- Capable of Anything
- Not a Fan
- So There
- Long Way to Go
- Phone in a Pool
- Yes Man
- F10-D-A
- I'm Not the Man
- Concerto for Piano & Orchestra: Movement 1
- Concerto for Piano & Orchestra: Movement 2
- Concerto for Piano & Orchestra: Movement 3
5
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0607396633722
Sam Smith Drums
Rob Moose Violin
Andrew Higley Synthesizer
Chad Chapin Percussion
Giancarlo Guerrero Conductor
Hideaki Aomori Clarinet,Clarinet (Bass)
CJ Camerieri Trumpet,French Horn
Gabriel Cabezas Cello
Nadia Sirota Viola
Alexandra Sopp Flute,Piccolo,Flute (Alto)
Ryan Lerman Guitar
Nashville Symphony Orchestra
Gabi Lima Assistant
Peter Chun Assistant
Rachel Breslin Assistant Engineer
Mike Jinno Assistant Engineer
Bil Lane Assistant Engineer
Cody Swann Composer
Nicholas Cody Composer
Zahira Gutierrez Composer
R. Andrew Lee Composer
Joachim Horsley Editing,Orchestration
Zack Dewall Assistant Engineer
Gena Johnson Engineer,Mixing Assistant,Assistant Engineer
Thom Beemer Assistant Engineer
Pierson Composer
Rob Moose Harmony,Arranger,Composer,Producer
Dave Way Mixing
Strickland Composer
Joe Costa Engineer
Rich Tosi Assistant Engineer
Leon Overtoom Engineer
Andrew Higley Arranger
Gracie Folds Harmony
Alicia Witt Composer
Allan Amato Photography
Kim Buie A&R
Lawson White Engineer
John Heiden Package Design
CJ Camerieri Arranger,Producer
Alexandra Sopp Design,Harmony,Cover Art
Richard King Mixing
Bob Ludwig Mastering
Elliot Scheiner Engineer,Producer
Ben Folds Arranger,Composer,Producer,Photography,Orchestration


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Overview
Ben Folds is no stranger to collaboration. After his most recent solo album, 2008's Way to Normal, he released 2010's Lonely Avenue, which set English novelist Nick Hornby's lyrics to Folds' music; a quickly generated fundraising record supporting musical opportunities for kids titled Nighty-Night, co-credited to Dresden Doll Amanda Palmer, writer Neil Gaiman, and OK Go's Damian Kulash; and his band Ben Folds Five's 2012 reunion LP, The Sound of the Life of the Mind, and pursuant live release; not to mention producing stints (such as Sara Bareilles' 2012 EP Once Upon Another Time) and other TV, theater, and music projects. Also no stranger to the classical realm, Folds was a percussion performance major during his time at university, has performed his piano rock songs with various orchestras, and premiered his first piano concerto with the Nashville Symphony Orchestra in 2014. So There finds the musician partnering with the experimental Brooklyn chamber ensemble yMusic on eight new tunes referred to as "8 chamber rock songs" on the record's packaging. It also includes a studio recording of his aforementioned three-movement "Concerto for Piano & Orchestra" with the Nashville Symphony. It turns out that yMusic's participation augments song textures without replacing anything uniquely Folds. His tremendously agile, rhythmic piano playing, also-agile melodies, and occasionally double-tracked, distinctive vocals are all still front and center. The album opens strongly with two memorable and thoughtful pop songs, "Capable of Anything," whose title refers to anything good and anything bad, and the seemingly tender "Not a Fan." The former is driven by (after melody) piano and drums, with deft string and woodwind embellishments; the latter is a piano-and-strings ballad that transforms into a harsh moment of clarity for the lyrics' protagonist. Another album highlight, "Phone in a Pool," addresses communication breakdowns and the lure of disconnecting ("When you've lived to be two hundred/Feel free to proffer your advice/Until that time here's my auto-reply"). The nerdiest and goofiest piece is easily "F10-D-A," an ensemble-punctuated music theory lesson in double-entendre. The piano concerto is approachable and dramatic, a Gershwin-esque, pop-influenced type of classical work. Fans of his songwriting may be surprised at how much it has Ben's voice without, well, Ben's voice. The album will very likely be embraced by solo Folds aficionados, though it may not appeal to those who strongly favor the brasher Five. Outside of a career context, and with credit to Folds' co-arrangers and co-producers, C.J. Camerieri and Rob Moose of yMusic, So There is both ambitious and down-to-earth, impeccably constructed, and utterly accessible. ~ Marcy Donelson
Product Details
Release Date: | 09/11/2015 |
---|---|
Label: | New West |
UPC: | 0607396633722 |
Tracks
Album Credits
Performance Credits
Ben Folds Primary Artist,Piano,PercussionSam Smith Drums
Rob Moose Violin
Andrew Higley Synthesizer
Chad Chapin Percussion
Giancarlo Guerrero Conductor
Hideaki Aomori Clarinet,Clarinet (Bass)
CJ Camerieri Trumpet,French Horn
Gabriel Cabezas Cello
Nadia Sirota Viola
Alexandra Sopp Flute,Piccolo,Flute (Alto)
Ryan Lerman Guitar
Nashville Symphony Orchestra
Technical Credits
Aki Nishimura Assistant EngineerGabi Lima Assistant
Peter Chun Assistant
Rachel Breslin Assistant Engineer
Mike Jinno Assistant Engineer
Bil Lane Assistant Engineer
Cody Swann Composer
Nicholas Cody Composer
Zahira Gutierrez Composer
R. Andrew Lee Composer
Joachim Horsley Editing,Orchestration
Zack Dewall Assistant Engineer
Gena Johnson Engineer,Mixing Assistant,Assistant Engineer
Thom Beemer Assistant Engineer
Pierson Composer
Rob Moose Harmony,Arranger,Composer,Producer
Dave Way Mixing
Strickland Composer
Joe Costa Engineer
Rich Tosi Assistant Engineer
Leon Overtoom Engineer
Andrew Higley Arranger
Gracie Folds Harmony
Alicia Witt Composer
Allan Amato Photography
Kim Buie A&R
Lawson White Engineer
John Heiden Package Design
CJ Camerieri Arranger,Producer
Alexandra Sopp Design,Harmony,Cover Art
Richard King Mixing
Bob Ludwig Mastering
Elliot Scheiner Engineer,Producer
Ben Folds Arranger,Composer,Producer,Photography,Orchestration
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