Spring Phantoms: Short Prose by 19th Century British & American Authors
A diverse anthology of prose shorts by both canonized and under appreciated writers, Spring Phantoms traces the little-known history of this form in Britain and America throughout the 19th century. This volume is the 22nd in the Marie Alexander Poetry Series.
1127191038
Spring Phantoms: Short Prose by 19th Century British & American Authors
A diverse anthology of prose shorts by both canonized and under appreciated writers, Spring Phantoms traces the little-known history of this form in Britain and America throughout the 19th century. This volume is the 22nd in the Marie Alexander Poetry Series.
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Spring Phantoms: Short Prose by 19th Century British & American Authors

Spring Phantoms: Short Prose by 19th Century British & American Authors

by Robert Alexander (Editor)
Spring Phantoms: Short Prose by 19th Century British & American Authors

Spring Phantoms: Short Prose by 19th Century British & American Authors

by Robert Alexander (Editor)

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Overview

A diverse anthology of prose shorts by both canonized and under appreciated writers, Spring Phantoms traces the little-known history of this form in Britain and America throughout the 19th century. This volume is the 22nd in the Marie Alexander Poetry Series.

Product Details

ISBN-13: 9781945680120
Publisher: White Pine Press
Publication date: 03/13/2018
Series: Marie Alexander Series , #22
Pages: 260
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

From 1993-2001, Robert Alexander was a contributing editor at New Rivers, where he founded the Marie Alexander Poetry Series. He has published three books of prose shorts and two of creative nonfiction. This is the sixth literary anthology he has edited.

Hometown:

Minneapolis, Minnesota

Date of Birth:

August 23, 1952

Place of Birth:

Chicago, Illinois

Education:

B.A. in Russian Language and Creative Writing, Michigan State University, 1976

Read an Excerpt

William Blake [1757–1827] from The Marriage of Heaven and Hell A Memorable Fancy As I was walking among the fires of hell, delighted with the enjoyments of Genius; which to Angels look like torment and insanity. I collected some of their Proverbs: thinking that as the sayings used in a nation, mark its character, so the Proverbs of Hell, shew the nature of Infernal wisdom better than any description of buildings or garments. When I came home; on the abyss of the five senses, where a flat sided steep frowns over the present world. I saw a mighty Devil folded in black clouds, hovering on the sides of the rock, with corroding fires he wrote the following sentence now perceived by the minds of men, & read by them on earth. How do you know but ev’ry Bird that cuts the airy way, Is an immense world of delight clos’d by your senses five?

Table of Contents

Contents Robert Alexander Spring Phantoms: A Brief Introduction William Blake, 1757–1827 from The Marriage of Heaven and Hell Leigh Hunt, 1784–1859 A “Now,” Descriptive of a Hot Day Henry R. Schoolcraft, 1793–1864, and Jane Johnston Schoolcraft, 1800–1842 [trans.] Peeta Kway, The Foam-Woman: An Ottawa Legend Leelinau: A Chippewa Tale Richard H. Horne, 1802–1884 The Old Churchyard Tree: A Prose Poem Ralph W. Emerson, 1803–1882 Woods: A Prose Sonnet Nathaniel Hawthorne, 1804–1864 from Sketches from Memory from The American Notebooks Edgar A. Poe, 1809–1849 Shadow—A Parable Harriet Jacobs, 1813–1897 from Incidents in the Life of a Slave Girl Henry David Thoreau, 1817–1862 from The Journal from Walking Walt Whitman, 1819–1892 from Specimen Days Jourdon Anderson, 1825–1907 Letter from a Freedman to His Old Master Dante Gabriel Rossetti, 1828–1882 The Cup of Water Michael Scott’s Wooing Mary Mapes Dodge, 1831–1905 Our Vegetables Migratory Husbands Ada Clare [Jane McElhenney], 1834–1874 The Slave of the House Celia Thaxter, 1835–1894 from An Island Garden Elizabeth Stuart Phelps, 1844–1911 How Shall Women Dress? Mary P. Thacher [Higginson], 1844–1941 Passenger Pigeons Emma Lazarus, 1849–1887 By the Waters of Babylon: Little Poems in Prose Kate Chopin, 1850–1904 Ripe Figs An Idle Fellow The Story of an Hour The Night Came Slowly Lafacadio Hearn, 1850–1904 The Stranger Spring Phantoms Robert Louis Stevenson, 1850–1894 from Fables Grace King, 1852–1932 The Balcony Mary E. Wilkins [Freeman], 1852–1930 Pastels in Prose Oscar Wilde, 1854–1900 The Artist The Doer of Good The Disciple Olive Schreiner, 1855–1920 from Dreams Fiona Macleod [William Sharp], 1855–1905 from The Silence of Amor Alcée Fortier, 1856–1914 [trans.] The Tortoise The Devil’s Marriage James G. Huneker, 1857–1921 Nuptials Royal Mary Alicia Owen, 1858–1935 [compiler] How the Skunk Became the Terror of All Living Creatures Charlotte Perkins Gilman, 1860–1935 An Extinct Angel Deserted Prisons for Animals Edith Wharton, 1862–1937 The Valley of Childish Things, and Other Emblems Florence A. Merriam [Bailey], 1863–1948 from Birds through an Opera Glass Robert W. Chambers, 1865–1933 from The Prophets’ Paradise Bruce Porter, 1865–1953 The Return of Spring Gelett Burgess, 1866–1951 The Adjective Family The Mutual Advice Association The Confessions of a Yellster Ernest Dowson, 1867–1900 from Decorations in Prose Stephen Crane, 1871–1900 The Judgment of the Sage The Seaside Hotel Hop How the Donkey Lifted the Hills J. M. Synge, 1871–1909 from Translations from Petrarch: Sonnets from “Laura in Death” Harrison G. Rhodes, 1871–1929 Sketches Dora Greenwell McChesney, 1871–1912 At Old Italian Casements Max Beerbohm, 1872–1956 A Good Prince Samuel P. Carrick, 1873–1930 A Geological Parable Yone Noguchi, 1875–1947 from The Summer Cloud: Prose Poems Zitkála-Šá (Gertrude Simmons Bonnin), 1876–1938 from Impressions of an Indian Childhood Lord Dunsany [Edward Plunkett], 1878–1957 from Time and the Gods Holly Iglesias Biographical Sketches Bibliographic Notes
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