06/03/2019
In this doorstopper biography, Moser (Why This: A Biography of Clarice Lispector), for whom Susan Sontag was “America’s last great literary star,” exhaustively and sometimes exhaustingly chronicles his subject’s life. Between recounting Sontag’s birth to a prosperous Manhattan couple in 1933 and her death from cancer in 2004, Moser fully details her prolific career as an author of novels, plays, films, and, most notably, essays, including “Notes on ‘Camp’ ” the 1964 “essay that made her notorious.” He conveys the diverse range of subjects about which she wrote, encompassing photography, film, fascism, and pornography, among others. Moser follows Sontag’s private life as well—her troubled early marriage to Philip Rieff; her parenting of their son, David, whose job as her editor she later secured; her attraction to women, “of which she was deeply ashamed”; and her final long-term relationship, with photographer Annie Leibovitz. He does not neglect Sontag’s detractors, such as poet Adrienne Rich, who charged Sontag with inaccurately criticizing second-wave feminism. However, Moser’s tone is admiring: Sontag, “for almost fifty years... set the terms of the cultural debate in a way no intellectual had done before or has done since.” His book leaves readers with a sweeping, perhaps definitive portrait of an acclaimed author, though one likely to deter all but her most ardent admirers with its length. (Sept.)
Sontag made and broke the mold of American twentieth century public intellectual. In this long-awaited, brilliant biography, Moser shows us how to read Sontag—and, by extension, her times—and reveals the extents and limits of her genius. His psychologically nuanced critical study is written with sang-froid and compassion.
Moser brings his iconic subject to life in this gripping, insightful and supremely stylish biography… revealing at every turn the vital, complicated, imperfect human being behind the formidable public intellectual.
Sontag’s influence on aesthetics, writing and the wider culture is almost impossible to overstate and Moser’s monumental biography reveals the surprisingly tender, insecure, and intellectually dedicated story of one the most remarkable literary figures of twentieth century America. She stands reclaimed for our century in this definitive, fiercely intelligent work.
An astonishing page-turner, the last word on Susan Sontag. I can’t imagine the necessity of another book about her life.
If it’s already difficult to imagine American culture without Susan Sontag’s contributions to it, it may soon become difficult to imagine her life without Benjamin Moser’s account of it. A significant life like Sontag’s demands a significant biography. That demand has now been incisively, extravagantly met.
Moser’s accomplishment here is breathtaking: it includes an extraordinary knowledge of the subject, her milieu, her writings, her ideas, and her friends and family, beautiful prose, extraordinary insights, a capacity to understand her driven emotional life and her stellar intellectual life.
★ 07/01/2019
For this exceptional biography, critic Moser (Why This World) gains rare access to the closed archives of Susan Sontag (1933–2004), conducting interviews with those who knew her best, including son David Rieff and partner Annie Leibovitz. Moser synthesizes historical events with moments in Sontag's life while comprehensively analyzing her major works. After a difficult childhood with an inattentive mother, Sontag quickly rose to prominence as an essayist (On Photography), novelist (In America), filmmaker (Promised Lands), and "authoritative blurber" who could bring authors and artists fame by expressing admiration for their work. Sontag bravely battled cancer three times and openly supported Salman Rushdie (after Ayatollah Khomeini issued the fatwa against the author) while others stayed silent. She also criticized postmodernism despite its mass acceptance in academia. Moser skillfully describes how Sontag often struggled with basic everyday responsibilities, showing compassion and support for war victims (visiting Bosnia and North Vietnam) yet treating those closest to her cruelly, always considering herself an outsider. VERDICT This excellent portrait of a complicated, brilliant individual will appeal to those interested in late 20th-century culture, LGBTQ studies, and literary scholarship. [See Prepub Alert, 3/11/19.]—Erica Swenson Danowitz, Delaware Cty. Community Coll. Lib., Media, PA
★ 2019-06-11
A sweeping biography reveals personal, political, and cultural turbulence.
Drawing on some 300 interviews, a rich, newly available archive of personal papers, and abundant published sources, biographer, essayist, and translator Moser (Why This World: A Biography of Clarice Lispector, 2009) offers a comprehensive, intimate—and surely definitive—biography of writer, provocateur, and celebrity intellectual Susan Sontag (1933-2004). Sympathetic and sharply astute, Moser recounts the astonishing evolution of Susan Rosenblatt, an impressively bright and inquisitive child of the Jewish middle class, into an internationally acclaimed, controversial, and often combative cultural figure. Even as a child, Sontag—she changed her name after her mother's second marriage—saw herself as exceptional: smarter than her classmates, so widely read and articulate that she astonished her professors. Nevertheless, although certain that she was destined for greatness, she was tormented by an abiding fear of inadequacy. Moser recounts Sontag's education, friendships, and sexual encounters; her realization that she was bisexual; and her wide-ranging interests in psychoanalysis, politics, and, most enduringly, aesthetics. He offers judicious readings of all of Sontag's works, from her 1965 "Notes on ‘Camp,' " which, according to Nora Ephron, transformed her from a "highbrow critic" to "a midcult commodity"; to the late novels of which she was proudest. Her private life was stormy. At 17, she married her sociology professor, Philip Rieff, after they had known each other for 10 days, and within two years, she was a mother. Neither marriage nor motherhood suited her. Devoid of maternal instinct, she was unable to care about anyone, said Jamaica Kincaid, "unless they were in a book." Instead, among her many lovers—Richard Goodwin, Warren Beatty, Joseph Brodsky, Lucinda Childs, Annie Leibowitz, to name a few—she sought those who would care for her: publisher Roger Straus, who sustained her "professionally, financially, and sometimes physically"; and women who kept her fed, housed, and clean. Difficulties with basic hygiene, Moser notes, "suggest more than carelessness" but rather a persistent sense of alienation from her body—and exaltation of her mind.
A nuanced, authoritative portrait of a legendary artist.
