Someone to Talk to
Tofu peddler Yang Baishun is a man of few words and few friends. Unable to find meaningful companionship, he settles for a marriage of convenience. When his wife leaves him for another man he is left to care for his five-year-old stepdaughter Qiaoling, who is subsequently kidnapped, never to be seen by Yang again. Seventy years later we find Niu Aiguo, who, like Yang, struggles to connect with other people. As Niu begins learning about his recently deceased mother's murky past it becomes clear that Qiaoling is the mysterious bond that links Yang and Niu. Originally published in China in 2009 and appearing in English for the first time, Liu Zhenyun's award-winning Someone to Talk To highlights the contours of everyday life in pre- and post-Mao China, where regular people struggle to make a living and establish homes and families. Meditating on connection and loneliness, community and family, Someone to Talk To traces the unexpected and far-reaching ramifications of seemingly inconsequential actions, while reminding us all of the importance of communication.
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Someone to Talk to
Tofu peddler Yang Baishun is a man of few words and few friends. Unable to find meaningful companionship, he settles for a marriage of convenience. When his wife leaves him for another man he is left to care for his five-year-old stepdaughter Qiaoling, who is subsequently kidnapped, never to be seen by Yang again. Seventy years later we find Niu Aiguo, who, like Yang, struggles to connect with other people. As Niu begins learning about his recently deceased mother's murky past it becomes clear that Qiaoling is the mysterious bond that links Yang and Niu. Originally published in China in 2009 and appearing in English for the first time, Liu Zhenyun's award-winning Someone to Talk To highlights the contours of everyday life in pre- and post-Mao China, where regular people struggle to make a living and establish homes and families. Meditating on connection and loneliness, community and family, Someone to Talk To traces the unexpected and far-reaching ramifications of seemingly inconsequential actions, while reminding us all of the importance of communication.
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Overview

Tofu peddler Yang Baishun is a man of few words and few friends. Unable to find meaningful companionship, he settles for a marriage of convenience. When his wife leaves him for another man he is left to care for his five-year-old stepdaughter Qiaoling, who is subsequently kidnapped, never to be seen by Yang again. Seventy years later we find Niu Aiguo, who, like Yang, struggles to connect with other people. As Niu begins learning about his recently deceased mother's murky past it becomes clear that Qiaoling is the mysterious bond that links Yang and Niu. Originally published in China in 2009 and appearing in English for the first time, Liu Zhenyun's award-winning Someone to Talk To highlights the contours of everyday life in pre- and post-Mao China, where regular people struggle to make a living and establish homes and families. Meditating on connection and loneliness, community and family, Someone to Talk To traces the unexpected and far-reaching ramifications of seemingly inconsequential actions, while reminding us all of the importance of communication.

Product Details

ISBN-13: 9780822370833
Publisher: Duke University Press
Publication date: 04/03/2018
Series: Sinotheory
Pages: 392
Product dimensions: 6.00(w) x 9.00(h) x 0.80(d)

About the Author

Liu Zhenyun is the author of over a dozen novels, including I Did Not Kill My Husband and The Cook, the Crook, and the Real Estate Tycoon.

Howard Goldblatt is a translator of dozens of works of Chinese literature, including those of Nobel Prize winner Mo Yan.

Sylvia Li-Chun Lin is an award-winning translator of Chinese literature.

Read an Excerpt

CHAPTER 1

Yang Baishun's father was a tofu peddler. Everyone called him Old Yang the Tofu Peddler, though in the summertime he also peddled those bean-starch noodles called liangfen. Old Yang and Old Ma, a carter from Ma Village, were friends, though their friendship did not make a whole lot of sense, since Ma was often unkind to Yang. He did not curse or hit him, nor did he cheat him out of any money. No, he just held him in low regard, something that normally would stand in the way of a friendship. But Ma found it necessary to be around Yang when he told a joke. For Yang, when the topic of friends came up, Ma was at the top of the list, while Ma never once claimed the tofu and liangfen peddler from Yang Village to be his friend. No one knew why this was, and people simply assumed that they were friends.

