Stephen King and Philosophy

by Jacob M. Held (Editor)

Overview

Haunting us with such unforgettable stories as The Shining, The Shawshank Redemption, Salem's Lot, Carrie, The Green Mile, and Pet Sematary, Stephen King has been an anchor of American horror, science fiction, psychological thrillers, and suspense for more than forty years. His characters have brought chills to our spines and challenged our notions of reality while leaving us in awe of the perseverance of the human spirit. The first book in the new Great Authors and Philosophy series, Stephen King and Philosophy reveals some of the deeper issues raised by King's work. From retribution, freedom, and moral relativity, to death and insanity, the chapters of this book expose how King's stories access the questions and fears that haunt each of us in the middle of the night.

Product Details

ISBN-13:	9781442253841
Publisher:	Rowman & Littlefield Publishers, Inc.
Publication date:	08/15/2016
Series:	Great Authors and Philosophy
Edition description:	New Edition
Pages:	328
Sales rank:	891,145
Product dimensions:	5.90(w) x 8.40(h) x 0.80(d)

About the Author

Jacob Held has written extensively on philosophy and popular culture, having edited Dr. Seuss and Philosophy and Roald Dahl and Philosophy, coedited James Bond and Philosophy, and contributed to volumes on the Beatles, South Park, and Watchmen, to name a few. He teaches philosophy at the University of Central Arkansas and lives in Conway, Arkansas.

Table of Contents

Introduction: On Writing Popular Philosophy 1 Jacob M. Held 1 There Is No God in Desperation: Tak and the Problem of Evil 13 C. Taylor Sutton and Jacob Held 2 Female Subjectivity in Carrie 35 Kellye Byal 3 “Sometimes Dead Is Better”: King, Daedalus, Dragon- Tyrants, and Deathism 47 Katherine Allen 4 “Gan Is Dead”: Nietzsche and Roland’s Eternal Recurrence 71 Garret Merriam 5 Rāma of Gilead: Hindu Philosophy in The Dark Tower 83 Matthew A. Butkus 6 What’s Wrong with Roland?: Utilitarianism and the Dark Tower 97 Greg Littmann 7 Stephen King and Aristotelian Friendship: An Analysis of The Body and Rita Hayworth and the Shawshank Redemption 113 Bertha Alvarez Manninen 8 Propaganda and Pedagogy for Apt Pupils 131 Michael K. Potter and Cam Cobb 9 The Shining’s Overlook Hotel as Heterotopia 147 Elizabeth Hornbeck 10 Broadcast Dystopia: Power and Violence in The Running Man and The Long Walk 161 Joseph J. Foy and Timothy M. Dale 11 Stephen King and the Art of Horror 173 Greg Littmann 12 “You Weren’t Hired to Philosophize, Torrance”: The Death of the Author in The Shining 195 Charles Bane 13 What Happens to the Present When It Becomes the Past: Time Travel and the Nature of Time in The Langoliers 207 Paul R. Daniels 14 Notes on Foreknowledge, Truthmaking, and Counterfactuals from The Dead Zone 219 Tuomas W. Manninen 15 Time Belongs to the Tower 231 Randall Auxier 16 Ur 88,416 253 Randall Auxier 17 From Desperation to Haven: Horror, Compassion, and Arthur Schopenhauer 277 Jacob M. Held Ka-tet: Author Biographies 299

Editorial Reviews

"A splendidly stimulating anthology that delves deep into the treasures of Stephen King's work and brings back riches we may not have noticed. Challenging and searching, these essays are fun to read too. Like all the best criticism, they send us back for a fresh look at the original."

"Stephen King's work finally gets its philosophical due. Drawing on thinkers from Aristotle to Nietzsche, this book sheds light on complex issues like the nature of evil while revealing hidden depths of horror and insight."

"The world around us is chock full of philosophical issues. So is the compelling fiction of Stephen King, which is part of its allure. The essays in this book raise those issues and discuss them well, often even brilliantly, using his stories to unearth major philosophical questions that all thoughtful people should pursue. Highly recommended for King fans and anyone interested in philosophy!"

Author Stephen King, despite his popularity, is largely derided in academic circles, typecast as a genre-fiction horror novelist. In this collection of essays concerning different philosophical views as they relate to King's work, Held argues that horror is the perfect category in which philosophy can thrive because it forces readers to be aware of things hidden deep and dark within our basest selves. What we fear goes a long way toward defining us as people, and King has always been well known for tapping into these anxieties and exploiting them in his writing. It is refreshing to see King finally viewed through a scholarly lens, with pieces on topics such as reading The Dark Tower as a nihilistic text, using Carrie to discuss the definition of womanhood as 'Other' in a male-centric society, and Aristotelian friendship in The Body and Rita Hayworth and Shawshank Redemption. VERDICT King's 'Constant Readers' will rejoice in this appreciation of their academically misaligned hero; students of philosophy, collegiate or casual, will also enjoy this text, giving them a familiar context to a field that can confuse the best of us.

From the Publisher

"A splendidly stimulating anthology that delves deep into the treasures of Stephen King's work and brings back riches we may not have noticed. Challenging and searching, these essays are fun to read too. Like all the best criticism, they send us back for a fresh look at the original."

Ramsey Campbell

"Stephen King’s work finally gets its philosophical due. Drawing on thinkers from Aristotle to Nietzsche, this book sheds light on complex issues like the nature of evil while revealing hidden depths of horror and insight."

William Irwin

"The world around us is chock full of philosophical issues. So is the compelling fiction of Stephen King, which is part of its allure. The essays in this book raise those issues and discuss them well, often even brilliantly, using his stories to unearth major philosophical questions that all thoughtful people should pursue. Highly recommended for King fans and anyone interested in philosophy!"

Tom Morris

08/01/2016
Author Stephen King, despite his popularity, is largely derided in academic circles, typecast as a genre-fiction horror novelist. In this collection of essays concerning different philosophical views as they relate to King's work, Held (philosophy, Univ. of Central Arkansas; Dr. Seuss and Philosophy) argues that horror is the perfect category in which philosophy can thrive because it forces readers to be aware of things hidden deep and dark within our basest selves. What we fear goes a long way toward defining us as people, and King has always been well known for tapping into these anxieties and exploiting them in his writing. It is refreshing to see King finally viewed through a scholarly lens, with pieces on topics such as reading The Dark Tower as a nihilistic text, using Carrie to discuss the definition of womanhood as "Other" in a male-centric society, and Aristotelian friendship in The Body and Rita Hayworth and Shawshank Redemption. VERDICT King's "Constant Readers" will rejoice in this appreciation of their academically misaligned hero; students of philosophy, collegiate or casual, will also enjoy this text, giving them a familiar context to a field that can confuse the best of us.—Tyler Hixson, Library Journal

Library Journal