Something That May Shock and Discredit You

by Daniel Mallory Ortberg Narrated by Daniel Mallory Ortberg

Overview

“One of our smartest, most inventive humor writers, Ortberg combines bathos and the devotional into a revelation.” -Jordy Rosenberg, The New York Times Book Review

From the New York Times bestselling author of Texts From Jane Eyre and Merry Spinster, writer of Slate's “Dear Prudence” column, and cofounder of The Toast comes a hilarious and stirring collection of essays and cultural observations spanning pop culture-from the endearingly popular to the staggeringly obscure.

Daniel M. Lavery is known for blending genres, forms, and sources to develop fascinating new hybrids-from lyric rants to horror recipes to pornographic scripture. In his most personal work to date, he turns his attention to the essay, offering vigorous and laugh-out-loud funny accounts of both popular and highbrow culture while mixing in meditations on gender transition, family dynamics, and the many meanings of faith.

From a thoughtful analysis of the beauty of William Shatner to a sinister reimagining of HGTV's House Hunters, and featuring figures as varied as Anne of Green Gables, Columbo, Nora Ephron, Apollo, and the cast of Mean Girls, Something That May Shock and Discredit You is a hilarious and emotionally exhilarating compendium that combines personal history with cultural history to make you see yourself and those around you entirely anew. It further establishes Lavery as one of the most innovative and engaging voices of his generation-and it may just change the way you think about Lord Byron forever.

Editorial Reviews

MARCH 2020 - AudioFile

Fans of Ortberg will welcome his signature wit in this impossible-to-classify audiobook. Though newcomers may feel slightly adrift, Ortberg’s narration is undeniably powerful. He combines memoir, Biblical exegesis, and trans retellings of fiction and myth into a book about gender and transition unlike any other. His narration is multilayered and alive. One moment his voice scrapes raw; the next, it’s full of delight. He’ll have you laughing one moment and weeping the next. His voice swings from vulnerable to silly, tender to dry. Sometimes his irreverence shines through—as in his voicing of Greek gods in a trans reimagining of Athena’s birth. Sometimes he speaks with breath-catching honesty about his uncertainty surrounding transition. Every moment of this audiobook is a joy to listen to. L.S. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine

The New York Times Book Review - Jordy Rosenberg

Rejecting the suffering bildung often demanded of transgender writers, Ortberg's narrative is anything but linear…Such temporal vertigo makes Something That May Shock and Discredit You addictively strange and delightful…Ortberg's transition is mercifully free of grim stoicism, flexing instead an array of satiric voices, chief among them riffs on Christian parable. These, in fact, are the affective heart of the book, and allow Ortberg to summon the joy of transition without getting mired in agonized (and self-flattering) disclaimers over what it means to adopt the mantle of maleness…One of our smartest, most inventive humor writers, Ortberg combines bathos and the devotional into a revelation.

Publishers Weekly

10/21/2019

Slate advice columnist Ortberg (Texts from Jane Eyre) brings the full force of his wit and literary depth to this genre-bending essay collection. Describing it as “memoir-adjacent,” Ortberg intersperses searingly honest passages about his journey as a transgender man with laugh-out-loud funny literary pastiche. In “Lord Byron Has a Birthday and Takes His Leave,” the poet histrionically threatens to die gloriously in Greece to avoid reaching the mortifying age of 40. Sir Gawain tries to escape the sexual hijinks cooked up by Lady Bertilak and the Green Knight in “Sir Gawain Just Wants to Leave Castle Make-Out.” Amid the literary fun, Ortberg reflects upon gender identity. Finding the national conversation about transgender people too child-centric—he only realized he was one at age 30—Ortberg instead returned to the scriptures of his youth to find himself in “stories of transformation... already familiar” to him. In the most moving chapter, he drops the artifice of humor and lays bare his anguish at severing his relationship with his mother as her daughter, with the two finding solace in the story of Jacob and Esau—two brothers who make peace but not before Jacob changes his name, and thus identity, to Israel. Ortberg provides an often hilarious, sometimes discomfiting, but invariably honest account of one man’s becoming. Agent: Kate McKean, Howard Morhaim Literary. (Feb.)