When Yang Baishun was eleven, Blacksmith Li held a birthday celebration for his mother. Li made ladles, cleavers, axes, hoes, scythes, rakes, shovels, door hinges, and other metal implements in his Prosperity Blacksmith Shop. Most blacksmiths tend to be impatient men, but not Li. It took him up to four hours to hammer out a rake tine, but his slow, methodical work produced wares that were second to none. Before quenching, he stamped the word Prosperity on all his ladles, cleavers, axes, hoes, scythes, rakes, shovels, and door hinges. He was the only blacksmith for miles around, not because others could not match his skill, but because they were unwilling to put in the effort. People with placid dispositions tend to brood a lot, and brooders never forget a slight. Customers were always coming and going at Li's shop, and there was the danger that a careless comment would offend him. But the only person who could get under his skin was his mother, whose high-strung nature may have been the reason he was so unflappable. At the age of eight, he once took a slice of date cake without asking, for which she hit him on the head with a metal spoon, causing a wound that bled profusely. Most people forget the pain of an injury once it's healed, but he held a grudge against his mother from that day on. Unrelated to the wound itself, the grudge resulted from what she did after she hit him: she talked and laughed as if nothing had happened and went into town with friends to watch an opera. In reality, the grudge was not actually related to trip to the opera. But once he reached adulthood, they never again saw eye to eye on anything. Li was forty when his father died; five years later, his mother went blind. After taking over Prosperity Blacksmith Shop, he continued to tend to her daily needs, but he ignored all her requests. Most blacksmiths prefer a bland, coarse diet. So his blind mother would say things like "This food is tasteless. I want some beef."

"You'll have to wait."

Nothing would happen.

Or, "I'm bored. Yoke the donkey and take me into town, where there's something to do."

"You'll have to wait."

Again nothing would happen. He was not trying to provoke his mother; he just wanted to cure her of her impatience. It was time for her to slow down. He was also afraid that if he gave in to her demands, he would never hear the end of it. But the year his mother turned seventy, Old Li decided to hold a celebration.

"Don't waste your time celebrating the birthday of someone who won't live much longer," she said. "I'll be happy if you'll just treat me a little better." She poked him with her cane. "I wonder what you're up to with this so-called celebration."

"Don't think so much, Mother."

In fact, he was not planning the celebration for her sake. A month earlier, a fat blacksmith from Anhui named Duan had set up shop in town. He called his business Fatso Duan's Blacksmith Shop. Li would not have worried if Duan had turned out to be an impatient man. But he wasn't; like Li himself, Duan was unflappable. He too would take up to four hours to hammer out a rake tine, and that concerned Li. So he decided to show Duan what he was up against by celebrating his mother's birthday. It would be one way to show the newcomer that an out-of-town dragon should never try to outdo a local snake. No one else knew what was behind the birthday celebration. All anyone knew was that Li had not been a filial son, and they assumed he'd had a change of heart. So on the day of the party, they came bearing gifts. Yang and Ma, both friends of Li, were among them. Yang, who had been selling tofu away from the village, arrived late. Since Ma Village was close to town, Ma was on time. Believing that the tofu peddler and carter were friends, Li left the seat next to Ma empty for the tardy Yang. Pleased with his attention to detail, he was surprised by Ma's objection.

"No, you have to seat him somewhere else."

"You two always talk up a storm, so that will liven things up," Li said.

"Will there be liquor?" Ma asked.

"Three bottles at each table, and no cheap stuff," Li replied.

"It's like this — joking with him when he's sober is fine. But as soon as he has a few drinks under his belt, he pours his heart out. It makes him feel good, and I wind up depressed." Ma added, "That has happened way too often."

Li realized that they were not best friends after all. For Ma, at least, if not for Yang. So his seat was moved to another table, next to a livestock broker, Old Du. Yang Baishun, who had been sent by his father to fetch water during the party, overheard the remark by Ma. The next day, Yang complained that he hadn't enjoyed himself at the banquet and carped that he'd wasted a good gift. His quibble had nothing to do with the food; he complained that he'd had nothing to say to Du, whose head smelled bad and whose shoulders were covered with dandruff. Yang assumed that he had been seated next to Du because he had arrived late. When his son told him what he'd heard, he slapped the boy.

"That's not what Old Ma meant. You've made whatever he said sound bad."

With his head in his hands, Yang crouched down in front of the tofu room while his son cried and said nothing for the longest time. Over the next two weeks he ignored Ma and refused to utter the man's name. But a couple of weeks later he was talking and joking with Ma again and went to see him whenever he needed advice.

