- Llanero, S¿¿, Soy Llanero (Plainsman, Yes, I Am a Plainsman) - Games - Traditional
- Los Diamantes (The Diamonds) - Carlos Quintero
- Pajarillo (Little Bird) - Yesid Benites
- Un Llanero de Verdad (A True Plainsman) - Molina - Traditional - Veydo
- Los Merecures - Carlos Quintero
- Y Soy Llanero (And I Am a Plainsman) - Games
- Seis oor Derecho (Straight Six) - Carlos Quintero
- Numerao (Enumerated) - Molina
- El Gav¿¿n Restiao - Yesid Benites - Games
- Quitapesares (Consolation) - Molina
- Atardecer en Arauca (Evening in Arauca) - Luis Moreno
- Zumbaquezumba (Resound, Resound) - Carlos Quintero
- Maria Laya - Veydo
- Puerto Carre¿¿o - Yesid Benites
- Se Me Muri¿¿ Mi Caballo (My Horse Died on Me) - Luis Moreno
- Las Tres Damas (The Three Ladies) - Yesid Benites
- Soy Llanero Pelo-Liso (I'm a Smooth-Haired Plainsman) - Luis Moreno - Traditional
- Pajarillo
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0093074051528
Hugo Molina Primary Artist,Bandola
Luis Moreno Primary Artist
Ana Veydo Primary Artist,Vocals
Yesid Benites Primary Artist,Bandola
Carlos Quintero Primary Artist,Harp
Wilton Games Primary Artist,Vocals
Traditional Composer
Charlie Pilzer Mastering
Patrick Mildenberg Attardi Assistant Engineer
Carlos Rojas Annotation,Producer
D.A. Sonneborn Production Supervisor
Pete Reiniger Photography,Mixing,Engineer
Carolina Santamaria Translation

Si Soy Llanero: Joropo Music from the Orinoco Plains
by Grupo Cimarron de Cuba
Grupo Cimarron de Cuba

Si Soy Llanero: Joropo Music from the Orinoco Plains
by Grupo Cimarron de Cuba
Grupo Cimarron de Cuba
CD
$17.99
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Overview
Eastern Colombia, near the Orinoco River and the border with Venezuela, offers its own stunning musical tradition of joropo, which has become more prominent in recent years, although not enough to really register on the world music radar. It seems that might just be a matter of time, however, on the basis of the music on Si Soy Llanero: Joropo Music from the Orinoco Plains, driven by percussively played stringed instruments, especially the harp, cuatro, and bandola. This release offers a compendium of styles within joropo, and it's a thrilling education, especially on pieces like "Los Merecures," which careen along at breakneck pace, demanding huge technical ability from the musicians, or "Seis por Derecho," a style of golpe where the instruments trade off lines, pushing each other further and further, with Carlos Quintero's harp playing absolutely outstanding. Kudos, too, to the rhythm section -- percussion and a bassist who goes beyond underpinning the rhythm to provide astute counter melodies. While the focus is instrumental, there are some songs -- like the melodies, derived from the tradition -- and they do offer a respite from the frenetic musical speed that pervades the rest of the album: "Maria Laya," sung by the lovely Ana Veydo, offers such an example. The interplay between musicians is phenomenal, and the music itself is virtually irresistible. Very definitely a Latin find. ~ Chris Nickson
Product Details
Release Date: | 06/29/2004 |
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Label: | SMITHSONIAN FOLKWAYS |
UPC: | 0093074051528 |
Tracks
Album Credits
Performance Credits
Grupo Cimarron de Cuba Primary ArtistHugo Molina Primary Artist,Bandola
Luis Moreno Primary Artist
Ana Veydo Primary Artist,Vocals
Yesid Benites Primary Artist,Bandola
Carlos Quintero Primary Artist,Harp
Wilton Games Primary Artist,Vocals
Technical Credits
Jacob Love Editorial AssistantTraditional Composer
Charlie Pilzer Mastering
Patrick Mildenberg Attardi Assistant Engineer
Carlos Rojas Annotation,Producer
D.A. Sonneborn Production Supervisor
Pete Reiniger Photography,Mixing,Engineer
Carolina Santamaria Translation
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