
"If you want to drop dead on th' street, that's your business," said Velma, "but I won't be party to it. Get you some yogurt and fresh fruit with a side of dry toast."
"This is dadblame illegal! You can't tell me what to order"
"Suit yourself. I promised Adele, and I'm stickin' to it."
J.C. looked at Father Tim to confirm whether he was hearing right. Father Tim looked at Velma. Maybe this was a joke....
But Velma was a brick wall, an Army tank. End of discussion.
J.C. drew himself up and played his trump card. "Do I need to remind you that this is a democracy?"
Velma glared at the editor over her half-glasses; heads turned in their direction. "Where's Percy this mornin'?" demanded J.C. He would call in the troops and nip this nonsense in the bud once and for all.
"Down with th' Mitford Crud!" snapped Velma.
The young man at the grill turned his back on the whole caboodle, lest he be drawn into the altercation.
There was a long moment of silence, the sort that Father Tim never enjoyed.
"Then I'll just take my business down th' street!"
J.C. grabbed his briefcase and blew out of the rear booth like a cannon shot. Father Tim's coffee sloshed in its mug.
Continues...
Excerpted from Shepherds Abiding by Jan Karon Copyright © 2004 by Jan Karon. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Reading Group Guide
INTRODUCTION
Come away to Mitford, the small town that takes care of its own. Nestled in the Blue Ridge Mountains, Mitford is a crazy quilt of saints and sinners — lovable eccentrics all. Seen through the eyes of Father Tim, the long-suffering Village Rector, Mitford abounds in both mysteries and miracles, compelling readers to return again and again to this beloved series.
In the tradition of James Herriot, Bailey White, and Garrison Keillor, author Jan Karon brilliantly captures the foibles and delights of a hilarious cast of characters.
Book VIII: Shepherds Abiding is a simple story that unfolds over a span of ten or twelve weeks—a time in which Father Tim and a lot of villagers discover something new and surprising in themselves.
It’s October, and already, the excitement of Christmas is in the air. Hope Winchester has just been given a thrilling, but scary new idea. Lew Boyd longs for his secret to be out, and his life to move on. Uncle Billy is getting ready to play his annual role of Santy Claus to Miss Rose. And Father Tim, who thinks he’s giving Cynthia silk pajamas this year, spies a forsaken Nativity scene at the Oxford Antique Shop.
Once he sees the nativity scene, he can’t stop thinking about it. He and Cynthia had used his maternal grandmother’s scene once or twice, but its dull, base-metal figures seemed forbidding, so he packed it up and put it in the attic. The scene handed down from his Irish great-grandmother had perished in an Alabama flood, and the small scene that Cynthia created from clothespins and scraps of silk at the age of fourteen is definitely showing its limitations.
Thus begins Father Tim’s journey to Bethlehem.
Advent takes on new meaning for Father Tim as he takes on this new challenge: repairing the shepherds, angels, and even Baby Jesus. As he works on the figures, exploring an artistic side he never knew he had, he experiences Advent in a way he never has before and discovers the best of all presents—the gift of one’s heart.
ABOUT JAN KARON
Jan Karon was born in Lenoir, North Carolina, in 1937 ("A great year for the Packard automobile," she says). Her creative skills first came alive when her family moved to a farm. "On the farm there is time to muse and dream," she says. "I am endlessly grateful I was reared in the country. As a young girl I couldn't wait to get off that farm, to go to Hollywood or New York. But living in those confined, bucolic circumstances was one of the best things that ever happened to me."
Jan knew that she wanted to be a writer, and even wrote a novel at the age of ten. Her first real opportunity as a writer came at age eighteen when she took a job as a receptionist at an ad agency. She kept leaving her writing on her boss's desk until he noticed her ability. Soon she was launched on a forty-year career in advertising. She won assignments in New York and San Francisco, numerous awards, and finally an executive position with a national agency.
