Speculate: A Collection of Microlit

From what began as a dialog between two adventurous writers curious about the shape-shifter called a prose poem comes a stunning collection that is a disruption of language-a provocation. Speculate is a hybrid of speculative poetry and flash fiction, thrumming in a pulse of jouissance and intensity that chases the impossible.

~~

One might describe some pieces as complex, relentless, but above all, speculating or crossing borders in the fantastic playground of language. We invite you to leap onto the stage of your own imaginings, plunge into what Henry James called the house of fiction.

This is how we envision ours:

A single detached house tossed out of Speculate settles across your dreams. Skin, paper-thin, desiccated and scripted like a collage, covers the absence of doors, thresholds, verandas, stairways and footpaths. But there are windows and louvers that look out to rain-licked grasslands. This is a house unsealed, with the sky art and earth art washed or rolled into each other on adjacent floors and walls. The roof, unlettered, is made of two sliding suns of creamed panels, foundation-like. Round the back is a rope ladder that will win you over. Up, up you go. Enter with care as you would any fiction that blurs the boundaries of genre, mode or form, that goes beyond the written and borrows from the unwritten. Together we can interweave art with language and watch it shape itself anew in an endless process of spontaneity and play because we can be here and there and away, all at once.

-Dominique Hecq and Eugen Bacon

1138378844
Speculate: A Collection of Microlit

From what began as a dialog between two adventurous writers curious about the shape-shifter called a prose poem comes a stunning collection that is a disruption of language-a provocation. Speculate is a hybrid of speculative poetry and flash fiction, thrumming in a pulse of jouissance and intensity that chases the impossible.

~~

One might describe some pieces as complex, relentless, but above all, speculating or crossing borders in the fantastic playground of language. We invite you to leap onto the stage of your own imaginings, plunge into what Henry James called the house of fiction.

This is how we envision ours:

A single detached house tossed out of Speculate settles across your dreams. Skin, paper-thin, desiccated and scripted like a collage, covers the absence of doors, thresholds, verandas, stairways and footpaths. But there are windows and louvers that look out to rain-licked grasslands. This is a house unsealed, with the sky art and earth art washed or rolled into each other on adjacent floors and walls. The roof, unlettered, is made of two sliding suns of creamed panels, foundation-like. Round the back is a rope ladder that will win you over. Up, up you go. Enter with care as you would any fiction that blurs the boundaries of genre, mode or form, that goes beyond the written and borrows from the unwritten. Together we can interweave art with language and watch it shape itself anew in an endless process of spontaneity and play because we can be here and there and away, all at once.

-Dominique Hecq and Eugen Bacon

14.95 In Stock
Speculate: A Collection of Microlit

Speculate: A Collection of Microlit

Speculate: A Collection of Microlit

Speculate: A Collection of Microlit

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$14.95 
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Overview

From what began as a dialog between two adventurous writers curious about the shape-shifter called a prose poem comes a stunning collection that is a disruption of language-a provocation. Speculate is a hybrid of speculative poetry and flash fiction, thrumming in a pulse of jouissance and intensity that chases the impossible.

~~

One might describe some pieces as complex, relentless, but above all, speculating or crossing borders in the fantastic playground of language. We invite you to leap onto the stage of your own imaginings, plunge into what Henry James called the house of fiction.

This is how we envision ours:

A single detached house tossed out of Speculate settles across your dreams. Skin, paper-thin, desiccated and scripted like a collage, covers the absence of doors, thresholds, verandas, stairways and footpaths. But there are windows and louvers that look out to rain-licked grasslands. This is a house unsealed, with the sky art and earth art washed or rolled into each other on adjacent floors and walls. The roof, unlettered, is made of two sliding suns of creamed panels, foundation-like. Round the back is a rope ladder that will win you over. Up, up you go. Enter with care as you would any fiction that blurs the boundaries of genre, mode or form, that goes beyond the written and borrows from the unwritten. Together we can interweave art with language and watch it shape itself anew in an endless process of spontaneity and play because we can be here and there and away, all at once.

-Dominique Hecq and Eugen Bacon


Product Details

ISBN-13: 9781946154552
Publisher: Meerkat Press
Publication date: 01/19/2021
Pages: 136
Product dimensions: 5.50(w) x 8.50(h) x 0.32(d)

About the Author

Eugen Bacon, MA, MSc, PhD, is African Australian, a computer scientist mentally re-engineered into creative writing. She's the author of Claiming T-Mo (Meerkat Press) and Writing Speculative Fiction (Macmillan). Her work has won, been shortlisted, longlisted or commended in national and international awards, including the Bridport Prize, Copyright Agency Prize, Australian Shadows Awards, Ditmar Awards and Nommo Award for Speculative Fiction by Africans. Eugen is a recipient of the Katharine Susannah Prichard (KSP) Emerging Writer-in-Residence 2021. Her creative work has appeared in literary and speculative fiction publications worldwide, including Award Winning Australian Writing, Aurealis, Bards and Sages, Meniscus, TEXT Journal, Unsung Stories, British Science Fiction Association's Vector Magazine and through Routledge in New Writing. In 2020 she released The Road to Woop Woop and Other Stories (Meerkat Press), Hadithi & The State of Black Speculative Fiction (Luna Press Publishing), Ivory's Story (NewCon Press) and Black Moon (IFWG).

Dominique Hecq, MA, Dip Ed, PhD, worked as Research Leader in her capacity as Associate Professor in Writing at Swinburne University of Technology after teaching at a number of universities in Australia and overseas. She has a background in Literature as well as French and Germanic languages, with qualifications in translating. Hecq writes across disciplines, and sometimes across tongues. Her creative works comprise one novel, three collections of short stories, ten books of poetry and two one-act plays. She co-edited Female Sexuality: The Early Psychoanalytic Controversies (1998; 2015) and Creative Writing with Critical Theory: Inhabitation (2018), edited The Creativity Market: Creative Writing in the 21st Century (2013) and wrote the widely acclaimed Towards a Poetics of Creative Writing (2015). Kaosmos (2020) and Tracks (2020) are her most recent publications in English. Among her multiple awards for fiction, poetry and translation, Hecq is a recipient of the 2018 International Best Poets Prize administered by the International Poetry Translation and Research Centre in conjunction with the International Academy of Arts and Letters.
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