From the Publisher

This book is clever and strange and lovely and sad and hysterical and poignant. These are the qualities that make up most of my favorite people and all of my favorite books. You really need to read this now.” —Jenny Lawson, New York Times bestselling author of Let’s Pretend This Never Happened and Furiously Happy

“At last, we have the work of transgender bathos we didn’t know we needed, but very much do. . . . Rejecting the suffering bildung often demanded of transgender writers, Ortberg’s narrative is anything but linear: It skips back in time to mythic Greece, traipses across the landscape of contemporary pop culture and, in one wonderfully fabulist entry that would make Carmen Maria Machado proud, slips outside of time altogether. Such temporal vertigo makes Something That May Shock and Discredit You addictively strange and delightful. . . . One of our smartest, most inventive humor writers, Ortberg combines bathos and the devotional into a revelation.” —Jordy Rosenberg, The New York Times Book Review

“A delightful hybrid of a book...blends genres with expert facility....Throughout, Ortberg's writing is vulnerable but confident, specific but never narrow, literal and lyrical. The author is refreshingly unafraid of his own uncertainty, but he's always definitive where it counts....You'll laugh, you'll cry, often both at once. Everyone should read this extraordinary book.” —Kirkus Reviews (starred review)

“Ortberg brings the full force of his wit and literary depth to this genre-bending essay collection, [which] intersperses searingly honest passages about his journey as a transgender man with laugh-out-loud funny literary pastiche....an often hilarious, sometimes discomfiting, but invariably honest account of one man’s becoming.” —Publishers Weekly

“Like all of his work, Something That May Shock and Discredit You is a stand-alone pillar in Ortberg’s remarkable canon, one in which the lines typically drawn around topic and genre are obliterated, resulting in a wide-open field of possibility.” —Electric Literature

“Deeply honest and often sidesplittingly funny” —Michelle Hart, O: The Oprah Magazine

“Ortberg gracefully slips between the memoirist's lucid personal narrative and the essayist's more topical ruminations. Passage after passage sees him refining a riveting intertextual portrait of his life and transness fit for the pages of an illuminated manuscript....Discarding any distinction between high and low cultures, Ortberg's Something that May Shock and Discredit You most certainly astonishes and amazes—it may even be transformative.” —Dave Wheeler, Shelf Awareness

“Ortberg does not simply narrate his experience of transition; he also grapples with the challenge of doing so, toggling skillfully between criticism, personal essay, and literary pastiche....Animated by Ortberg’s Christian faith and eclectic cultural enthusiasms, the book is a syllabus of sorts—a road map for navigating one remarkable writer’s mind.” —The New Yorker

Library Journal

02/01/2020

Written almost as a stream of consciousness, this genre-bending work by Slate columnist Ortberg (Texts from Jane Eyre) blends memoir, social commentary, and biblical exegesis in a series of essays that reflect an evolving sense of identity. Similar to his work as co-founder of The Toast, Ortberg's brief chapters here expand on topics serious and challenging, humorous and trivial. The author isn't afraid to be personal, especially when describing his struggle with external validation. He is at his best when relaying complicated feelings of self while exiting womanhood and navigating society's discomfort around trans men. These thoughts are interspersed with verses from the Bible and recollections on faith, on life as the son of a preacher, and on his participation in fandoms such as Star Trek. Interludes between chapters sometimes add nuance, other times lose momentum. As a result, the book periodically reads like a series of assorted thoughts. VERDICT Though it struggles to maintain cohesion at times, this account of a vulnerable life makes for contemplative reading. While fans of The Toast and pop culture will be drawn in, some may long for a more straightforward memoir.—Stephanie Sendaula, Library Journal

MARCH 2020 - AudioFile

Fans of Ortberg will welcome his signature wit in this impossible-to-classify audiobook. Though newcomers may feel slightly adrift, Ortberg’s narration is undeniably powerful. He combines memoir, Biblical exegesis, and trans retellings of fiction and myth into a book about gender and transition unlike any other. His narration is multilayered and alive. One moment his voice scrapes raw; the next, it’s full of delight. He’ll have you laughing one moment and weeping the next. His voice swings from vulnerable to silly, tender to dry. Sometimes his irreverence shines through—as in his voicing of Greek gods in a trans reimagining of Athena’s birth. Sometimes he speaks with breath-catching honesty about his uncertainty surrounding transition. Every moment of this audiobook is a joy to listen to. L.S. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine

Kirkus Reviews

★ 2019-10-19
The co-founder of The Toast and Slate advice columnist demonstrates his impressive range in this new collection.

