Social Dance and the Modernist Imagination in Interwar Britain

Social Dance and the Modernist Imagination in Interwar Britain

by Rishona Zimring

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Overview

Social dance was ubiquitous in interwar Britain. The social mingling and expression made possible through non-theatrical participatory dancing in couples and groups inspired heated commentary, both vociferous and subtle. By drawing attention to the ways social dance accrued meaning in interwar Britain, Rishona Zimring redefines and brings needed attention to a phenomenon that has been overshadowed by other developments in the history of dance. Social dance, Zimring argues, haunted the interwar imagination, as illustrated in trends such as folk revivalism and the rise of therapeutic dance education. She brings to light the powerful figurative importance of popular music and dance both in the aftermath of war, and during Britain's entrance into cosmopolitan modernity and the modernization of gender relations. Analyzing paintings, films, memoirs, a ballet production, and archival documents, in addition to writings by Virginia Woolf, D.H. Lawrence, Katherine Mansfield, Vivienne Eliot, and T.S. Eliot, to name just a few, Zimring provides crucial insights into the experience, observation, and representation of social dance during a time of cultural transition and recuperation. Social dance was pivotal in the construction of modern British society as well as the aesthetics of some of the period's most prominent intellectuals.

Product Details

ISBN-13: 9781409455769
Publisher: Taylor & Francis
Publication date: 08/28/2013
Pages: 240
Product dimensions: 6.10(w) x 9.30(h) x 0.80(d)

About the Author

Rishona Zimring is Associate Professor of English at Lewis & Clark College, Portland, Oregon, USA.

Table of Contents

Contents: Introduction: a nation in the mood to dance; Prologue: social dance, musical entertainments, and the question of sociability; Couples and flirts: dance after war in Lawrence and Mansfield; How Bloomsbury danced; Dancing in place: folk, mass, and visions of community; ’Feet rising and falling’: dance, meter, and modernity in Eliot’s East Coker; Epilogue; Bibliography; Index.

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