Recently she left advertising to write books, and moved to Blowing Rock, North Carolina, a tiny town of 1,800 perched at 5,000 feet in the Blue Ridge mountains. "I immediately responded to the culture of village life," says Jan. "And I must say the people welcomed me. I have never felt so at home."
Blowing Rock is the model for Mitford, and the similarities are strong. "None of the people in Mitford are actually based upon anyone in Blowing Rock," says Jan. "Yet, the spirit of my characters is found throughout this real-life village. You can walk into Sonny's Grill in Blowing Rock and find the same kind of guys who hang around Mitford's Main Street Grill."
Jan is quick to assert that there are Mitfords all over the country, those hundreds of towns where readers of Jan's books cherish their own cast of eccentric and beloved characters. Currently, one of Jan's chief delights is getting to meet those readers. "Some people finish writing and open a bottle of scotch or a box of chocolates," she says. "My reward is meeting my readers face-to-face. I think an author is something like a glorified bartender. My readers tell me all kinds of things about their lives, and I get these long, long letters. I answer every one, of course."
Jan has a daughter, Candace Freeland, who is a photojournalist and musician.
AN INTERVIEW WITH JAN KARON
You write about the small town of Mitford, yet haven't you spent most of your life in cities?
Until I was twelve I lived in the country, then I spent many years in cities. I think that I was born with a kind of deep affinity for the rural, the rustic. In addition, I'm very drawn to the pastoral novels of the English genre — the village novel where a small group is used to paint a picture of a larger society.
I still have in me a great love for the agrarian — for what this country was, for what we still are. People say, "Oh well, I guess there's no such thing as Mitford." Well, the good news is there are Mitfords all over the country, and there are still great stretches of open land and pastures and meadows and fields. It's not all bad news. There's so much left of this country that is reasonable and moral and strong. And that's the part I relate to.
You've often said how important a rural upbringing was for you. How has it influenced your writing?
On the farm there were long passages of time in which to observe. The senses are very important to me, and I try to bring the experience of the senses into my writing. And life on the farm is very graphic. Calves are dropped, colts are foaled, manure lies steaming in the sun. It's the bottom line of what life is about.
Mitford is packed with delightful characters like Dooley, Miss Rose, Emma, Miss Sadie, and Homeless Hobbes. Where do they all come from?
Darned if I know. My characters walk in and introduce themselves to me and I'm stuck with them. When I first moved to Blowing Rock to write a book, I struggled hard to write according to the outline I came here with, but the book never worked. The characters never got off the page. That was a real defeat for me. "Woman's dream turns to nightmare," I thought. "I don't know how to write a book!"
Then one night in my mind's eye I saw an Episcopal priest walking down the street. I decided to follow him and see where he went. Well, he went to a dog named Barnabas, they went to a boy named Dooley, and the story unfolded before me. Instead of me driving the story, the story began to drive me! I got interested, wrote a couple of chapters, and there you have it.
How much do you personally relate to Father Tim? Are you very much like him?
Father Tim's personality is far more conservative than mine, but like Father Tim, I don't know a great deal about having fun. If I get dragged into it, I can always enjoy it, but it's hard for me to go out and find it on my own. And of course we both share a faith. My books are formed on my connection to God. That's the seasoning in the stew.
How would you describe the nature of that faith?
In my books I try to depict not a glorious faith with celestial fireworks, but a daily faith, a routine faith, a seven-days-a-week faith. Father Tim's faith is part of his everyday life. He has simple prayers, not polished, pious prayers. He follows the Apostle Paul's command that we pray without ceasing. I try to depict how our faith may be woven into our daily life, like brandy poured into coffee. I believe that spirituality needs to be basic, common, everyday.
Father Tim seems in the thick of things whether he wants to be or not. How does this affect him?
In the first book, At Home in Mitford, he lived a very quiet life. In the subsequent books we are able to see far more of Father Tim's humanity because he is surrounded by people. That means that his heart is going to be broken and his patience is going to be stretched — all of the things that happen when we get involved with other people. This has made him a much more human figure.