In a delightful hybrid of a book—part memoir, part collection of personal essays, part extended riff on pop culture—Ortberg (The Merry Spinster: Tales of Everyday Horror, 2018, etc.) blends genres with expert facility. The author's many fans will instantly recognize his signature style with the title of the first chapter: "When You Were Younger and You Got Home Early and You Were the First One Home and No One Else Was Out on the Street, Did You Ever Worry That the Rapture Had Happened Without You? I Did." Those long sentences and goofy yet sharp sense of humor thread together Ortberg's playful takes on pop culture as he explores everything from House Hunters to Golden Girls to Lord Byron, Lacan, and Rilke. But what makes these wide-ranging essays work as a coherent collection are the author's poignant reflections on faith and gender. Since publishing his last book, Ortberg has come out as trans, and he offers breathtaking accounts of his process of coming to terms with his faith and his evolving relationships with the women in his life. The chapter about coming out to his mother, framed as a version of the biblical story of Jacob and Esau, is just as touching as a brief miniplay entitled, "The Matriarchs of Avonlea Begrudgingly Accept Your Transition." Throughout, Ortberg's writing is vulnerable but confident, specific but never narrow, literal and lyrical. The author is refreshingly unafraid of his own uncertainty, but he's always definitive where it counts: "Everyone will be reconciled through peace and pleasure who can possibly stand it. If you don't squeeze through the door at first, just wait patiently for Heaven to grind you into a shape that fits."

You'll laugh, you'll cry, often both at once. Everyone should read this extraordinary book.

Product Details

BN ID:	2940171061135
Publisher:	Simon & Schuster
Publication date:	02/11/2020
Series:	A Collection of Essays and Observations
Edition description:	Unabridged

Read an Excerpt

Chapter 1: When You Were Younger and You Got Home Early and You Were the First One Home and No One Else Was Out on the Street, Did You Ever Worry That the Rapture Had Happened without You? I Did. CHAPTER 1 When You Were Younger and You Got Home Early and You Were the First One Home and No One Else Was Out on the Street, Did You Ever Worry That the Rapture Had Happened without You? I Did.
One generally grows up thinking about the Rapture a great deal or not at all. Most don’t, I think, but among those who did, there’s always the question of how, if at all, to bring up the subject in mixed company, whether in the hopes of eliciting either laughter or shock, followed by sexual intrigue mingled with pity. It’s easy enough to sell out an evangelical Christian childhood, and plenty of other pens have been given over to the subject of whether it’s a good idea to raise children in the expectation of being swept up by the Raisin Bran scoop of heaven; I have no wish to dwell on the question of whether I ought to have been taught about the Rapture. No one consulted me beforehand, and I can’t see why I should be asked to provide an opinion on the subject now. I was roughly as afraid of the Rapture as I was of being the last person in the house who left the basement at nighttime and had to turn the lights out before I went up the stairs—it felt variously real and ridiculous depending on how close I was to being alone. Afternoons when I was the first person to come home after school and the neighborhood seemed slightly emptier than usual were ideal for Rapture practice, for seeing if I could gin up sufficient panic and remorse at the prospect of being unscooped; playing DC Talk’s cover of “I Wish We’d All Been Ready” sometimes helped, but more often than not just made me even more self-conscious of having to trick myself into getting in the mood.

I was aware, too, that my parents’ theology did not have much room for the kind of guessing-games- and crossword-puzzle-style approach to eschatology popular among many white evangelicals in the 1990s, that if I were to press them for details about the End Times trivia I had absorbed by virtue of growing up in the suburban Midwest they would at best dismiss it and at worst ask where on earth I’d picked up such things. I had a sharp sense for when keeping a secret would result in a pleasanter outcome, and preferred to occasionally play out Rapture-like scenarios in private than have them either confirmed or debunked by outside opinion. I could have a Rapture a day if I liked—as long as I never asked my parents’ permission to go Rapturing—and dedicated a number of afternoons to making myself dizzy imagining the day when time would burst and unspool itself in every possible direction, and all those willing to be perfected would be milled down by the grindstone of heaven in a lovely, terrifying roar.

At least part of the reason I never asked anyone questions about the fears and desires that preoccupied me was a peculiar certainty that to invite details would destroy anything I hoped for; that the loveliness of being pressed directly against God’s heart and melted down into holiness would become ridiculous if a start date were ever announced. And I did fear it, often, for as much as I longed to be seized, swept up, and changed without or even against my will, I also dreaded it. I was possessed of a rootless homesickness that translated quite neatly, for a religious eleven-year-old, into heaven-longing; later it would translate quite neatly, for a nervous thirty-one-year-old, into transsexuality.

“Of that day”—Rapture Day, hey-YouTube-this-is-my-voice-six-days-on-T day, according to the book of Matthew, chapter 24—“and the hour no one knows, not even the angels of heaven, but My Father only.” Just as the days of Noah were, so also will the coming of the Son of Man be. For as in the days before the flood, they were eating and drinking, marrying and giving in marriage, until the day that Noah entered the ark, and did not know until the flood came and took them all away, so also will the coming of the Son of Man be.