Peddlers ply their trade by shouting, but not Yang. There are common shouts and there are refined ones. If you're selling tofu, then "Tofu for sale" or "Get your Yang Village tofu" are common shouts. For the refined variety, you need to make music and exaggerate your wares, like this: "This tofu, I ask you, is it tofu or isn't it? It is, but you can't treat it as mere tofu ..." So what was it, this special tofu? It was touted as white jade, or pure agate. Not born with a silver tongue, Yang could not make up something like that; yet, though he hated common shouts, he tried out a couple — "Tofu fresh as can be, with none of this or that." But that just made him sound angry, so he chose a drum instead. By alternating between beating the skin and banging his stick against the sides, he was able to produce a bit of variety. He was blazing new trails, substituting a drumbeat for a shout as he peddled his tofu. Something brand new. When the villagers heard the beat of a drum, they knew that Old Yang the Tofu Peddler was on his way. In addition to selling tofu in the village, on market days he set up a stall in town, where he sold tofu and liangfen, which he combed into thin strips with a bamboo grater, dumped into a bowl, and added scallions, some herbs, and sesame paste. He made a fresh bowl for each customer. Old Kong of Kong Village sold flatbreads filled with donkey meat in the stall to his left. And to his right was Old Dou of Dou Village, who sold spicy soup and cut tobacco. Yang beat the drum in the village and in town, a steady tattoo from morning to night. At first it was new; but after a month of that, both Kong and Dou had had enough.

"'Thud, thud, thud' one minute and 'crack, crack, crack' the next. Old Yang, you're turning my head into liangfen," Kong complained. "Peddling a little food isn't leading troops into battle, so is all that noise really necessary?"

Dou, who was more excitable than Kong and less given to speech, simply walked up with a scowl and put his foot through the drumhead.

Forty years later, when Old Yang was bedridden from a stroke, his eldest son, Yang Baiye, took over as head of the family. Most strokes affect the sufferer's brain and the ability to speak anything but gibberish. But Old Yang, whose mind was clear as ever, despite the paralysis of his body, had no trouble speaking. Prior to the stroke, he had been inarticulate and often got things all jumbled up; now his mind was clear as a bell, his tongue glib, his ability to keep things straight extraordinary. Spending all day in bed, he needed help for even the simplest activity, and this was where the stroke took its toll. His eyes and his mouth got the worst of it. He welcomed anyone who came into his room with a fawning gaze and answered every question he was asked deferentially. Before the stroke, he had lied as often as he'd told the truth; after the stroke, every word he uttered came straight from the bottom of his heart. If he drank too much water, he had to get up at night, so he drank nothing from afternoon on. Forty years had passed, and his old friends were either dead or busy with one thing or another, so no one came to see him. But then, on the fifteenth day of the eighth lunar month, Old Duan, who had sold scallions in the marketplace, came to see him, with two boxes of pastries. Yang reacted to seeing an old friend after all those years by clutching his hand and weeping. He quickly dried his eyes with his sleeve when a family member walked in.

"Can you recall the names of peddlers in the market, from east to west?" Duan asked.

Yang's brain was working fine, but after forty years, he had forgotten most of the friends he'd worked near. Starting from the east, he was able to count up to the owner of the fifth stall on his fingers, but no further. He recalled Old Kong, who sold flatbreads filled with donkey meat, and Old Dou, who sold spicy soup and cut tobacco, so he focused on those two, passing over the others.

"Old Kong had a thin voice; Old Dou was excitable. He destroyed my drum. But I got even by kicking over his cauldron and spilling his soup all over the ground."

"Old Dong, the castrator from Dong Village, remember him?" Duan asked. "Besides castrating animals, he also repaired cook pots."

Yang knitted his brow as he tried to recall, but he had no memory of the man who castrated animals and repaired cook pots.

"How about Old Wei from Wei Village? The west end of the market, the one who sold raw ginger, always laughing, struck by one thing or another, but no one ever knew what."

Yang could not recall him either.

"How about Old Ma, the Ma Village carter; you must remember him."

"Of course I remember him. He died two years ago." Yang was relieved.

"Back then it was all about Old Ma with you. No one else mattered. Were you aware that while you called him your friend, he was always bad-mouthing you?"

Yang quickly changed the subject.

"How can you recall something from so long ago?"

"I'm talking about the overall situation, not an isolated incident. You spent your whole life trying to get on the good side of people who did not consider you a friend and had no use for people who did. Everyone hated the way you beat that drum, but I liked the sound. I bought your liangfen just to listen to you beat that drum. I'd have liked to talk to you, but you ignored me."

"Not true," Yang quickly replied.

"See what I mean?" Duan clapped his hands. "You still don't consider me a friend. I came today to ask you one question."

"What?"

"You've lived a long life. Have you made any real friends?" Duan added, "You never thought about that before, but how about now that you're laid up?"

Yes, Yang finally got it. After forty years, when Old Duan, who could still walk, knew he was paralyzed, he'd come for revenge. He spat an answer to Duan: "Old Duan, I was right about you all along. You're no damn good."

Duan walked off smiling. Yang was still cursing him after he was gone. Yang's eldest son, Baiye, walked into the room. He was in his fifties. As a youngster, he was always doing something stupid, for which he'd received many whippings from his father. Now, forty years later, his father was bedridden and he had taken over as head of the family. Anything Old Yang wanted had to meet with his son's approval. Baiye picked up where Duan had left off.