Father Tim is very heroic but he does grand things in such a quiet way that he doesn't assume the proportions of a hero. I think Father Tim is somebody who's into recycling and restoring people. It comes from two places inside of him. First of all, it comes from that place where he was so deeply wounded in his relationship with his father. He is in a sense recycling himself; he's still trying to heal himself. And second, he operates on the fuel, the steam that comes from his relationship with Jesus Christ. But he's definitely into reclamation, recycling, helping people find the way — which is what Jesus is all about. So I suppose that Father Tim is a type of Christ figure — not just because he is a preacher but because of the way he is constructed.
In Out to Canaan, Father Tim lives in a chaotic household. Did you grow up in such a household?
No, I didn't. I've lived a fairly ordered life. Being a writer requires a lot of solitude. I've not lived like that, but I've always looked toward those households with a certain longing.
Where do you write?
My studio stretches across the back of my little house. It has eight windows that look out on a copse of trees. I can see the blue outline of the mountains in the distance. Where I write is exceedingly important to me. I am never comfortable unless I am in a room that pleases me. I need the pictures on the wall to be hanging straight. I have to do my housekeeping before I can sit down at the computer. Things need to be in order in my mind and in the place where I write. In recent months my life has been topsy-turvy. I have learned to write with utter chaos all around me. I turn to my book with great intensity. Sometimes I may write twelve hours a day. Sometimes I can write only two hours a day.
Do you have any conscious technique that so effectively makes Mitford come alive for people?
I grew up in the era of radio. When you turned on the radio, you heard the voices and you filled in all the blanks. Radio helped me become a writer. Television would never help me become a writer. With radio you have to color in everything. What you need to do for readers is give them as much free rein as they can take. Let them participate in the story by building their own imagery.
So conversations and characters bear the burden of telling the story?
My books are about relationships. With rare exceptions, the scenes are all one-on-one relationships: Father Tim and Dooley, Father Tim and Cynthia, Father Tim and Emma. There are times when I step away to the Grill where three or four people are in a relationship. Basically, I try not to waste the reader's time with descriptive narrative, details of what people are wearing, how they look, how tall they are.
You seem to have a lot of lovable eccentrics in your books. Are you attracted to unusual people?
I see everyone as unusual. Most everyone seems to have an extraordinary life story. "I just love people," was my grandmother's saying. Casting the writer's light on ordinary people makes them appear extraordinary.
DISCUSSION QUESTIONS
- Father Tim is inspired to finish restoring the crèche by imagining Cynthia’s face when she sees the time and love he put into her gift. What are some memorable and unique Christmas gifts you’ve given? You’ve received? When you give someone a gift, how important is his or her reaction?
- Karon reflects on the season of Advent. What is this season all about, and what do you do to mark this time of preparation? Does your family have Advent and Christmas traditions?
- Father Tim wrestles with memories of his father. What do you think of his decision to focus on the good time he spent with his dad? Is there anyone in your life you deal with this way or have chosen to remember this way?
- With the possibility of entrepreneurship and a budding romance with Scott Murphy, Hope Winchester’s life is suddenly turned gloriously upside down. Does it seem that major life events come in clusters? Can you think of a time in your life when everything was joyfully, to quote Father Tim, “berserk”?
- Father Tim tells Esther Bolick that not taking a cake to Ol’ Man Mueller out of spite would be much worse than feeling like a hypocrite for giving him a cake even though she didn’t want to. Do you agree? Would you continue giving gifts to someone with whom you no longer had a good relationship? Does Ol’ Man Mueller’s reaction upon receiving the cake change your mind or reinforce your opinion?
- Father Tim takes on a new challenge and discovers an artistic talent he never knew he had. Have you ever made or been given a handmade gift? Aside from the time it takes to make, can it be harder to give a handmade gift? Do you enjoy new challenges? What’s Father Tim’s attitude toward them?
- Who do you think put the stable in the back room? Why do you think it was that character? What might his or her reasons have been? Have you ever given a gift anonymously? Do you think it’s possible to be joyful about giving a wonderful gift, if no one knows the giver?
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