In the early days of my transition (when “transition” consisted mostly of refusing to wash my clothes, letting them pile up on the floor so I could weep in bed, getting significant haircuts, and responding incredibly tersely if any of my friends acknowledged that I’d cut my hair in any way), I often described my sudden shift in self-awareness as feeling as if a demon had entered my room in the middle of the night, startled me awake by whispering, “What if you were a man, sort of?” into my ear, then slithered out the window before I could ask any follow-up questions. I had been eating and drinking, working and laying work aside, and then the floodwaters prevailed exceedingly on the earth, and all the high hills under the whole heaven were covered. All flesh died that moved upon the earth, birds and cattle and beasts and every creeping thing that creeps on the earth, and every man, all in whose nostrils was the breath of the spirit of life, all that was on the dry land, died and were destroyed from the earth. And the waters prevailed on the earth one hundred and fifty days. Sometimes cis people will describe a sense of loss at the transition of a loved one and describe it as mourning a kind of death, but I think they’ve got it the wrong way round. It was if everything on the earth was dead and dying except for me, and that none of the practice runs I’d ever rehearsed in childhood had prepared me for it.

I revisited my own childhood constantly for anything that would be sufficient to make sense of my present situation and was frustrated once again by my own calculated, dreamy vagueness; how like me not to keep a written record of anything I might later like to read. No one knows the hour of the coming of the Son of Man (who might start asking questions), so it’s best to travel light. It was such a ridiculous and yet a persistent thought, which came on all at once and in a way that suggested it had always been with me: What if you were a man, sort of? To which the only response imaginable was What if I were anything? What if I were Donkey Kong, or the city of Chicago? Nothing in my life previous could have prepared me for this question, and I was unqualified to answer it. It was a ridiculous thought to think, and a ridiculous feeling to feel, and yet there it was, so often lurking just beneath something else: What if you were a man, sort of?

Riddle-posing night-demons, the happy days of Noah, the hour of the Son of Man—one of the many advantages of a religious childhood is the variety of metaphors made available to describe untranslatable inner experiences. A few years later, with a transition slightly less bed-centered, I might have described that feeling instead as this: after a number of years being vaguely troubled by an inconsistent, inexplicable sense of homesickness, I woke up one morning and remembered my home address, having forgotten even that I forgot it in the first place, then grown fearful and weary at even the prospect of trying to get back. I have often had a relationship to men that has been bewildering to me. I have been sometimes too charged with an emotion I cannot name, and tried to get them to relate to me in a way that was not easily recognizable, either to them or to me. Had I been in any way prepared for that moment of question-asking, I would have arranged my life in such a way that the moment would have never come. I never saw it coming, so I was never ready; then it was over.

The timeline of awaiting a rapture is broken into two parts: First one becomes willing to be stolen away, then one waits patiently for it to happen, occasionally topping up one’s own willingness and preparedness if stores seem to be running low. But the forces of heaven do the lifting, the heavy work, the spiriting away, the catching up of the body in the air. The timeline of transition is both alike and nothing like it: one becomes, if not willing to transition, at least curious, sometimes desperate, sometimes terrified, sometimes confident, sometimes tentative. Then, at some point, one has to do or say something in order to make it happen. The force of my desire to transition, when I allowed myself to be hit with the full force of it, felt so supernatural and overwhelming it was as if all I had to do was stand and wait and somehow the process would begin itself around me, first the lifting, then the heavy work, then the catching up of the body in the air, then the translation from the corruptible to the incorruptible. My own desires had seemed external to me—I certainly couldn’t remember deciding to want anything—so it stood to reason that whatever came next would happen to me rather than because of me.

“Then two will be in the field: one will be taken and the other left. Two women will be grinding flour at the mill: one will be taken and the other left. Watch therefore, for you do not know what hour your Lord is coming. But know this, that if the master of the house had not known what hour the thief would come, he would have watched and not suffered his house to be broken into. Therefore you also be ready, for you know not what hour your Lord comes.” I had not foreseen the hour when I would be struck by transition-longing. How then could I be asked to discern what came next? I hoped with all my heart to wait long enough for my desires to pass, or to be remade at someone else’s hands. “For God was pleased through Him to reconcile to Himself all things, whether things on earth or things in heaven, by making peace” (Col. 1:20). Everyone will be reconciled through peace and pleasure who can possibly stand it. If you don’t squeeze through the door at first, just wait patiently for Heaven to grind you into a shape that fits.

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