"Old Ma drove a cart, you sold tofu, so there was no need to have anything to do with one another. Why in the world did you do everything you could to make him like you when he refused to treat you as a friend?"

Old Yang had no trouble getting angry at Duan, but his son was a different matter. If Baiye asked him a question, he damned well better answer. He sighed.

"I had my reasons. I wouldn't have been afraid of him otherwise."

"Did you cheat him, or was there something he could use against you?"

"There was nothing he could use against me if I had cheated him, and no way he could blackmail me if he had something on me, because I could just ignore him afterward. He outsmarted me the first time we met."

"Over what?" Baiye asked.

"We met at the farm animal market. He was there to buy a horse, I went to sell a donkey, and we struck up a conversation. Whatever we talked about, if I could see a mile down the road, he could see ten miles. If I could look ahead one month, for him it was ten years. I did not sell the donkey, and from then on he had the advantage any time we talked." He shook his head and continued. "No matter what it was, he could always outtalk me, so I looked him up when I needed advice."

"I see. So you took advantage of him whenever you needed a fresh pair of eyes. But what I don't understand is, why did he have anything to do with someone he felt was beneath him?"

"Do you think there was anyone else who could see ten miles down the road and ten years into the future around here? Old Ma never had any friends either." He heaved an emotional sigh. "He shouldn't have had to drive a cart all his life."

"What should he have done?" Baiye asked.

"The blind fortuneteller, Old Jia, said he was slated to start a peasant uprising, like Chen Sheng and Wu Guang at the end of the Qin dynasty. But he didn't have the guts. He was afraid to go out after dark, which kept him from being much of a carter, if you want the truth. It cost him a lot of business." He was getting increasingly excited. "A gutless man like him thought he was better than me. Shit, I was better than him! He never treated me like a friend, but it should have been the other way around!"

Baiye nodded with the understanding that those two were fated to be friends. It was lunchtime by the time they finished talking about Old Ma. Since it was the fifteenth day of the eighth lunar month, they ate flatbreads called laobing and a meat-and-vegetable stew. Laobing had been one of Yang's favorites all his life, but by the time he was in his sixties, and had lost most of his teeth, they were off the menu. The stew simmered till the meat and vegetables were mushy; he softened the laobing by dunking them in the hot soup. As a young man, he'd always eaten laobing on holidays, but after his stroke, he was no longer the one who decided whether or not he could eat them. Baiye had already settled on laobing and stew for lunch before they started talking about Ma, but Yang assumed that the decision had come as a reward for his straight talk about the years he sold tofu and liangfen. He ate till his forehead was bathed with sweat. He looked up at his son and flashed him a fawning smile through the steam from the boiling pot. His meaning was clear.

"Anytime you ask me something, I'll still give you a straight answer."

(Continues…)



Excerpted from "Someone To Talk To"
by .
Copyright © 2009 Liu Zhenyun.
Excerpted by permission of Duke University Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Series Editor's Preface / Carlos Rojas  vii
Part I. Leaving Yanjin
Chapter 1. 3
Chapter 2. 10
Chapter 3.  23
Chapter 4.  35
Chapter 5.  45
Chapter 6. 54
Chapter 7. 64
Chapter 8. 78
Chapter 9. 98
Chapter 10. 116
Chapter 11. 137
Chapter 12. 160
Chapter 13.  185
Chapter 14.  202
Part II. Returning to Yanjin
Chapter 1.  227
Chapter 2.  243
Chapter 3.  254
Chapter 4.  267
Chapter 5.  277
Chapter 6. 289
Chapter 7.  306
Chapter 8.  325
Chapter 9.  339
Chapter 10.  351

What People are Saying About This

The Four Books - Yan Lianke

“Liu Zhenyun’s work enjoys a unique position within the Chinese world, in that not only does he have many, many fans, his works have a distinctive artistic quality that has fascinated and entranced scholars for decades. Beyond their inherent humor and sagacity, his novels also offer a glimpse into the darkness and stillness that characterize the relationship between humans and the world. In this respect, Someone to Talk To is truly Liu’s masterpiece.”

Postsocialism and Cultural Politics: China in the Last Decade of the Twentieth Century - Xudong Zhang

“Very rarely does one encounter a novel from contemporary China that transcends the mere story, however spectacular or unheard of, and wrestles so deeply and intimately with the structural truth and secrecy of the way things are. A stunning display of the mimetic power of language and narrative, and through masterful arrangement of sentences seeking and connecting with each other, Someone to Talk To invites all of us to rethink the meaning of realism and, for that matter, of literature as such.”

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